Quotes of All Topics . Occasions . Authors
'Spellbound' has a lot of guitar playing on it, obviously, but I wanted to keep it with a more straightforward beat. It doesn't have so many stops and things like that. Whereas if you listen to 'Majestic 12,' that's like a little symphony.
Let us not get so busy or live so fast that we can't listen to the music of the meadow or the symphony that glorifies the forest. Some things in the world are far more important than wealth; one of them is the ability to enjoy simple things.
You invest into the future, and that's how young people become human in best sense of it - through the great experience of listening a Müller symphony or to see a great play by Tennessee Williams, experience something in a ballet, in a film.
New Year's Eve, we're going to be doing a concert with the Philadelphia Orchestra in Symphony Hall. It makes me feel good, because of all the people they could have had, they wanted me! We do have to do a little work with the rhythm section.
My first album didn't come out until I was 27, which in pop years is late, you know. But when it came time to arrange it, I became a kid in a toy shop. I had a harp and a saxophone quartet and a symphony orchestra. I went berserk for a time.
In Montreal, when I grew up, I'd go to the Notre-Dame Basilica, a gorgeous cathedral in town. I'd listen to huge symphony orchestras, Pavarotti singing operas; that was absolutely marvelous. I like that aspect of the cathedral, the spectacle.
So long as we refuse to include lottery tickets among the symphonies, or medical bulletins among the overtures, we must refrain from treating the emotions as an aesthetic monopoly of music in general or a certain piece of music in particular.
Symphony is the ability to see the big picture, connect the dots, combine disparate things into something new. Visual artists in particular are good at seeing how the pieces come together. I experienced this myself by trying to learn to draw.
Although, I am proud of all my Symphonies as they all have something special to say, my particular favourite is the Fifth. As the great Mahler expert Donald Mitchell said that if Mahler had written another Symphony, it would have been my Fifth!
I'm familiar to people. They feel comfortable with me. I started in live television. I perform live all the time. I sing with the piano. I sing with a symphony. I can sit and ask questions. I can listen. I'm very comfortable in most situations.
'Iceman' covers a bigger scope than 'Long Day's Journey.' But they're both fabulous pieces of work. 'Iceman' is like a symphony. It's got all the movements, all these different voices. 'Long Day's Journey' is more like a beautiful string quartet.
Life is horrible, but it is not relentlessly black from wire to wire. You can sit down and hear a Mozart symphony, or you can watch the Marx Brothers, and this will give you a pleasant escape for a while. And that is about the best that you can do.
There is no reason why a joke should not be appreciated more than once. Imagine how little good music there would be if, for example, a conductor refused to play Beethoven's Fifth Symphony on the ground that his audience might have heard it before.
The degree of talent, the size of the gift, is immaterial. All artists must listen, but not all hear great symphonies, see wide canvasses, conceive complex, character-filled novels. No matter, the creative act is the same, and it is an act of faith.
The acquisition of Symphony Teleca... gives us immediate scale in software services. With the addition of cloud, mobility, and analytics competencies, we will accelerate solutions for the connected car and for a broader set of industries and markets.
I had a jazz trio, a rock n' roll band, and I played drums in junior high, high school, college, big bands, and I played timpani in the symphony. I am a drummer. It's the one instrument I actually play pretty well. It's just hard to carry on your back.
No, I don't know how to get young people to start listening to jazz again. But I do know this: Any symphony orchestra that thinks it can appeal to under-30 listeners by suggesting that they 'should' like Schubert and Stravinsky has already lost the battle.
Velázquez, past the age of fifty, no longer painted specific objects. He drifted around things like the air, like twilight, catching unawares in the shimmering shadows the nuances of color that he transformed into the invisible core of his silent symphony.
For hundreds of years people have talked about artists having inspiration, but often, some persons would say, write us a symphony or write us a song, on commission. The artists would come up with a masterpiece without waiting to have their muse inspire them.
As a composer and as a musician I'm a true believer - and this is not to be overly diplomatic - I'm a believer that there's artistry in everything from a lawn gnome to a desk chair to a symphony to an Andy Warhol painting. There's art in absolutely everything.
Way back in the old days, say in Europe of the Middle Ages, you had an aristocracy, and they could afford to pay for musicians. The kings and queens had musicians in the castles, and that developed into symphony orchestras and what we call "Classical music" now.
In science, if you don't do it, somebody else will. Whereas in art, if Beethoven didn't compose the 'Ninth Symphony,' no one else before or after is going to compose the 'Ninth Symphony' that he composed; no one else is going to paint 'Starry Night' by van Gogh.
Cartoons are perhaps a bigger part of art than is generally realized, and they influence people in ways that are not always recognized. But creating a monumental work of architecture, or writing a great symphony, is something else. It's a higher order of creation.
It is as though nature is a wonderful symphony that science sits in awe of. It looks closely at each player, how the tubas are tuned and how the strings are strung. Creationism lets out a loud 'shush' at such excitement. Just enjoy the show and stop asking questions.
You have to find your own shtick. A Picasso always looks like Picasso painted it. Hemingway always sounds like Hemingway. A Beethoven symphony always sounds like a Beethoven symphony. Part of being a master is learning how to sing in nobody else's voice but your own.
