Tap Quotes - Page 9

Grid View List View
Quote of the DayPicture QuotesTop 100 Inspirational QuotesTop 100 Love QuotesTop 100 Happiness Quotes
Samuel Taylor ColeridgeWill RogersOscar WildeGroucho MarxFrancis Of AssisiDonald TrumpMartin LutherPope John Paul IiDeepak ChopraLeonardo Da Vinci
SadTrue LoveFitnessBrainyYou Are BeautifulMarriageHumorNew Year'sHappyBeauty

Before a show, I usually give myself two-and-a-half hours to get ready. I prepare my shoes first. New ballet pumps can sound like tap shoes. You have to take the noise out of them by hitting them against stone. It takes half an hour to do each pair, and I can go through three pairs in one night.

I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.

When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening with just me, the wind, and the moon. Your skin crawls up an octave. This is what I tap into when I'm working on horror films. I'm just afraid a time will come when I lose touch with that part of myself.

When I was 4, my parents took me to see a musical, and I was like, 'I want to do that!' I started doing all sorts of musical camps and a lot of professional theater. I took dance classes for 10 years, too - I was never the most amazing kid in the other classes, but tap stuck with me for some reason.

You talk to people, and they don't understand our water. They come and turn on a tap and drink clean water, and to them, that's amazing. Millions of people around the world have to carry water miles and miles, and that's all they have. It's hard for fat Americans like myself to even understand that.

The universe is so enormous, and we have no idea what's on the other side of the galaxy. It's a lovely thing to be able to tap into. I'm definitely not opposed to any supernatural ideas, but I've never encountered any. I believe in spirits, but I've never seen a ghost. And I believe in Heaven and Hell.

I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.

I had a very simple, unremarkable and happy life. And I grew up in a very small town. And so my life was made up of, you know, in the morning going to the river to fetch water - no tap water, and no electricity - and, you know, bathing in the river, and then going to school, and playing soccer afterwards.

If you have to tell a story without speaking, it's sort of like - I come from a dance background, so it's like a ballet where you have to tell a story with just your body. I think that's really interesting to have to tell a story with just your face and your mannerisms, and I'd like to tap into that world.

I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.

Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something.

Whether I'm doing a routine where I want to move people, or if I want to feel moved myself, I definitely tap into those moments where it's not just dancing or movement. It might just be a hand gesture or just a slow look, or even just the way you slightly tip your head forward. These subtleties speak volumes.

To truly rid the oceans of plastic, what we need to do is two things: One, we need to clean up the legacy pollution, the stuff that has been accumulating for decades and doesn't go away by itself. But, two, we need to close the tap, which means preventing more plastic from reaching the oceans in the first place.

With physical prep work, you know if you go to the gym, you will get size. There's no chance it won't happen. The emotional prep work is a variable. You could step onto the set one day and have a disconnect with your thoughts and feelings and have a rough day acting because you can't quite tap into what you need.

I think my mom put me in tap classes when I was three, which I never pursued. I don't know how to tap. Then we moved to Portugal when I was five, and, I think, she put me in ballet classes immediately. Then I was expelled for being too restless - I am too high energy - and was told I could go do rhythm gymnastics.

I hate this quality, but I can go to dark levels when we lose. It's not a panic attack, but there's anxiety. I'm inconsolable. I'm a train wreck. I'm being myself. Then I get this crazy, intense focus, where I get desperate not to be embarrassed again. That dark spot is what I tap into. Creativity comes from there.

I love Jesus Christ with all my heart and everything He stands for. I think that sums up everything that I want for my life, everything I want for my family, everything I want for my career. I want it to be entertaining. I want people to smile and tap their toes, but I want it to be meaningful when the day is done.

Tap dancing is like... it's equivalent to music, not only for the African American community, but also for the world. Tap dancing is like language; it's like air: it's like everything else that we need in order to survive. I'm blessed and honored to be knowledgeable of the art form and to be a part of the art form.

Studios are so used to digital now, and there is a mythology that it's cheaper. But it's really not cheaper. For instance, digital is great for night exteriors; everybody knows it's a video tap, so it's very responsive to light. So you can go out at night, shoot with digital, and it's gorgeous, beautiful to look at.

When Clinton traveled to Russia, known for its hackers and cyber warfare against the United States and other democracies, she didn't bother to tap into the government-protected email system provided by the State Department. Instead, she continued to communicate through her personal, home-brewed and unsecured server.

As I experience life, my music is gonna evolve. At the same time, I still do tell the stories from my world because there are unlimited stories and unlimited people from that place. I'll always represent them. As my life begins to change and I do different things, I still want to be able to tap in and relate to them.

Although my values and my morals are old-school, you have to kind of key into the landscape of social media and how the world is progressing. I'd be a fool to sit there and go, 'Yeah, let's use the telephone to telemarket myself'... Social media is something that I definitely have to tap into, to another demographic.

The whole thing about writing a play is that it's all about controlling the flow of information traveling from the stage to the audience. It's a stream of information, but you've got your hand on the tap, and you control in which order the audience receives it and with what emphasis, and how you hold it all together.

To me, what I realized when we were doing 'Spinal Tap' - and the four of us wrote that - is, really, the core of that is the relationship with the two guys who grew up together and that strain when the girlfriend comes in. If that wasn't there, it's a very different movie. Then it's just bumbling guys stumbling along.

The Bible app is designed to make absorbing the Word as frictionless as possible. For example, to make the Bible app habit easier to adopt, a user who prefers to not read at all can simply tap a small icon, which plays a professionally produced audio track, read with all the dramatic bravado of Charlton Heston himself.

