Quotes of All Topics . Occasions . Authors
The radio voice, you're in the studio, there's nobody around, and you're using your personality and enunciation skills to get the message across. At the stadium, there are vendors, there are people, the fans talking to each other. It's very difficult. If you were to speak as a radio disk jockey, no one would ever understand what you're saying.
We are not talking about isolation. We're talking about security. We're not talking about religion. We're talking about security. Our country is out of control. People are pouring across the southern border. I will build a wall. It will be a great wall. People will not come in unless they come in legally. Drugs will not pour through that wall.
The Brer Rabbit ploy has been quite effective for me. When a country is talking about prosecuting me, I demand to be charged and put on trial and offer to pay my own airfare. They know that I'm going to bring a lot of international media with me and put their whaling programme on trial, and they decide it's better to keep quiet and do nothing.
I just realized the other day that Clara [in Aquarius] and I are now going to be apart year by year. She's still 65, and I'm 66 now. When you make a movie, it preserves you at a certain age, and it's so wonderful that Clara has preserved me at 65. People are talking about her age in a way that is positive and respectful, which is so wonderful.
I'm always amazed to hear my more conservative colleagues talking about how they care about life. They're pro-life, but when it comes down to safe work environments that allow for unions, being able to pay for child care, having family leave - they don't care about any of that. That's where I argue that they're not pro-life, they're pro-birth.
Tony Awards boost Broadway attendance and sell the shows on the road. They're the sugar to swat the fly. If you needed more explanation for the yearly ballyhoo, in the metropolitan areas where a Broadway show plays, the local economy is boosted by three and a half times the gross ticket sales. So when we're talking Tonys, we're talking moolah.
I don't mind talking about the game. I don't mind talking about what we go through as players, because I want people to get a deeper look inside instead of looking at stats all the time or looking at numbers or just watching the game. I want them to get a pulse on us as players, and a lot of players might not want that, but that's what I want.
It happens all the time! People are always talking about that explosive moment in their family history that sort of changed everything and rattled the cage, and more times than not it has nothing to do with trans issues. That's why people are relating to the show Transparent, because our family is their family and they understand that dynamic.
People are always talking about freedom. Freedom to live a certain way, without being kicked around. Course the more you live a certain way, the less it feel like freedom. Me, uhm, I can change during the course of a day. I wake and I'm one person, when I go to sleep I know for certain I'm somebody else. I don't know who I am most of the time.
"Jobs for every American" is doomed to failure because of modern automation and production. We ought to recognize it and create an income-maintenance system so every single American has the dignity and the wherewithal for shelter, basic food, and medical care. I'm talking about welfare for all. Without it, you're going to have warfare for all.
I'm from a working-class family. We didn't have a lot, but we had the arts. You're talking to a guy who is making a living at doing what he loves doing - acting, singing and dancing. So any career ups and downs were not that significant to me; the only things that really powerfully impinged on me were my losses, and there were many in my life.
Same-sex marriage is so ingrained in the culture now that when you're talking about regular, good old-fashioned marriage, you have to say "opposite-sex marriage" to let people know what you're talking about. Just describing, just talking about "marriage" doesn't let anybody know what you mean anymore. You have to specify opposite-sex marriage.
So what is design all about? It [exists to] decrease the amount of vulgarity in the world ... to make the world a better place to be. It doesn’t have to be one style. We’re not talking about style, we’re talking about quality. Style is tangible, quality is intangible. I am talking about giving to everything that surrounds us a level of quality.
So when it came to role models, I looked at presidents' wives. Of course, you're talking about a farm girl who stood in the fields, dreaming, years ago, wishing she was that kind of person. But if I had been that kind of person, do you think I could sing with the emotions I do? You sing with those emotions because you've had pain in your heart.
When you first get started, you're the only one with a vision. When you become creative and use your imagination, pretty soon the things you imagined, you can get done. If you got a taste of it, if you got a taste of what I'm talking about, you'd rather do that than eat. You couldn't get enough of it. You'll hunger for it the rest of your life.
Sometimes when my fans come up to me, they think it's going to be entertaining, like I'm going to tell jokes or do bits, and then instead of that I end up talking about really mundane things with my fans, and then they're kind of like, "This is boring. I want to go talk to somebody else." I think I bore my fans to death by over-talking to them.