Wine is a chemical symphony. and The Aesthetic differentiation of Chesapeake Bay oysters and Olympia oysters occurs only after we can really differentiate them. This differentiation cannot occur until we are thoroughly familiar with both. The same is true with wines.
The harmony of the universe knows only one musical form - the legato; while the symphony of number knows only its opposite - the staccato. All attempts to reconcile this discrepancy are based on the hope that an accelerated staccato may appear to our senses as a legato.
But a large symphony orchestra basically is a repertory company and it has a very enormous repertoire and it is important for the performers to be able to know how to shift focus so that they instantly become part of the sound world that a particular repertoire demands.
To be part of Kevin's [Drew] world, "Who Came First" is just kind of a magical symphony. If you're asking me what that emotional timbre what is my favorite, my favorite "why" is the question. The other songs also have a revealing quality, but it started with "Sister OK".
Audiences, whether they're seeing a film or a reading or whatever it is, a concert, they decide very quickly what kind of show it is, and then they judge it. They judge the rest of the thing by whether it conforms to their rules for what a good symphony orchestra would be.
The mature person becomes able to differentiate feelings into as many nuances, strong and passionate experiences, or delicate and sensitive ones, as in the different passages of music in a symphony. Unfortunately, many of us have feelings limited like notes in a bugle call.
A friend gave me a CD of the 'Pathetique' Symphony as a Christmas present. I went home, and I put on the CD expecting to listen to Tchaikovsky. But it started 'ta ta ta taaa.' It was too long for me. I didn't understand it at first, but then I fell in love, in love, in love.
When I was very young, I remember my mother telling me about a friend of hers in Germany, a pianist who played a symphony that wasn't permitted, and the Germans came up on stage and broke every finger on her hands. I grew up with stories of Nazis breaking the fingers of Jews.
What is history? Its beginning is that of the centuries of systematic work devoted to the solution of the enigma of death, so that death itself may eventually be overcome. That is why people write symphonies, and why they discover mathematical infinity and electromagnetic waves.
It's a fundamental, social attitude that the 1% supports symphonies and operas and doesn't support Johnny learning to program hip-hop beats. When I put it like that, it sounds like, 'Well, yeah,' but you start to think, 'Why not, though?' What makes one more valuable than another?
Rock music has always embraced - and even represented - rebellion, rowdiness, and a robust disdain for social decorum. But along with more classical art forms like theater, opera, and the symphony, it's suffering from the distracted, smartphone-carrying audiences of the digital age.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the "Mind of God" is cosmic music resonating in 11 dimensional hyperspace.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the 'Mind of God' is cosmic music resonating in 11-dimensional hyperspace.
For me to rehearse with a children's orchestra a Mahler symphony was to really work. We had three or four weeks of rehearsal with the orchestra, every day eight or nine hours, putting the First together. I had been conducting Tchaikovsky a lot and Beethoven, but Mahler was different.
The alarm in the morning? Well, I have an old tape of Carlo Maria Giulini conducting the Vienna Philharmonic Orchestra in a perfectly transcendent version in Shubert's seventh symphony. And I've rigged it up so that at exactly 7:30 every morning it falls from the ceiling onto my face.
You've been listening to the adagio from Beethoven's 7th Symphony. I think Ludwig pretty much summed up death in this one. You know, he had lost just about all his hearing when he wrote it, and I've often wondered if that didn't help him tune into the final silence of the great beyond.
At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.
On Mars, where the air is spare - a hundred times less dense than on Earth - someone could hear you scream. But you'd have to really strain to get anyone's attention. On the Red Planet, where the wind is high-pitched and faint, even a symphony orchestra will sound as thin as cheap gruel.
A friend of mine tells me that a Beethoven symphony can solve for him a problem of conduct. I've no doubt that it does so simply by giving him a sense of the tragedy and the greatness of human destiny, which makes his personal anxieties seem small, which throws them into a new proportion.
The deeper men go into life, the deeper is their conviction that this life is not all. It is an unfinished symphony. A day may round out an insect's life, and a bird or a beast needs no tomorrow. Not so with him who knows that he is related to God and has felt the power of an endless life.
I remember my dreams when I was a junior soloist. 'Oh, I hope I don't end here,' I thought. 'I want to do the ballerina in 'Scotch Symphony.' I don't want to be the little Scotch girl.' And I actually went beyond my wildest dreams. I worked with Balanchine. I had ballets choreographed for me.
Maxims in times of danger are useless, experience is incommunicable. The knotted strands of life, desire, assumptions, and moral codes cannot be unsnarled; they can only be cut, which is what happens when an air raid occurs, with a silencing fortissimo like the finale of a Beethoven symphony.
Proportion ... You can't help thinking about it in these London streets, where it doesn't exist ... It's like listening to a symphony of cats to walk along them. Senseless discords and a horrible disorder all the way ... We need no barbarians from outside; they're on the premises, all the time.
I don't work with an outline, except a vague one in my head, a general idea of character, place, arc... I'm like a composer with a symphony in their head: I can hear the music, I just have to figure out how to put it down on paper. But I don't always know where my stories are going when I begin.
The point of recapitulation in the first movement of the Ninth [Symphony of Beethoven] is one of the most horrifying moments in music, as the carefully prepared cadence is frustrated, damming up energy which finally explodes in the throttling, murderous rage of a rapist incapable of attaining release.