I would say things like 'I am the greatest! I'm pretty! If you talk jive, you'll drop in five! I float like a butterfly, sting like a bee! I'm pretty!' When white people heard me talking like this, some said, 'That black man talks too much. He's bragging.'

People who think they know what they are talking about when they talk about baseball include the announcers and all of the sports press - no matter how much evidence you present them to the contrary they will continue to think that what they think is right.

I could really make a song of hurt, because I've been hurt by a lot of men. I'm talking about, like, how sad I be when a dude curves me. And I never talk about that because I refuse to let people know that I get sad because when a man don't answer my calls.

Sometimes black people really want to hold onto our oppression - 'This is ours! This belongs to us.' You can't just talk about equality for somebody else. Let's pass it on. Let's pass it on to somebody else. At the end of the day, it is all about inequality.

I'm good friends with Robbie Williams because we both grew up in Stoke and our dads went to the same pubs. His dad, Pete, is like my second dad, I can talk to him about anything and I see him most weeks. And Rob is brilliant, a really generous, lovely bloke.

The Arab Spring showed that people are not going to wait for an American president to make good on his big talk about democracy and human rights; they are going to fight for those rights themselves and overthrow pro-American dictators who stand in their way.

Now that my wine has been served in the White House, why not me? Who could talk to farmers better than I? Somebody even asked me the other day if I had anything in my platform about taxes. 'Hell yes,' I said. 'Great state. But I wouldn't want to live there.'

In the 1960s, you could eat anything you wanted, and of course, people were smoking cigarettes and all kinds of things, and there was no talk about fat and anything like that, and butter and cream were rife. Those were lovely days for gastronomy, I must say.

I respected it. I submerged myself into it. So on a lot of days off I would go and fish with the fishermen and the families that ran the boats. I would go work the fields with farmers. I would go and talk with farmers about growing particular products for me.

Expectations shouldn't be lowered, even if Donald Trump was just telling stories to impress the crowd around him and never grabbed as many women as he suggested. Lower the bar for what you can talk about, and you lower the bar for what is acceptable behavior.

The world in the '90s had seemed somewhat stable. There was talk of the end of history, a calm consensus around where we were all going. Consumer capitalism with some sort of social conscience. Then 9/11 happened, and that illusion was blown out of the water.

I do sometimes talk about my cancer because that's something people relate to a lot, as we're all going to die. Because I've been close to death and won, I have strong opinions about it, and I've learned how to discuss it and keep the energy high in the show.

I don't think I would do a straight late-night talk show, like a 'Tonight Show' kind of thing. But I'm open to whatever is done well. I don't have any agenda. I'm not like Fugazi - I'm not trying to be just so punk rock until I die. Whatever is funny is good.

I go home at the end of the day and I rarely talk about what I did that day. So my wife's experience is just like that of anybody else whose husband goes away to a blue collar job and comes home bruised and dirty and often proud of the work that they're doing.

I did a live late-night talk show called 'Creation Nation' with friends of mine. I had a sidekick and a band, and I wrote the whole thing. And it had the form of a late-night talk show, but we did it on stage because no one was giving me a TV show at the time.

I'm a computer scientist by training. I'm also the author of three books, all of which endorse the use of biotechnology to improve the human condition. In the most recent of these, 'The Infinite Resource,' I talk about the power of innovation to save the world.

I talk a lot about Jackie MacMullan. Think about the trust and the equity Jackie has built with people in this game. When you watch her work, there is such a high level of respect given. It's hard to describe it, but you can see it when players engage with her.

I got invited to the Playboy Mansion with the Lonely Island guys after their first season on 'SNL,' and I sat in the corner drinking coffee and talking to Akiva Schaffer about what aspect ratio he was going to shoot 'Hot Rod' in. Like, that's what we talk about.

We talk a lot about infrastructure in cities, and it's talking about highways and it's talking about trains, but I think more important to people who are low income is, how do I get from here to there? How do I become part of the affluence that's surrounding me?

I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.

I don't even know what a traditional producer is or does. I feel like the job is like being a coach, building good work habits and building trust. You want to get to a point where you can say anything and talk about anything. There needs to be a real connection.

Whenever people talk about dyslexia, it's important to know that some of the smartest people in the world, major owners of companies, are dyslexic. We just see things differently, so that's an advantage. I just learn a different way; there's nothing bad about it.

I majored in sports and went to law school and focused in sports law, so I always knew I wanted to do ESPN but thought it would be behind the camera. After doing 'Bachelor' and 'Bachelorette,' the media circuit, I thought, you know what - I want to talk about it!

Look at guys like Tom Brady and Aaron Rodgers. Those guys have great arms, but people talk about them more as a quarterbacks and the intellectual side of the game and how they really dissect defenses - and then the arm is something else that helps them with that.

Beauty is only skin deep. If you go after someone just because she's beautiful but don't have anything to talk about, it's going to get boring fast. You want to look beyond the surface and see if you can have fun or if you have anything in common with this person.

I got invited to the White House, and I tried to sleep there overnight without permission. The Secret Service came to my house, and I had to talk to them. They legally couldn't do anything because I didn't do anything wrong, but they yelled at me like a principal.

