Tapes Quotes - Page 3

Grid View List View
Quote of the DayPicture QuotesTop 100 Inspirational QuotesTop 100 Love QuotesTop 100 Happiness Quotes
John LockeGroucho MarxZig ZiglarHeraclitusFriedrich NietzscheVince LombardiSamuel Taylor ColeridgeNiccolo MachiavelliRonald ReaganVoltaire
QualityHealthWisdomValentine's DayWarTruthArchitectureNew YearLifeHappiness

I've had Motley fans come up to me and talk to me about Motley. I've had other fans talk to me about all the backing vocals and the tapes. I just ask them, 'At the end of the day, did you have a good time?' That's it.

In the beginning, if you look at those early label albums of the Chicks, we didn't write all that much. We had an A&R person and they were getting songs from publishers, listening to hours and hours of cassette tapes.

When I was a kid, among the other embarrassing things I would do, and there's a list of stupid things, but I would make these dumb comedy tapes. I would often make prank phone calls, but I would also do it with friends.

We searched around the globe and looked at well over a hundred 'Marco Polos,' came down to the wire, and went back and looked at our Italy tapes, and we realized that we had overlooked someone. That was Lorenzo Richelmy.

It was very hard to get any records, so the only source for us to really hear what was happening was listening to the Voice of America. We would be taping all the broadcast and then sharing the tapes and talking about it.

One of the first cassette tapes I ever purchased was the 'Rambo III' score. I was not allowed to see 'Rambo,' but my mom would allow me to buy the music, so I would listen to that score over and over and imagine the movie.

The tapes we were making would jump around with different styles, just quick parts of different songs. Hip-hop to jazz to funk to whatever else. And in a way, 'Check Your Head' ended up being like one of those pause-tapes.

I was the only kids to have Sony Umatic tapes of the old 'Star Wars.' It was such an old technology; you needed two or three tapes to show one movie, so the kids used to come over to my house, and we would watch 'Star Wars.'

I just said, casually, 'You know, I passed up on auditioning for Einstein.' And my friend was like, 'You idiot, you have to do it!' She made me do it. I sent the tapes off assuming that somebody would say, 'Ha ha, very funny.'

Bin Laden was 200 miles away from the area where all of these drone strikes were taking out his key leaders, he was able to indulge in his hobbies... and he was making occasional video tapes and audio tapes to the wider world.

I would go to the store, I would buy cassette tapes, and I would read the liner notes and sort of subconsciously creating the connections between the rappers that I was reading and the poets that they were teaching us in school.

The insomnia just perpetuates. I have one bad night, then I get it in my head that I can't sleep. I've been trying these meditation tapes - there are a couple on Spotify - and they're meant to calm you. But they don't seem to work.

It is just called Continuing Legal Education. You can go to lectures, you can even listen to tapes on airplanes - they want you to stay current. So you do have to stay current to maintain your license even if you are not practicing.

Whenever I'd go anywhere with my dad - in his 1980 burgundy Dodge Ram - he'd always listen to mix tapes of country-music stars like Garth Brooks, Clint Black and Willie Nelson. Those were the first songs I ever learned the words to.

I have a lyric journal that I write in a lot. When I'm going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It's a kind of discipline.

It is certainly not news that the president is making mistakes; that he's been intemperate. I think what shouldn't be lost on the American people is that his first tweet around tapes was essentially designed to intimidate James Comey.

The story of Basinski's 'Disintegration Loops' - tapes that destroyed themselves in the transfer to digital - is a parable (again almost too perfect) for the switch from the fragility of analogue to the infinite replicability of digital.

There's an institution here called the National Sound Archive, and there's a character who works there, Paul Wilson. He takes a very special interest in the history of the music and advised Martin Davidson of the existence of these tapes.

I put out tapes, but I always kept saying, 'Why am I putting all this energy into these tapes?' I was like, 'I'd rather make just an album because I have a vision; I know how I want to do my records.' I always felt like an artist as well.

Bob Dylan has always sealed his decisions with the unexplainable. His motives for withholding the release of the magnificent 'Basement Tapes' will be as forever obscure as Brian Wilson's reasons for the destruction of the tapes for 'Smile.'

I've got tapes that I'm so thankful that my father made - old reel-to-reel tapes. I've got a ton of those things at home. He kept those like fine diamonds, I mean he kept them, you know, in a box and was very, very careful of them, you know.

I've had a couple tapes out and they weren't really tapes, it was just some songs that I had made, and then I would throw them together as a compilation and put a name on it. And then when I would release my next thing, I would just delete it.

I grew up in the early 2000s, being one of the first-generation wrestlers to have access to the Internet and watch independent wrestling. We usually didn't have to trade tapes anymore. We could just get online and search A. J. Styles or Low Ki.

I was shooting for 'Maaya' when I got a call from John Abraham's office. They told me about the film and asked if I could audition. But since I was shooting, I recorded my audition and sent them the tapes. The next thing I know, I was on board.