I've probably read maybe by now fifteen, twenty books on Matthew. I'd say the authors I like best are an English fellow named Michael Goulder, who taught at the University of Birmingham in England, and he writes about the Jewish background in Matthew's gospel, which is part of what I was just talking about, which is just really thrilling to me.
An unhurried mind brings the capacity to make wise choices every day - choices of how we use our time, of where we place our resources and our love. I am not just talking about avoiding the rat race, but about a life full of an artistic beauty - a life that has almost vanished from modern civilization, but is quite within the reach of everyone.
We can no longer completely avoid anthropogenic climate change. At best, limiting the temperature rise to two degrees is just about possible, according to optimistic estimates. That's why we should spend more time talking about adjusting to the inevitable and not about reducing CO2 emissions. We have to take away people's fear of climate change.
Except...I do. Of course I do. Because as his hands gently cup my waist, I don't make a sound. As he swivels me around to face him, I don't make a sound. I don't need to. We're still talking. Every touch he makes, every imprint of his skin is like another word, another thought, a continuation of our conversation. And we're not done yet. Not yet.
When I stand on my special-issue "Intelligent Investor" ladder and peer out over the frenzied crowd, I see very few others doing the same. Many stocks remain overvalued, and speculative excess - both on the upside and on the downside - is embedded in the frenzy around stocks of all stripes. And yes, I am talking about March 2001, not March 2000.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
Consider in Washington, around the country today we are talking about balanced budgets, paying down our national debt, getting the economy going, defending ourselves, activist judges. Newt Gingrich did all those things when he was speaker. We got tax relief. We got balanced budgets. We got, you know, job creation. We paid down our national debt.
Maybe each human being lives in a unique world, a private world different from those inhabited and experienced by all other humans. . . If reality differs from person to person, can we speak of reality singular, or shouldn't we really be talking about plural realities? And if there are plural realities, are some more true (more real) than others?
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
Karl Rove thinks we shouldn’t have Hillary Clinton in the White House because she fell and hit her head a couple years ago, spent three days in the hospital, and maybe she has brain damage. You know, I don’t recall the Republicans being this concerned with mental fitness during the years when Reagan was talking to house plants in the White House.
If you and I are friends, there is an expectancy that exists within our relationship. When we see each other or are apart, there is an expectancy of being together, of laughing and talking. The expectancy has no concrete definition; it is alive and dynamic and everything that emerges from our being together is a unique gift shared by no one else.
Religion is the yeast of death cakes. It is the most awful agent on a vulnerable mind. It's the refuge of alienated and lonely people. It's what people had before television. It yokes people together into an imaginary world. It is just people talking to their imaginary friends, at length. I wouldn't mind, but some of the people are world leaders.
A guy friend I was speaking to said he was talking to a group of male producersand he was just shocked that they said, "But if we give women directors a job they're going to take jobs away from the men." I almost fell out of my chair. But when I encounter this kind of thing, what I try to do is give a chiropractic adjustment to the mind, quickly.
You cannot “catch” anything unless you think you can, and thinking you can is inviting it to you with your thought. You are also inviting illness if you are listening to people talking about their illness. As you listen, you are giving all your thought and focus to illness, and when you give all of your thought to something, you are asking for it.
I was breathless, talking as fast as I could. I was afraid if I stopped talking, even for a second, I’d start sobbing again. “Whoa, there.” Fang smiled and reached up, tracing a hand down the side of my face, winding strands of my hair around his fingers. “Stop talking and let me just tell you how great it is to wake up staring at your face. Okay?
What I worry about is working in this serial medium, where people are talking about your stories before they're done, we have this instant feedback loop now. I'm very active on Tumblr and I have a very active engagement with readers and I love it, but I don't want to start writing to try to please someone else. I don't want my meter to get skewed.
If you want to change people by talking about God, then there is only one way: instead of teaching God, you must live God. Because: "teaching" God is unthinkable in any other way than the way you would teach love or poetry. You teach love only through love, poetry only through writing poetry, faith in God only through a contagious way of trusting.
