Table Quotes - Page 20

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We're saved somewhat by Google. You can - when you're all sitting around the table desperately snapping your fingers in the hopes of remembering the name of that movie that you can't remember the name of - you can make people think that you are not as old as you actually are because you have the technology to find the answer.

My husband is Dutch, and his family, when you sat down to eat food at the table, you never left the table until you ate living bread and drank living water. They never left the table until they'd read Scripture together. So morning, lunch, suppertime, Scripture was always read at the table, and then there was prayer to close.

I always have a ping-pong table in the studio. If you're with an artist and you notice the situation is going south a little bit, it's like, 'You wanna play ping-pong or foosball?' Or, 'You wanna go grab somethin' to eat?' And then you just like talk to them and relax them and get them comfortable and get yourself comfortable.

'FlashForward' was on the outs when I was approached with 'Happy Endings.' I literally got the script on a Friday, and on Saturday morning I met with David Caspe, Jamie Tarses, and the Russo brothers. I took the role on that Saturday, and on Monday I was doing a table read. It all happened very fast, but it was super exciting.

My family was in two businesses - they were in the textile business, and they were in the candy business. The conversations around the dinner table were all about the factory floor and how many machines were running and what was happening in the business. I grew up very engaged in manufacturing and as part of a family business.

I was one of six children, brought up by my mother in Swindon after my father died. We had all we needed - food on the table, clothes to wear. When I wanted a drum kit, my mother got me one. When I got into playing guitar, I came down one Christmas or birthday and there was a guitar for me. It amazes me how Mum managed to do it.

I'm looking for laughs, you know? If it take me to flip over a table, if I have to go physical comedy, I will do it. But whatever the joke needs at that particular time, is where I'm dedicated to. I'm not into beating somebody down and beating myself up. I don't do insults and things like that. I don't do it - I'm a storyteller.

Especially for me, growing up in such a small town in the middle of nowhere, the desire to be away was incredible. I wanted to see new lands, meet new people from the city, and meet people that were in much less fortunate situations than I was, so that I could be more appreciative of my present. At least I had food on the table.

It's a great battle, and it really is a battle, and there are people from all walks of life, you know, never judge anybody at the table: A man can be the greatest poker player and he might know all the numbers, but he might get beaten by a really savvy kid who works in a grocery store; and that's what's so great about this game.

I really challenge every actor at the beginning of a process, and I always say, 'I have an idea that I'm going to bring to the table. I hope and expect that you will have an idea and bring it to the table. But the way I really want to work is that together we're going to have a third idea that is better than either of our ideas.'

I remember at 16 years old, growing up in Queens, we were punks, but hey, when we went to the theater, we wore a shirt and tie! Similarly, I believe that to keep movie theaters in existence, they're gonna have to make 'em an event, have a couch, a table and drinks or something. Otherwise, there's no reason to get out of your bed!

When in a movie like 'Housefull' you have to create comedy out of falling on a glass table or jumping from huge heights, it's all action, but packaged as comedy. Here you don't just have to perform a heavy-duty action sequence, but you have to make it look funny and that is really difficult. But it's fun... and I really enjoy it.

I do have a treadmill desk in my office, and for a while, I would walk on it while checking email and going through jokes. I haven't walked on it in probably four months. Now it's more of an upright dining table for me. At some point, moss will grow over it, birds will build nests, and nature will reclaim the treadmill as its own.

My father never got films to our dinner table. It was never the case with us as well that our father works in films, and we know so many actors. It was like him going to work like any other father. In fact, my school friends would ask me if I have met a certain actor, and I would tell them that I haven't, which they found strange.

I saw my first two Broadway shows when I was 4 years old, 'The Lion King' and 'Beauty and the Beast,' and after both of them I came home and reenacted the entirety of the shows on my living room table for my family and friends. I started doing that after every show I saw until I actually did my first youth production when I was 5.

One of the most important secret societies of the 20th century is called the Round Table. It is based in Britain with branches across the world. It is the Round Table that ultimately orchestrates the network of the Bilderberg Group, Council on Foreign Relations, Trilateral Commission and the Royal Institute of International Affairs.

