Quotes of All Topics . Occasions . Authors
While we are being fascinated by the tales of famous serial killers and how they were brought to justice, the real serial killer goes about his business with hardly a thought to being caught.
My father spent his entire early career as an illustrator for comic books: EC Comics like 'Tales from the Crypt' and 'Creepshow,' then moving on to such magazines as 'Mad' and 'Weird Science.'
I was raised on the brothers Grimm, but my favorite fairy tales in the world are Oscar Wilde's - 'The Nightingale and the Rose,' 'The Selfish Giant.' The latter is probably my all-time favorite.
The theatre has always been voraciously omnivorous. Dramatists have always raided every medium to find grist to their mill: myths, folk tales, newspapers, novels, films, works of art of all kinds.
When I was a kid, there were these great comic books called 'Tales From The Crypt' and 'The Vault of Horror.' They were gruesome. I discovered them in the barbershop and thought they were fabulous.
Although by 1851 tales of adventure had begun to seem antiquated, they had rendered a large service to the course of literature: they had removed the stigma, for the most part, from the word novel.
There have been a number of us working very, very hard to bring myth and fairy tales into public consciousness, through fantasy literature and other media. I hope we're succeeding in some small way.
All lives are tales. Some spread, and grow in the telling. Others are just told between us and the gods, muttered back and forth behind our days, but those tales grow too and shake us just as fierce.
Obscure as still remains the origin of that 'genre' of romance to which the tales before us belong, there is little doubt that their models, if not their originals, were once extant at Constantinople.
Fairy tales opened up a door into my imagination - they don't conform to the reality that's around you as a child. I started reading when I was three and read everything, but I wanted to be an actress.
As social animals, we need to exchange juicy tales about someone - to connect with one another. For millions of years our forebears must have sat around the campfire, whispering about everyone they knew.
Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.
I believe in fairy tales. They are the basis of all our performance of storytelling and film-making - when we twist the real events of the world into something that offers us hope - and I believe in that.
I find campfire stories and urban legends are kind of the bread and butter that inspires a lot of people who are making horror and thriller. There is a nugget of truth behind these sort of cautionary tales.
Songs became little time periods of my life, little tales from certain periods, and you build these kingdoms and memories... they're all little personal relationships and places that I've stored in my head.
I think it was 'Tales of Topographic Oceans' on 8-track that was the funniest thing because it would fade out in the middle of a song and fade back in again, and when the tracks change, it was quite amusing.
It's fun to twist fairy tales, but at the same time, I know I need to write stories that are different enough from each other that fans don't feel like they're just reading the same story over and over again.
Plato found fault that the poets of his time filled the world with wrong opinions of the gods, making light tales of that unspotted essence, and therefore would not have the youth depraved with such opinions.
While some of the tales of woe emanating from the court are enough to bring tears to the eyes, it is true that only Supreme Court justices and schoolchildren are expected to and do take the entire summer off.
What I like about fairy tales is that they highlight the emotions within a story. The situations aren't real, with falling stars and pirates. But what you do relate to is the emotions that the characters feel.
It is not the first duty of the novelist to provide blueprints for insurrection, or uplifting tales of successful resistance for the benefit of the opposition. The naming of what is there is what is important.
I am 39. I am single. I am a black woman. I have too many advanced degrees. Many a news story tells me finding true love is likely a hopeless proposition. Now is the time when I need to believe in fairy tales.
There are accents in the eye which are not on the tongue, and more tales come from pale lips than can enter an ear. It is both the grandeur and the pain of the remoter moods that they avoid the pathway of sound.
I was weaned not on television or Wild West sagas but on stories of nationalism and patriotism. I would sit at my mother's feet by the hour and drink in these exciting tales of the freedom fighters in our family.
I think that true love, fairy tales, the positive messages of positive stories - I don't think those ever die. Sometimes we like to hide them in sarcasm or irony, but they are still there, and they still move us.
If a secret history of books could be written, and the author's private thoughts and meanings noted down alongside of his story, how many insipid volumes would become interesting, and dull tales excite the reader!
