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I am often asked how I can work with a subject as morbid as trauma without becoming burned out or depressed. My answer to this question is that witnessing the transformation that takes place in people when they master their traumas has proven to be a deeply sustaining and uplifting experience in my life.
The person who lets them get you down, any kind of problem, is the person that fades out. So you've got to be strong enough; you don't like it, but you've got to be strong enough to accept what's going on and that you're going to fight it or whatever it takes to overcome this matter. That's the way I feel.
'Kiss Land' is the story after 'Trilogy'; it's pretty much the second chapter of my life. The narrative takes place after my first flight; it's very foreign, very Asian-inspired. When people ask me, 'Why Japan?' I simply tell them it's the furthest I've ever been from home. It really is a different planet.
Before a game, I avoid having a heavy meal so that I don't feel sleepy at the board. You eat to be healthy, and that generally takes care of everything. Also, you can't be too finicky, since at tournaments you tend to eat at restaurants here and there. But, as long as you're eating sensibly, it's all good.
In order to figure this artmaking stuff out, it's trial and error and experimentation, and takes some time and hard thinking. Putting work out in many forms and stages is an extension of how I see things. I feel the art process is best served when it invites comments and constructive criticism from people.
Making music is an emotional thing. And when you're on a video shoot with 50 people there, you have to somehow, in a non-emotional way, say what you want and not feel guilty for it. And that takes growing up and that takes... not caring how people perceive you as much. And it just takes experience, I think.
As the Trump administration takes office - and we see acts of racism, misogyny, homophobia, and other forms of discrimination around the country - ask yourself, 'What's important to me? What do I care about? What have I benefitted from that I want to pay forward?' Then look for ways to spread help and hope.
I think that music opens portals and doorways into unknown sectors that it takes courage to leap into. I always think that there's a potential that we all have, and we can emerge, rise up to this potential, when necessary. We have to be fearless, courageous, and draw upon wisdom that we think we don't have.
I was too shy, I think, to sing publicly. It takes a particular kind of person. And when I was young, I was not that person. In the first instance, when a record company said to me, do you want to try and make your record, my first reaction was, no, I'm not worthy - I couldn't possibly, and so on and so forth.
I think that what's been holding composers back a great deal is that they feel they must have a new style every year. This, in my case, would be hopeless. In fact, it is said that I have no style at all, but that doesn't matter. I just go on doing, as they say, my thing. I believe this takes a certain courage.
We all strive for balance, often moving to extremes to find ourselves somewhere in the middle where we can sustainably exist in optimal inspiration. Working toward balance takes a lot of ingredients. We need courage, reflection, attention, action, and a push-and-pull relationship between effort and relaxation.
It takes a village to earn a spot representing your country, and I know that every single person who helped me get to the Olympics was also touched by the dream. The web of inspiration is incredible. Because of this, I know that the core principles and spirit of what the Olympics stand for are worth protecting.
Le Mans takes the best out of everyone. Winning is important but it's not everything. It's such a big and great event in motorsport. You do more kilometres in that one race than Formula One do in a season, and probably a higher average speed. We average about 220km/h including pit stops and cover nearly 5000km.
We may not know what each day has in store for us. We could be gone tomorrow. Any minute could truly be our goodbye. But we do have this moment. This time. Today. Right now. It takes way more effort to shell out hate then it does to allow love to flow freely in our lives. After all, it's what we were born to do.
It is imperfection - not perfection - that is the end result of the program written into that formidably complex engine that is the human brain, and of the influences exerted upon us by the environment and whoever takes care of us during the long years of our physical, psychological and intellectual development.
I think everyone understands grief, the journey it takes us on, whether it's the death of a loved one, the end of a relationship, a disappointment. Some people don't deal with it, the power of it. Some do. Some feel the weight of it and it informs their choices. I've had to open up to grief in different contexts.
People ask me why I don't paint oils. It takes too long. Cleaning brushes in linseed oil, and it takes six months to really dry, and all this. I don't have that kind of time. I work with acrylic. It's water based. You can clean it under water. If you spill it on yourself, you just throw it in the washing machine.