An American cannot converse, but he can discuss, and his talk falls into a dissertation. He speaks to you as if he was addressing a meeting; and if he should chance to become warm in the discussion, he will say 'Gentlemen' to the person with whom he is conversing.

I'd say Jon Stewart has remained funny the entire time. Jon always makes it funny first. And he's just, he's talking about serious things, but in a funny way. Other comedians will talk about serious things in a serious way, and then you don't know what's going on.

A lot of knowledge in any kind of an organization is what we call task knowledge. These are things that people who have been there a long time understand are important, but they may not know how to talk about them. It's often called the culture of the organization.

I don't have a Madonna-sized fan base, so I can actually e-mail and talk to everyone that e-mails me because I am totally appreciative, and I like my fans! They seem to have the same interests as me. They are kind of nerdy and cool - and have good taste, obviously.

Latinos that are in the industry writing and producing, they can't be afraid to go out there and say, 'I want my lead to be Latino. And I want to talk about this, I wanna write about that.' And Latinos as a whole, as a people in America, need to go out and support.

I think business has to be stupider. I want to do really straightforward, stupid business - just talk to me like a 4-year-old. And I refuse to negotiate. I do not negotiate. I can collaborate. But I'm an artist, so as soon as you negotiate, you're being compromised.

I had a mental breakdown while doing my Ph.D. at Cambridge, soon after I cut off contact with my parents, and I started seeing the university counsellor, one of the best decisions I ever made. There's something very nourishing in setting aside an hour a week to talk.

Why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me.

We'll tell fear it can come along with us in our minivan, okay? But we'll just tell fear it can't drive. Sometimes we'll tell it to not even talk. Like when we tell our kids, 'Enough. No words.' We're going to play the quiet game with fear. Fear is not the boss of us.

Most people with whom I talk, often quite educated, think the military is made up of knife-between-the-teeth grunts, uneducated robots without any kind of free will whatsoever - people who goose step to Republican philosophy and particularly the Bush cowboy mentality.

Very often, people talk about mothers, and they think that mother has to lose her sexuality. Mother has to be plain. Mothers cannot be exciting. Mother should not be up on what's going on; she shouldn't know the jargon of the day. And I just find that so old-fashioned!

I want 'Scars to Your Beautiful' to reach different types of women. The girl I am talking about, it's me, it's you - it's every girl who has struggled with feeling not good enough. I want to talk about all the different extremes that girls go through to feel beautiful.

Some people say that their pets will tell them when it's time to go. I don't believe that. No animal of mine has ever told me he was ready to die. I wish it were that simple. Dogs can communicate, but they cannot talk, nor do they think in our language or on our terms.

I'm not a big fan of psychoanalysis: I think if you have mental problems what you need are good pills. But I do think that if you have thinks that bother you, things that are unresolved, the more that you talk about them, write about them, the less serious they become.

There is a lot of talk in publishing these days that we need to become more like the Internet: We need to make books for short attention spans with bells and whistles - books, in short, that are as much like 'Angry Birds' as possible. But I think that's a terrible idea.

Sometimes I talk to religious people about my column or what I do, and I ask them to, you know, read 20 or 30 of them and then come tell me that the message at the heart of every column isn't, 'Do unto others as you would have them do unto you.' In every possible sense.

This ain't bad-guy talk, cos I'm not a bad guy. But people don't realise what fear can do. I've had situations where I've been so scared, where I can't sleep, I can't eat, and it's gone on for weeks and it's ruining my life. It makes you sick, it makes you mentally ill.

I can sit down with my sisters, and they can talk about my body in a certain way, and I will laugh about it with them. That's such a comfortable and loving relationship. But if a stranger I meet in a party makes the same comment, depending on their tone, that's not okay.

Gender is not an easy conversation to have. It makes people uncomfortable, sometimes even irritable. Both men and women are resistant to talk about gender or are quick to dismiss the problems of gender. Because thinking of changing the status quo is always uncomfortable.

She may hide it, but Clinton is a policy nerd. Ask about microfinance, and she'll talk your ear off. Mention early childhood interventions, and she will gush about obscure details of a home visitation experiment in Elmira, N.Y., that dramatically improved child outcomes.

Being a teen can be tough. Just try to surround yourself with really good friends that really have your back, and also be a really good friend to those who really care about you. If you're not sure about certain things, talk to your friends that you trust and your family.

On the second half of 'Under Pressure,' I talk about my family, and there are voicemails on my phone from when I was on the road that actually make up the second half of the nine-minute song. I transcribe them and rap them as if I were my sister, my brother, or my father.

When I open my mouth and talk, sometimes people say they are amazed of my intellect. I don't know if that's because I truly speak in a way that people can understand or feel a certain way, or because they don't expect it. I don't know. That's something I am curious about.

Liberals allow right-wingers on their platforms to have a 'civilized discussion,' but there's no reasoning with racists. I don't want them to have a platform that humanizes them. I want to talk down to them and meet them exactly where they are, with absolutely no respect.

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