Quotes of All Topics . Occasions . Authors
I'm the kind of guy who, if I look inside and they throw me a fastball outside, and it's a strike, I'm going to swing. Everything in the strike zone, I'm going to swing. Doesn't matter if it's a fastball, changeup, breaking ball. If it's in the strike zone and it's something you like, you've got to swing.
A working woman could save a few shillings a week, and then every five weeks she'd come in and we'd cut her hair. She could shampoo it under the shower, swing it and dry it off or just let it dry by itself. It changed the lives of many young girls who'd never had the opportunity to be styled like that before.
The Metropole Orchestra is like Count Basie or Duke Ellington with strings... it's strings that swing. Strings that swing like Dizzy Gillespie... keep swinging, baby. And when you have all of that special excellence of the Metropole Orchestra, then your music just flies - it soars in a way that's really magical.
You have to figure out what's important and keep the main points, though I will swing a little outside the box. It affords me the freedom to find out who the character is, and it's been a positive technique for me. I'm not saying everyone should change words, but if you can do it with confidence, you may nail it.
Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
Baseball and golf have a lot of things in common, including the fact that players in both games love hitting for power. However, in both sports, trying to do so strictly with muscle strength doesn't work very well. In fact, I see a lot of guys in both baseball and golf struggle when they try to swing with tight arms.
You feel like a stud out there when people swing and miss. As I've gotten older, I've preached to our young guys that strikeouts are sexy, but outs are outs, man, no matter how you get them. It's a lot cooler for me pitching in the seventh or eighth inning than it is going 5 1/3. Your manager likes it a lot more, too.
When I come to Chicago, I gorge myself. I get off the plane and start with Gene and Jude's for two hot dogs with everything, swing by The Fudge Pot for a taffy apple and a turtle, chocolate clusters at Sarah's Pastries and Candies and steak at Smith and Wollensky. I find time for Gino's pizza within the next 12 hours.
They sell these golf aids that attach to your knee and your head and are supposed to keep your swing correct. It's futile beyond belief. I've never bought any, but I could watch those ads for 24 hours straight. People with straight faces saying this thing will take strokes off your game - that's my peculiar obsession.
Some guys, first pitch of the at-bat gets called a strike - maybe it's a ball off or below their knees, and it gets called a strike - and then the next two pitches, they swing at balls in the dirt, and all of a sudden, they're yelling at the umpire about that first pitch. You just swung at two balls in the dirt, buddy.
From a good lie in the middle of a fairway bunker, I'll make the same swing as I do from an average fairway lie. I'll dig my feet in slightly and keep my lower body stable so I won't slip, but I don't change my club selection or setup. It's only when the ball is sitting down in the sand that I'll make some modifications.
By 2018, automation is going to be in full swing in the United States and around the world. There are estimates that it could replace 50 percent of our jobs. That is an enormous shift. But even if we go through a phase where we have an unemployment valley from automation, there will be new jobs and new things for us to do.
As far as working with Kanye and Solange, that was amazing. After 'Swing Lo Magellan', I needed a change. Getting to work in that capacity, writing for other people and working for other people as a writer and as a person who's not representing it as the front person or whatever - it's such a different perspective you can get.
EMILY's List has worked a lot with swing women voters over the years, and one thing we've learned is that they are very cynical about politics and politicians. They very much want help with the challenges facing them and their families, and they feel like most politicians don't understand or want to lift a finger to help them out.
I don't hit it as far as a lot of guys do, so I have to be in the right spot in the fairway to score, and that means driving it well. The two biggest keys for me are to make a good transition and to keep my hands ahead of the clubhead through impact. I want to feel as if my swing is two swings: one going back and another coming down.
I was 3 and a half, and there was an open call for a Coca-Cola commercial. We were living around Dallas, and my mom took me. I think they were calling for 16-year-olds that could ride horses and swing a rope, and for whatever reason, my mom took me up there when I was 3. But I always had a rope, and I was a little cowboy at that age.
I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
When I was a kid, I used to listen to my Emerson radio late at night under the covers. I started by listening to jazz in the late 1940s and then vocal harmony groups like the Four Freshmen, the Modernaires and the Hi-Lo's. I loved Stan Kenton's big band - with those dark chords and musicians who could swing cool with individual sounds.
When I'm playing my best and find myself in contention late on Sundays, it's usually when I'm not thinking about my swing, but rather trusting my setup and smoothly pulling the trigger. I won't completely rely on feel - I like to keep a few images in the back of my mind to make sure that I get the most out of my driver, irons and wedges.
In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn't very good at it.
Instead of inventing imaginary friends, I invented whole imaginary worlds. They were elaborate scenarios about spies and adventurers and top secret missions. I crawled along my swing set, searching for escape routes from my maximum-security prison; I biked through the neighborhood, the wind in my hair and a fleet of evildoers on my heels.
The full thing is God-given. I don't know how I got my swing or what I did. I know I worked every single day. I know I did as much as I could with my dad. But I never really looked at anything mechanical. There was nothing really like, 'Oh, put your hands here.' It was, 'Where are you comfortable? You're comfortable here; hit from there.'
I kept on buying records and listening to them. Finally, I was able to hear the relationship between the jazz improvisers' solos and the underlying structure that it's based on, the chord progression. That was pretty easy to do in the swing era, y'know, when jazz was, like, pop music, you know. It had made the charts and everything like that.