The war was an escape to reality... The only thing that mattered were human relationships; not money, not position, not even family... Only relationships with people who might be dead tomorrow were important. It is a sort of wonderful state of mind. It's too bad it takes a war to create such a condition among men.
Of course, there are those critics - New York critics as a rule - who say, 'Well, Maya Angelou has a new book out and of course it's good but then she's a natural writer.' Those are the ones I want to grab by the throat and wrestle to the floor because it takes me forever to get it to sing. I work at the language.
Ted Cruz cut his teeth politically in Texas on disrupting the Republican establishment, and Texans love a fighter. It's the same thing that has made me successful is that when people look at me, they see a fighter, somebody who takes on the establishment, who isn't intimidated, and is willing to kick through doors.
'Meek's Cutoff' by Kelly Reichardt - it's beautifully shot. It's a complex story. The filmmaker gave a very patient and feminine touch to a story that takes place during a period of history that's very masculine, without losing any of the unforgiving harshness of the reality where the characters found themselves in.
I always tell up-and-coming DJs you have to really love what you do and find that interest to drive you. It requires so much attention to detail, and it takes up a lot of your time. You hear a song, and there are so many little pieces that make that song work. It requires a lot of patience, diligence and resilience.
Now, when you get a viral infection, what normally happens is it takes days or weeks for your body to fight back at full strength, and that might be too late. When you're pre-immunized, what happens is you have forces in your body pre-trained to recognize and defeat specific foes. So that's really how vaccines work.
I think that if you do want to be a fighter, then you need to work harder than everybody else and make sure that you surround yourself with good people, especially if you're a woman. You've got to find a team that takes you seriously as a female fighter and is not going to rush you into the ring before you're ready.
It takes a tremendous amount of skill to be a football player. And some of these guys have enough skills to do other sports. Soccer could be one. Basketball could be another. Things where you need incredible hand-eye coordination are always options. I think a football player would be able to adapt to a lot of sports.
You know, all these sentiments about beauty coming from within, they've always resonated when I've read them, but it takes a bit of living to truly appreciate them. To realise we are so much more than our experiences, that we are who we are because of the lessons we've learnt, now that's what true 'beauty' is for me.
I spent my whole life in the private sector, 25 years in the private sector. I understand that when government takes more money out of the hands of people, it makes it more difficult for them to buy things. If they can't buy things, the economy doesn't grow. If the economy doesn't grow, we don't put Americans to work.
One of the most painful parts of a breakup is having the feeling that your life is a story, and then the other person leaves and takes the story with them. And you're left there without it. You're left in this version of life that's basically a succession of events and interactions that don't seem to be going anywhere.
The first songs I learned were 'It Takes a Worried Man' and Woody Guthrie's 'Grand Coulee Dam,' 'Rock Island Line' - those kind of American folk songs that were probably on the edge of blues. After that was Eddie Cochran and Chuck Berry songs. And then I heard Muddy Waters, Jimmy Reed and Big Bill Broonzy on the radio.
I was on some bad teams, and I played bad as a young player, certainly, at times. And that all mounts. Yeah, that all mounts. The perception. Everything that goes into that. And so, yeah, I think to kind of get over the hump of that, to change perception, it can be difficult. It's a tall task. And it takes a long time.
Growing up in New York, there are a lot of tenement buildings and a lot of projects. You don't leave your projects too much. The laundry's there. The grocery store is there. Everything takes place right there. When I got knowledge of myself and thought about moving around the city, hip-hop was something that helped me.
When someone takes their existing business and tries to transform it into something else - they fail. In technology that is often the case. Look at Kodak: it was the dominant imaging company in the world. They did fabulously during the great depression, but then wiped out the shareholders because of technological change.
It's natural canine behavior to chew on all sorts of things, roll in other animals' droppings, hump and fight other dogs, menace anything that invades the home. All these behaviors can be curbed, but that takes a lot of work. Trainers say it requires nearly 2,000 repetitions of a behavior for a dog to completely absorb it.
Where wages command labor, as in the non-slaveholding States, there necessarily takes place between labor and capital a conflict, which leads, in process of time, to disorder, anarchy, and revolution if not counteracted by some appropriate and strong constitutional provision. Such is not the case in the slaveholding States.