I've always been a happy-go-lucky person. I haven't got any dark tales, I didn't draw on my own past, I'm from a very normal stable background and had an amazing childhood, and I haven't got any complaints really.
I don't know where my romanticism comes from. My mom and dad would read to me a lot. 'Treasure Island,' 'Robinson Crusoe,' tales of chivalry and knights, things like that. Those are the stories I loved growing up.
I will always have a soft spot for 'East of the Sun, West of the Moon,' which I discovered just at the age when I was beginning to enjoy the darkness in fairy tales but still wanted a story where the good guys win.
I love the stories of changelings and the thought that the Fey were these ancient, capricious creatures who were tricky and dangerous. I've always preferred the Brothers Grimm faery tales to the Disney fairy tales.
Folk tales are my favourite form of story telling. They not only just adjust the reader according to the world it is introducing the reader to, but also enchant the reader with its mysterious and magical characters.
That went on for a long time: telling various tales from my experience being anorexic and bulimic, and having people say, 'You've got to write this; you are a writer,' and me not knowing how to approach the material.
The market for short stories is hard to break into, but a magazine editor isn't always looking for big names with which to sell his magazine - they're more willing to try stories by newcomers, if those tales are good.
I've always felt that the traditional novel doesn't give you enough information about the narrator, and I think it's important to know the point of view from which these tales are told: the moral makeup of the teller.
Those of us who can remember our childhoods will recall how ardently we relished the moment of the bedtime story, when our mother or father would sit down beside us in the semi-dark and read from a book of fairy tales.
We as a people need to declare that we stand with rule of law and not with the false tales of the revolutionary Marxist forces, who most recently have rebranded themselves from Occupy Wall Street to Black Lives Matter.
The existence of life beyond Earth is an ancient human concern. Over the years, however, attempts to understand humanity's place in the cosmos through science often got hijacked by wishful thinking or fabricated tales.
In winter, the Icelanders told the tales of the brave men of old in their families, and so the tradition was handed on from father to son, the same stories told every winter, till all the particulars became well known.
The narrative of so many fairy tales are timeless in so many different cultures, and they have been since the dawn of man. They represent escapism, but they all feature themes that have such poignancy in a modern world.
With 'Grimm,' it's a lot of fun for me to be able to play within the familiar world of fairy tales. As for satisfying my inner fantasy geek, anything that would have me wielding a sword or shooting a bow would be a dream.
'Once Upon a Time', 'Mirror Mirror' - those shows and films focus on women and their conflict with one another. What the heck is going on in contemporary fairy tales? Women are not dominating the world; they are not evil.
If you look at the beginning of children's entertainment in literature, the first books that were written for kids were cautionary tales. They were books that were there to teach kids about growing up and how to live life.
Growing up as a Brit, Arthur and Merlin and Camelot, and just the idea of it, is embedded in the culture and in your soul, growing up. King Arthur is alongside Robin Hood, as those great British folk tales, myths and icons.
I liked Latin, I like languages, I liked all the myths, and the Roman tales that we were required to translate in Latin, and all these interesting people who were never quite what they thought they would be or seemed to be.
I am completely fascinated by the differences and comparisons between real life and fairy tales because we're raised as little girls to think that we're a princess and that Prince Charming is going to sweep us off our feet.
From as far back as I can remember, I always loved the King Arthur stories, fairy tales, mythology - things like that. So it was very natural for me when I came to write the 'Prydain' books to sort of follow that direction.
Fairy tales, because they have a very clear structure, are easier to interfere with. Also they have this really weird logic: the kind of logic that you only really experience when you're not feeling very well, or as a child.
It wasn't until I was an adult reader that I began to fathom the influence of fairy tales on writers I was in love with over the years, from Louisa May Alcott to Bernard Malamud to John Cheever to Anne Frank to Joy Williams.
My grandmother was born in 1900, and she would regale me with tales I call 'Little House on the Prairie' tales, but they were tales of segregated and racist America growing up in Alabama and Mississippi, where she came from.
The kids from the streets don't want preaching or messages. They want what they can identify with. They want to hear about the reality of their situation, not fairy tales. They don't care if it's ugly; they just want reality.