When my daughter was 3, she was eating Cheerios and spilled some on the table. So she swiped them onto the floor. I said, 'Darcy, what are you doing?' She said: 'Don't worry, Daddy, the robot will get it.' I didn't know whether to be horrified or proud. It was this idea that homes take care of themselves and robots are part of that.

Mom was a school teacher, and she had to be at work at 7:30 every morning. So Dad was in charge of us three kids around the breakfast table. He always made it creative: he did the bananas with the smiley face and the eyes with peanut butter on top, made us drink grapefruit every morning even though we had to do it holding our noses.

What I think we need to do to engage the American people in a conversation about entitlement reform is to have a bipartisan group of people who come together and put every solution on the table, every alternative on the table. And then we ought to engage in a long conversation with the American people so they understand the choices.

Ping-pong was invented on the dining tables of England in the 19th century, and it was called Wiff-waff! And there, I think, you have the difference between us and the rest of the world. Other nations, the French, looked at a dining table and saw an opportunity to have dinner; we looked at it an saw an opportunity to play Wiff-waff.

Teenagers talk about the idea of having each other's 'full attention.' They grew up in a culture of distraction. They remember their parents were on cell phones when they were pushed on swings as toddlers. Now, their parents text at the dinner table and don't look up from their BlackBerry when they come for end-of-school day pickup.

In the old world of business, there was often just one seat at the leadership table for women, two at best. That meant that only so many women could advance. But in a world where women recognize the power that they own - and where technology can upend the traditional rules of engagement - one woman winning doesn't mean another loses.

I come from a really poor family, and when I started doing campaigns, it changed everything for my family. I am not complaining; I had a beautiful childhood - we didn't have a lot of money, but there was always food on the table, and my parents saved money so that in the holidays we would all get in the car and drive to the mountains.

I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different directors and different casts, but there's really nothing like that for movie scripts.

Over the years, humans have managed to incorporate nearly every element, light and weighty, common and obscure, into our daily lives. And given how small atoms are and how many of them there are all around us, it's almost certain that your body has at least brushed against an atom of every single natural element on the periodic table.

We didn't sit around the dining table talking about Madam Walker, but the silverware that we used every day had her monogram on it and our china for special occasions had been Madam Walker's china... and the baby grand piano on which I learned to read music had been in A'Lelia Walker's apartment in Harlem during the Harlem Renaissance.

In anticipation of a meal - supposing we are with the ideal companion at the best table in the perfect restaurant - we might indeed postpone sadness. And maybe even halfway through, we will remain in tolerably high spirits, with dessert still to come. But as we near the end of eating, we begin to feel anticipatory twinges of anticlimax.

When I am at a dinner table, I love to ask everybody, 'How long do you think our species might last?' I've read that the average age of a species, of any species, is about two million years. Is it possible we can have an average life span as a species? And do you picture us two million years more or a million and a half years, or 5,000?

Pay attention to your friends; pay attention to that cousin that jumps up on the picnic table at the family reunion and goes a little too 'nutty,' you know what I mean? Pay attention to that aunt that's down in the basement that never comes upstairs. We have to pay attention to our friends, pay attention to your family, and offer a hand.

Vietnamese food has probably been saved from the mass market because most people never master the sauces and condiments that must be added to the food, at the table, for its glories to become apparent. It's too much trouble, and a lot of people don't like asking for help, especially if the interaction involves some linguistic awkwardness.

When I was writing my column, I would almost always be recognized when I was in a restaurant, even if I was reviewing it and had booked under a fake name, so free stuff would start coming out of the kitchen on a conveyer belt, fantastic wines would be opened at my table. Now I can't even get a reservation on the pizza joint on the corner.

On 'Lab Rats,' I read the script probably three or four times before we ever even do a table read because I want to be completely prepared. And I want to know exactly which beats I have to hit and where I need to make something comical. Some lines need a little more than others do just to get the point across, to get the joke to be funny.

I was raised by a single mother who made a way for me. She used to scrub floors as a domestic worker, put a cleaning rag in her pocketbook and ride the subways in Brooklyn so I would have food on the table. But she taught me as I walked her to the subway that life is about not where you start, but where you're going. That's family values.