I was 14 and madly in love for the first time. He was 21. He made me suddenly, unaccustomedly beautiful with his kisses and mix tapes. During the year of elation and longing, he never mentioned that he had a girlfriend who lived across the street.

Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it.

I made a lot of different experiments with tapes at that time, until I finally realized around 1995, that sound is an interesting subject for me. Ever since then sound got more and more integrated into my art works, musically as well as physically.

It's something we, guys, have all done. Made tapes for girls, trying to impress them, to meet them on a shared plane of aesthetics. Read them someone else's poetry because they do poetry better than you could do it, because you're too awkward to do it.

You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes back, and you hope that when you mix it you still have the feeling that you had when you were onstage, but it seems like it never quite works out that way!

That was my way, and I also use the music after five years, I started hearing opera, opera, it was very good instrument to keep the spirit very strong because you feel like you are yourself singing opera, and I used to hear a lot of opera, they send me tapes.

Singing is all about certain inflection on certain lines. I used to listen to tapes of everybody from Michael Jackson and Prince to Earth, Wind and Fire. They would have different vocal inflections. If the line insinuated pain, they would cringe on some lines.

The process was remarkably cathartic. I'd sit and listen to my father's voice - having not heard some of these tapes for 30 years and hearing his voice laying me down for a nap, our giggles and cooking dinner - and I remembered all those wonderful days. Normal days.

What we do sometimes when we're in the sessions recording the dialogue is we'll set up a video camera and we'll video the whole session. So then the animator, if he wants, can draw upon those tapes to pull expressions, mouth shapes, maybe some gesturing that happens.

I'm a big fan of the American Tapes label. But that's very hard to keep a grip on that because you blink your eyes and they've released three records, all of which are limited edition, all sold at one show. So you have to follow in drips and drops on eBay, which I do.

I still like to keep tapes of the few minutes before the final take, things that happen before the session. Maybe it's superstitious, but I believe if I had done things differently - if I had walked around the studio or gone out - it wouldn't have turned out that way.

'Turtles' was by far my favourite TV show when I was growing up. It would be the show that I would wanna watch more than anything. We'd record it on the big VHS tapes, and I'd watch it before school, after school, on the weekend, wear the costume, have all the weapons.

The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.

I've watched the dynamics of music completely change to where we've sold tapes, we've sold CDs, then everything started becoming 'music is free' now. In a perfect world, Napster wouldn't have come along. But the world isn't perfect, and when it changes, you have to adapt.

I was always interested in comedy, like when I was 5 years old. I watched 'I Love Lucy' and 'Benny Hill.' I would always joke around with my sister. My mom was into comedy, too. She would go to the video store and get a couple of movies and some stand-up comedians' tapes.

Now, I know you expected me to say that, well, I just kick back in the rocking chair, fished a little bit, listened to Willie Nelson tapes and watched old baseball games on the Classic Sports network. And, tell you the truth, I have done that for maybe about five total minutes.

I watch a lot of tapes, a lot of games, all the replays. You watch the highlights on TV, those are all about goals getting scored or big saves. So you just look and see what guys do and how they're successful, and sometimes I see something and I go, Wow, that could work for me.

The people I idolized I saw once a year on the Tony Awards. I would buy the cassette tapes of the various Broadway shows and scour the photos inside the recording package. That's how I exposed myself to the arts - New York and professional theater felt like a very distant thing.

I remember when I interviewed at MSNBC, one of the first things they said to me was, 'In your tapes, you had a mustache, right?' I said, 'Yeah, I recently took it off.' I said, 'If you hire me, you get to decide if you want it or not.' They said, 'No, no, we're fine with it now.'

If you listen to my tapes, you'd hear 14 different ways to arrange the rhythm guitar behind the harmony vocal, and then 14 different ways with a different vocal. You'd have to really be a music lover to sit through that and find it entertaining. I enjoy it, but I'm easy to please.

After my second No. 1, my record company, Warner Brothers, gave me a beautiful present - quite unique at the time - one of the very first Sony stereos which had speaker and radio included so I could record the radio and build up cassette tapes of music, gospel singing, adverts, evangelists.

I would watch a lot of old tapes of David Letterman doing his talk show and a lot of interviews. I never had a mentor in my career because my approach has always been so different. Letterman stayed true to who he was, and his staff was always fantastic, so for me, that was always important.

I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.

I had a boom box with a dual cassette deck and a mic, so I used to make pause tapes. I think a lot of people started like that because it was all I had. I would just take rap records that I liked and just loop the beat by pressing pause and record and make, like, five minutes of these beats.

I use to live on this street when I was a kid where there was an old person retirement home, and all of the old people would listen to that band Herman's Hermits, and they would wear white nursing shoes. And they would throw away stacks of VHS tapes, and I would go through the trash and take them.

My VHS collection certainly contains videos that I've had since childhood, and also tapes that my mom had taped off of the Disney Channel or HBO - you know, blank tapes with the 'Care Bears' movie or whatever is on there - but I feel like that collection started for real my freshman year of college.

Share This Page