My friends, when I was young, were always older than I was, and I've always liked them. And I love old men and old ladies, really. But I've known more elderly men, like Max Beerbohm, like Beranard Berenson, like Somerset Maugham, Winston Churchill-I'd put him first, anyway-what they say is so wise and so good. They know what they're talking about.
... I never look at my watch if I'm talking with someone. I think that's such an insulting gesture! It suggests you're trying to gauge whether you think what they're saying is worth your time. Rushing is no way to bring out what's best in people, and I'm always looking for the best. That's what's ultimately behind my determination to take my time.
All we are, all we can be, are the stories we tell," he says, and he is talking as if he is talking only to me. "Long after we are gone, our words will be all that is left, and who is to say what really happened or even what reality is? Our stories, our fiction, our words will be as close to truth as can be. And no one can take that away from you.
I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
I am always interested in why young people become writers, and from talking with many I have concluded that most do not want to be writers working eight and ten hours a day and accomplishing little; they want to have been writers, garnering the rewards of having completed a best-seller. They aspire to the rewards of writing but not to the travail.
There are certain jokes that indicate how mainstream a comic is. If you're talking about how the side effects of drugs that they advertise on TV are worse than the actual illness they're supposed to prevent, that's like the hackiest joke out there now. If you're still doing that joke, that usually is an indicator of being mainstream, in a bad way.
There has been a great deal said about a 3,00-mile high-angle rocket. The people who have been writing these things that annoy me, have been talking about a 3,000-mile high-angle rocket shot from one continent to another, carrying an atomic bomb and so directed as to be a precise weapon which would land exactly on a certain target, such as a city.
Everyone's talking about insoles nowadays, saying that it's a male necessity. To tell you the truth, I always use it because for people like me that started dancing at a very young age, it's more stable for me if my heel is pushed back a little. I wear it because it can make me dance better. But of course, since I wear it, my legs look longer too.
I love seeing the videos of people who go and talk to these neo-Nazis because they're like, 'I'm just here to have a conversation and understand.' Having a conversation about it and talking about your emotions without judgement. You have to be able to be completely open, because they're not going to be, but you could turn a new leaf in their life.
The challenge for me was not just the prosthetic work and how to move like an older man would move, but more so how to have 50 years of experience in the workplace and talk to a young Robert F. Kennedy as if he was some political upstart that didn't know what the hell he was talking about. That was the big challenge [in the J. Edgar Hoover mоvie].
When I was in school, if I was talking as myself and I was presenting something as myself or having to answer a question, I was so nervous. I would get red in the face; I would feel sweaty. I hated it. But anytime I was performing, like, if it was a talent show, or if it's through wrestling, I'm portraying or being someone else, I'm so comfortable.
I'd probably end up doing the same thing over and over. We're creatures of habit. We know what we know. With collaboration...and I'm not just talking about music, I'm talking about in life - if you're a good listener and you have your ears open, and to be a good collaborator you have to be able to listen, you can learn something from somebody else.
What's important is that people give the kinds of reasons that can be understood and appraised apart from their particular comprehensive doctrines: for example, that they argue against physician-assisted suicide not just by speculating about God's wrath or the afterlife, but by talking about what they see as assisted suicide's potential injustices.
Working on camera is a different ballgame in the sense that it's far more intimate work, but the basics and the foundations of being able to create something that isn't necessarily your own instincts - is a character that you have inside your head - whether you're talking about television or film or theater, that still has to be the grounding work.
For me the Holocaust was not only a Jewish tragedy, but also a human tragedy. After the war, when I saw that the Jews were talking only about the tragedy of six million Jews, I sent letters to Jewish organizations asking them to talk also about the millions of others who were persecuted with us together - many of them only because they helped Jews.
You could ask me to teach you.” “Huh?” This night is getting weird in a hurry. “Teach me like you’re teaching a class or something? What are you going to call it: ‘You Too Can Be a Sociopath 101’?” “It would be more like a graduate-level class.” I start to snicker. His sense of humour sneaks up on you. Then I remember who’s talking and bite it off.
When I started out, Jay Leno used to say you're not as good as you think you can be until at least your sixth year. I was like, what the hell is he talking about? 'Cause I was in my third year, and I thought, 'I got this.' I kept videos of myself performing, and in my fifth year I watched my third year and realized he couldn't have been more right.