Sometimes you feel like people go, 'Oh, he just does funny dances,' or 'That's cute.' It drives me a little crazy when someone does a dance number where all they do is kick to their head for five minutes, and everyone's like, 'That choreography is amazing.' It takes a lot to choreograph a number that also gets laughs in it.
The design of the Mac wasn't what it looked like, although that was part of it. Primarily, it was how it worked. To design something really well, you have to get it. You have to really grok what it's all about. It takes a passionate commitment to really thoroughly understand something, chew it up, not just quickly swallow it.
I think that nothing is impossible when you want to fulfill a dream. A lot of people will tell you that you can't do it, that you don't have what it takes, but if it is in your heart and you feel it, there is nothing that will stop you. It is like the sun - you can't block it: it will shine regardless, if that is what you want.
It took me a while to learn that certain people may have important skills that are not always blazingly apparent. Gradually I came to realize - slow as I may have been - that what mattered was performance, that sometimes people might have to be helped to develop, and that it takes all kinds to make an organization run properly.
Even though you may want to move forward in your life, you may have one foot on the brakes. In order to be free, we must learn how to let go. Release the hurt. Release the fear. Refuse to entertain your old pain. The energy it takes to hang onto the past is holding you back from a new life. What is it you would let go of today?
The biggest thrill a ballplayer can have is when your son takes after you. That happened when my Bobby was in his championship Little League game. He really showed me something. Struck out three times. Made an error that lost the game. Parents were throwing things at our car and swearing at us as we drove off. Gosh, I was proud.
Truly, learning appears to be a reverse geometric progression with experiences at one hour, one day, one month or one year dramatically more influential and formative than later experiences. As has often been quoted, 85% of brain development takes place by age 3, and yet we spend only 4% of our educational dollars by that point.
One wonders whether the Obama re-election campaign may be on the right track as it seeks to apply the you-break-it-you-own-it rule to Bush and the American economy. Hardly a day goes by without President Obama or his surrogates arguing that it takes longer than four years to recover from an economic crisis so long in the making.
First, you have stereotypes, and that will be the black drug dealer, the east Asian kung fu master, the Middle Eastern terrorist in 'True Lies.' Then you have stuff that takes place on culturally specific terrain, that engages with it, but actually subverts assumptions. 'Smashes' stereotypes. That's where I've come into the game.
I think of love and marriage in the same way I do plants: We have perennials and annuals. The perennial plant blooms, goes away, and comes back. The annual blooms for just a season, and then winter arrives and takes it out for good. But it's still enriched the soil for the next flower to bloom. In the same way, no love is wasted.
As the Eurozone takes steps towards closer fiscal and economic integration, and as the E.U. continues to develop, we need to be absolutely clear when it is most appropriate to take decisions at the national or local level, closer to the people affected, and in other cases when it is best to take action at the E.U. or global level.
The times when black women have been successful in confronting and overcoming the structural and institutional sexism and racism that persists in our society have been when we are thoughtful and strategic about speaking up. It's when we've done what it takes to introduce and implement our ideas and our plans to make things better.
The idea is to make the script out of a political analysis and then to convey that - sometimes in poetry, sometimes science, sometimes all it takes is a film. The film itself is less and less spectacular because I think very strongly now the more spectacular you are, the more you are absorbed by the things you are trying to destroy.
All around us is the cosmic game, the cosmic play. The universe is full of joy, inner and outer. When realisation takes place, we have to feel the necessity of manifesting this constant delight in our heart. The delight glows, but does not burn. It has tremendous intensity, but it is all softness and absolutely sweet-flowing nectar.
'Jurassic World' takes place in a fully functional park on Isla Nublar. It sees more than 20,000 visitors every day. You arrive by ferry from Costa Rica. It has elements of a biological preserve, a safari, a zoo, and a theme park. There is a luxury resort with hotels, restaurants, nightlife and a golf course. And there are dinosaurs.
In a small town, everyone works together and does life together, and because of that everyone takes care of each other. That's Iowa. Whether it's Des Moines or Sioux Center, Decorah or Davenport, Iowans exhibit those small-town values. They work hard, but not so much for themselves. They're ambitious, but not at the expense of others.