If my tale has to revolve around a protagonist and there is action around him, I can only imagine him to be someone from the police or the Army.

It's funny because I was looking back on my Instagram,, and I saw that I had a bunch of feminist posts but that was all before 'Handmaid's Tale.'

I've had a fairy tale life. I had a perfect family, a beautiful childhood, an incredible upbringing. I lived a lot of life but a lot of good life.

I have definitely gone through my ups and downs and faced my adversity and my nay-sayers, but managed to do all right. It is a pretty classic tale.

'The Handmaid's Tale' is a human story, and women's rights are human rights, and it's all about equality, but at the end of the day, it's not equal.

I read it in college as an assignment. I didn't think about it at the time. But when I heard there was a 'The Handmaid's Tale' pilot, I freaked out.

Charles Wang, owner of the New York Islanders, serves as something of a cautionary tale in terms of how heavy owner involvement can sink a franchise.

You have this fairy tale of 'life on your own.' It's so awesome. Until the apartment floods, or something happens, and your go-to people aren't there.

There was a movie that was made about 'The Handmaid's Tale.' And I never watched it on purpose because I didn't want to... I just didn't want to know.

Getting to wear Chanel is my version of a fairy tale. Not that I would wear it every day - my style is more jeans and T-shirts - but it's kind of fun.

Pretty much anything you care to imagine can happen in a fantasy, which in turn means you can really crank up the intensity of the tale you're telling.

I've learned that I want what I deny. I want someone who is crazy about me, who treats me like a princess. I want the picture-perfect fairy tale stuff.

There's not a wind but whispers of thy name; And not a flow'r that grows beneath the moon, But in its hues and fragrance tells a tale Of thee, my love.

The escape to an unchallenging fairy tale can be very nice and I'm all for that, but film can also challenge you to confront the realities of our world.

I can't beleive I'm here to tell the tale, this was my first brush with death, and God must have been looking after us and obviously, it wasn't our time.

I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.

'The Merchant of Venice' is a straightforward, clear story, while 'The Winter's Tale,' as a general rule, is hard to present because there is so much plot.

True stories, autobiographical stories, like some novels, begin long ago, before the acts in the account, before the birth of some of the people in the tale.

It's a difficult undertaking. I've been married for four years and I see this movie as a cautionary tale about people who've gone deeply out of communication.

I always believed 'The Fly' to be a classic opera story. It's a tale of love and death, true love surviving in the face of physical decay and ultimate sacrifice.

The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

In the fairy tale the painting represents the here and now. The book is actually divided into five sections, through which the key character, the muse, leads us.

I took lots of photographs and had planned to write a treatise on how it worked, but I quickly got bored with that idea and wrote a scientific fairy tale instead.

The society in 'The Handmaid's Tale' is a throwback to the early Puritans whom I studied extensively at Harvard under Perry Miller, to whom the book is dedicated.

I have a bold plan to break from the Bloomberg years, and end the 'Tale of Two Cities' by providing real opportunity to all New Yorkers, no matter where they live.

Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.

None of the atrocities in 'The Handmaid's Tale' are pure fiction. Everything Margaret wrote was something that has happened somewhere in the world to human beings.

When I start a new novel, I often write 'test chapters' in different tenses and from different points of view in order to figure out which is best to tell the tale.

When you look at Mark Zuckerberg and Snapchat and all these twentysomething billionaires, it's really kind of fascinating; a classic tale of the haves and have-nots.

'Meadowland' was the reason I got 'The Handmaid's Tale,' and probably my experience in cinematography helped. Everything was like a stepping stone to the next thing.

When you mimic everyone, sometimes authority figures really don't appreciate it which is not an original story. And pretty much every comedian has some tale of that.

I'm trying to make people understand: yes, women are oppressed in 'The Handmaid's Tale.' But the men are also oppressed, too. It's just a very scary world for anyone.

'The Handmaid's Tale' breaks my heart. It's a show based on the book written in the '80s by Margaret Atwood - who is a spectacular talent. That book is a work of art.

Some of the evil of my tale may have been inherent in our circumstances. For years we lived anyhow with one another in the naked desert, under the indifferent heaven.

My first marriage was very traditional, in the church, and then we left the church and went to the reception hall. So this time, I'd like to go fairy tale all the way.

'The Hatfields and McCoys' is a classic tale of American history. These are names that are widely recognized, yet few people know the real story that made them famous.

The minute that you bring a unicorn into a story, you know that it's a fairy tale or a fable, because unicorns don't exist as animals. They exist as fantasy creatures.

The search for inventive ways of telling the tale of Christ's birth has been going on a long time; in a way, difference was there from the start with Luke and Matthew.

You cannot make a social-conscious picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that's a fairy tale - definitely.

Most of the auditions I went on, I passed up the projects because I just wasn't interested. When I read A Knight's Tale, that was that. I knew I wanted to do this movie.

Guy Rivers, a conventional piece as regards the love affair which makes a part of the plot, is a tale of deadly strife between the laws of Georgia and a fiendish bandit.

'The Handmaid's Tale' is not a book or show advocating enslaving women or creating a theocracy. It's not glorifying that. It's talking about what happens if that happens.

'Carl Sagan: A Life,' though a riveting tale, tells as much about the all-too-human feelings of jealousy and resentment as it does about the individual who inspired them.

And now may the blessing of God rest upon all men. I have told unto them the Epic of Kings, and the Epic of Kings is come to a close, and the tale of their deeds is ended.

Bullies are often people who are shy and can't make friends easily, so, as the theme of the movie 'A Bronx Tale' tells us, it is better to be feared if you can't be loved.

Aside from that reservation, a fictive tale even has the advantage of manifesting symbolic necessity more purely to the extent that we may believe its conception arbitrary.

There is no sadder tale in the annals of architecture than the virtual disappearance of the defining architectural form of the Modern Movement - publicly sponsored housing.

We all love a bit of 'true love conquers all,' and when I started on 'Poison,' 'Charm' and 'Beauty,' that was one rule of the fairy tale formula that I didn't want to break.

The value of life lies not in the length of days, but in the use we make of them... Whether you find satisfaction in life depends not on your tale of years, but on your will.

I wrote my novel 'Bitter Greens' as the creative component of a Doctorate of Creative Arts and am now looking at the history of the Rapunzel tale as my theoretical component.

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