Being tall when I was youngerl I was always a bit awkward. As a teenager, I was very, very thin, so I was very gangly and limby, and would sweep things off the table without realising how big my wingspan was - just out of control. A lot of women write to me and say, 'I'm six foot and exactly the same happens' - that's been lovely therapy.

I approach my interviews with the mindset of, exactly what are we selling? How can I sell it the hardest and the most effectively in the fewest words possible? And how can I make each word that I say mean as much as it possibly can? And I bring that perspective to the table because I used to focus a lot on the character that I had to play.

Elections in India are not contests between personalities. They are ultimately battles involving political parties; promises and pledges that political parties make; the vision and programmes that political parties bring to the table. So although, Modi's style is 'I, me, myself,' I don't think 2014 elections as a Modi versus Rahul contest.

I got put through a ladder by Jeff Hardy at WrestleMania 23, had bruises from the ladder rungs across my back, but I was back the next night. I did the hardcore match with Mick Foley at WrestleMania 22, went through a flaming table, and had thumbtacks in my back, but I was out there the next night. That mentality does get ingrained in you.

You gotta remember: we're musicians... we're just crazy people who can't get along sometimes. I've definitely come to the table with my knife in my pocket a couple of times; you know how it is. It's part of being human. Now add fame and money and all that rock and roll craziness to it - we're lucky we don't eat each other in this industry!

I was always with a single mom, and we never had schedules or anything. We were just Bohemian, us against the world, which was kind of great, but it certainly didn't breed security. I've gotten hyper-sensitive to schedules and bath time and eating at the dinner table. We don't just 'Bohemian' go out at nine o'clock and go get Chinese food.

The first Friday of every month is what we call Numbers Day - it's the day that the Bureau of Labor Statistics releases the monthly jobs report. We have a ritual at the Labor Department - at 8 A.M., we gather around a table in my office, and the commissioner of labor statistics briefs me and the department's senior leadership on the numbers.

If I come in, and you're an employer, and I say, 'Well, I was a sniper in the Marine Corps. Do you have any sniper positions open?' 'No.' But if I told you that I was good at communication, good at leadership under stressful environments, team management, personnel management, leadership, being prompt, are stuff that I can bring to the table.

Throughout my career as a lawyer, teacher and labor leader, books have remained my constant companion - stuffed into a briefcase, overflowing on my bedside table, stacked on my desk at work. Books have carried me to distant worlds, opened new doors and made me feel empathy, compassion, anger, fear, joy, acceptance - and everything in between.

My greatest pleasure is going out on a horrible, cold, wet January morning to pick the vegetables for our Sunday lunch, putting them in a muddy pile on the table, and then spending 45 minutes washing and preparing them. I like doing it because it's so different to what I do in the week. The same holds for cleaning the car or shining my shoes.

I've written in every imaginable location; a repurposed closet, the kitchen table, the bleachers while my kids had basketball practice, the front seat of the car when they were at soccer. In airports. On trains. In the break room when I was supposed to be wolfing down dinner. In the back of classrooms when I was supposed to be paying attention.

People know who I am or are fans of 'Chelsea Lately,' and that makes my shows more fun. People know I'm silly and are on board with what I'm bringing to the table. I see the boyfriends who got dragged to the show by their girlfriends, and by the end, they're laughing harder than anybody. That's the best feeling: 'I knew I was going to get you.'

At the breakfast table we are footnoting everything that we read. We don't recognise it as such but we encounter an article in the newspaper and then suddenly we recall that a friend had a certain comment on that particular story, a certain bit of news that we saw on the television applies to that and we immediately assemble an idea of a story.

It just brings a different element to the table when you're wrestling with a guy as a partner because you don't know what's going to happen. When you have just a regular women's match or regular men's match you know they're going to fight. When there's a little bit of a mixture, you never know what's going to happen, and I think it's a lot of fun.

My mother is Turtle Mountain Chippewa, and she lived on her home reservation. My father taught there. He had just been discharged from the Air Force. He went to school on the GI Bill and got his teaching credentials. He is adventurous - he worked his way through Alaska at age seventeen and paid for his living expenses by winning at the poker table.

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