You don't have to be the sexiest girl or the most talented person to have the X factor. X factor is something you are born with that is your own. And the moment that you realize how to tap into that quality that you have within, and how to bring that individuality out of yourself, that is when you discover the X factor.

It gets easier as you get older because life deals its particular hand, and our experiences get deeper, richer, more profound. When I gave birth to my son, something happened. It is a huge thing for a woman: a whole set of emotions you never had before arrives, and a love you never had before in your life is now on tap.

If you get into an armbar and someone locks it down on you, it's easy for you to tap out, but sometimes dealing with certain things, fighting through certain adversities, and being that I've been in some of the toughest situations in life, it just gives me an edge on my opponent that I'm going to torture him and beat him up.

I'm kind of lucky in the fact that I can take something that's in my head and write it down, or I can listen to a piece of music that somebody else has written and try to tap into what the music's saying and just kind of follow that, you know. I mean, nine times out of 10, I'm just kind of following where the music takes me.

New online formats gutted the newspaper-ad business. Why pore over tiny print looking for a job in the want ads when you can tap a few keywords into monster.com, then click through and apply? Why pay a steep per-character rate for a classified when you can hawk a whole garage full of used stuff on EBay or Craigslist for free?

What has started to interest me is how you use all the different disciplines and tools we have at our disposal, and that includes going into different art forms, like music and movement, because often they can tap into things that characters can't necessarily express through words. Audiences really enjoy that total experience.

'Spinal Tap' began as a mock rock band that we four - Rob Reiner, Christopher Guest, Michael McKean and myself - developed for an appearance on a TV pilot at the end of the 1970s. On our own initiative, we wrote and recorded most of the songs and performed them live in several music clubs around L.A. before any cameras rolled.

I think that Tyler Perry's genius really has been to tap into the domestic market. He knows what his audience is based on, having toured America for so long, and then giving them the blueprint for his films prior to the films coming out, and then the films have the built-in audience because they've seen it in theaters already.

One of the things with the second record, a word I held close to my chest was 'brave.' To take chances to go outside the box and explore. To continue to toss off any expectation that our fans or anyone else might have of us, to just tap into who I am as a writer and artist and really just operate within that freedom of creation.

When you talk about black entrepreneurship, you're talking about addressing the foundation of what's going on with our people when we don't have any financial power. Our basic needs aren't being met in a lot of cases, so there's no way we're going to be able to tap into our potential until we address those bottom-level base needs.

My mum, Helen, was hilarious. She had a tremendous sense of humour and was a great singer and tap dancer. For many years, she was the voice of Minnie Mouse in the Macy's Thanksgiving Day Parade. She would be in the float as it came along, singing whatever the Minnie Mouse song of the day was. She was a really big spirit in my life.

I thought I was going to be an actor. I liked entertaining. I was pretty much tap dancing for attention from a very early age. My family was kind of musical, and there were people in the circus next door and actors across the road. I just enjoyed messing around with music growing up, but I really thought I was going to be an actor.

The objectification of females is not a good thing! Not every rapper does this, but when the lyrics focus solely on the strip club, 'poppin' bottles' and how many girls they can 'tap,' it distorts what kids are learning. I think if there was more of a female presence in hip hop we could break up the monotony. It's all about balance.

I tap danced for ten years before I began to understand people don't make musicals anymore. All I wanted to do was be at MGM working for Arthur Freed or Gene Kelly or Vincent Minelli. Historical and geographical constraints made this impossible. Slowly but surely the pen became mightier than the double pick-up time step with shuffle.

At one point in time in my career, it was like, 'Oh, he never finishes nobody.' Then, the next thing you know, I'm breaking peoples' arms, making them tap out, and knocking them out. Then, the next thing you know, it's, 'Oh, I don't like his personality.' It's like, 'Okay, well, if you don't like who I am, I can't help you there, buddy.'

I have been waiting for someone to come along and tap into that very real frustration that exists in a very large segment of the working-class Republican base. And no one had done it until Donald Trump. I very clearly saw a void, and I knew somebody would fill it. And the moment I knew he had filled it, I knew he would win the nomination.

I don't think we've ever known what the hell's going on when we do Tap shows. It's possible the audience are effectively getting to see more of the movie when we play. You know, they know the songs, so anything we do onstage, whether we're meaning to or not, is an extension of the film. Other than that, I wouldn't understand what's going on.

The faux now of Twitter updates and things pinging at you - all the pulses from digitality that we try to keep up with because we sense that there's something going on that we need to tap into - are artifacts, or symptoms of living in this atemporal reality. And it's not any worse than living in the 'time is money' reality that we're leaving.

Will you lose everything you've got if you open your own restaurant? Who knows. Will unleashing your secret desire to teach tap dancing ruin your reputation as a professional wrestler? Who knows. And who cares? Unless your unknown puts you at risk of death, prison, or bodily harm, you have nothing to lose except living a dull, uninspired life.

Garrison Keillor's 'Lake Wobegon' books create a world I can immerse myself in over and over. I love the deadpan humour, the warmth, and the wonderful characters in The Sidetrack Tap. I discovered them when I was about 30, starting with 'Leaving Home' and 'We Are Still Married,' and fell in love with the place and those flat Midwestern vowels.

I hate plastic bottles. Just think about it before you buy one. We pay more for a gallon of water than we do for a gallon of gas. I think people will realize that water quality standards in most municipalities are as good or better for the stuff coming out of the tap than bottled water companies. You'll save money and save the environment, too.

Too often, women are waiting for someone to recognise their great work and tap them on the shoulder and say, 'Here - this is the next thing we want you to do,' and that may happen. But I feel you need to take more ownership of telling your story, advocating for yourself. You can do it in a way that's positive and that your leaders will appreciate.

I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.

Share This Page