Sweet Quotes - Page 64

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Not all men are the same, you know. With someone such as Gavriel, I would suggest appearing aloof, not chasing too much. He might see that as suffocating rather than charming." Her words are sharp, but her voice is sweet, like honey on the edge of a blade, and meant to be cutting. I comfort myself with the knowledge that if Duval ever feels smothered by me, it will be because I am holding a pillow over his face and commending his soul to Mortain.

Who can estimate the real wealth that inheres in a fine character. . . . How base and mean money and huge estates look in comparison. All other things fade before it. Its touch is like magic to win friendship, influence, power. Can you afford to chill, to discourage, to crush out of your life this sweet, sensitive plant, which would flower in your nature and give added glory to your life, for the sake of a few dollars, a little questionable fame?

Death comes to me again, a girl in a cotton slip, barefoot, giggling. It’s not so terrible she tells me, not like you think, all darkness and silence. There are windchimes and the smell of lemons, some days it rains, but more often the air is dry and sweet. I sit beneath the staircase built from hair and bone and listen to the voices of the living. I like it, she says, shaking the dust from her hair, especially when they fight, and when they sing.

When I came to the United States in 1975 I was eleven, and within a few months my voice broke. I recited commercials like a parrot and I got yelled at quite often. My older brother one night said, "You speak so much English when you're not supposed to, that's why your vocal chords shattered. Now you sound like a duck." I thought it was true. I went from this sweet-voiced Vietnamese kid who spoke Vietnamese and French to this craggy-voiced teenager.

Heard melodies are sweet, but those unheard Are sweeter: therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone. Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!

I kept interrupting the movie by asking a lot of questions that Xavier managed to answer with endless patience. "How old do you think Bell is supposed to be?" "I don't know, probably our age." "I think the beast is sweet, don't you?" "Do I have to answer that?" "Why does the crockery talk?" "Because they're really the prince's servants that the beggar woman put a spell on." Xavier frowned suddenly and looked mortified. "I can't believe I know that.

When Emerson's library was burning at Concord, I went to him as he stood with the firelight on his strong, sweet face, and endeavored to express my sympathy for the loss of his most valued possessions, but he answered cheerily, 'Never mind, Louisa, see what a beautiful blaze they make! We will enjoy that now.' The lesson was one never forgotten and in the varied lessons that have come to me I have learned to look for something beautiful and bright.

Adrian smiled and clasped my hands, taking a few steps toward me. "And as for who you are, you’re the same beautiful, brave, and ridiculously smart caffeinated fighter you’ve been since the day I met you.” Finally, he put “beautiful” at the top of his list of adjectives. Not that I should have cared. “Sweet talker,” I scoffed. “You didn’t know anything about me the first time we met.” “I knew you were beautiful,” he said. “I just hoped for the rest.

That prayer has great power which a person makes with all his might. It makes a sour heart sweet, a sad heart merry, a poor heart rich, a foolish heart wise, a timid heart brave, a sick heart well, a blind heart full of sight, a cold heart ardent. It draws down the great God into the little heart; it drives the hungry soul up into the fullness of God; it brings together two lovers, God and the soul, in a wondrous place where they speak much of love.

As an artist, there's a sweet, jump-starting quality to [marijuana] for me. I've often felt telepathic and receptive to inexplicable messages my whole life. I can stave those off when I'm not high. When I'm high - well, they come in and there's less of a veil, so to speak. So if ever I need some clarity, or a quantum leap in my own consciousness, or a quantum leap in terms of writing something or getting an answer, it's a quick way for me to get it.

We used to say I don't care if I never have any money As long as I have my sweet honey and a shack in the woodland Now we say I don't care if I don't have money, but it's not true We can't live without money, no, because we don't want to We want one of those and two of those, and oh that one looks neat, wrap it up Put it on my MasterCard. Put it on my Visa And I sing it now, hey hey, hey hey, who woulda thunk it Hey hey, hey hey, who woulda thunk it.

I went to the Garden of Love, And saw what I never had seen: A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And 'Thou shalt not' writ over the door; So I turn'd to the Garden of Love, That so many sweet flowers bore. And I saw it was filled with graves, And tomb-stones where flowers should be: And Priests in black gowns, were walking their rounds, And binding with briars, my joys & desires.

Now I felt the long-forgotten urgency of lovemaking, when it seems one's human selves leave, to be replaced by hungry beasts bolting their food. Gone are the civilized beings who talk of manners and journeys and letters; in their places are two bodies straining to give birth to a burst of inhuman pleasure followed by a great, floating nothingness. An explosion of life followed by death - in this we live, and in this we foreshadow our own sweet deaths.

When I'm asked to define "Southern food," I usually turn that question back to my audience and ask them what they think. I hear responses like fried chicken, catfish, barbecue, collard greens, and sweet potatoes. These are excellent examples, because they are historically grounded. You can trace each dish back to the people who brought these food traditions to the South. Today, these foods are central to the core culinary grammar of the American South.

Clyde Phillip Wachsberger's delightful memoir about tending beds of flowers as compensation for a lonely middle age only to find unexpected romance along the way is a sweet reminder that, as he puts it, 'anything can happen in a garden.' In prose that balances candor with perfect courtesy, he charms us with the message that keeping a garden with a beloved companion, this most ephemeral of all the arts, can bring us the most enduring joys and pleasures.

So I didn't adopt Homer because he was cute and little and sweet, or because he was helpless and needed me. I adopted him because when you think you see something so fundamentally worthwhile in someone else, you don't look for the reasons - like bad timing or a negative bank balance - that might keep it out of your life. You commit to being strong enough to build your life around it, no matter what. In doing so, you begin to become the thing you admire.

Friendship, then, like the other natural loves, is unable to save itself. In reality, because it is spiritual and therefore faces a subtler enemy, it must, even more wholeheartedly than they, invoke the divine protection if it hopes to remain sweet. For consider how narrow its true path is. Is must not become what the people call a "mutual admiration society"; yet if it is not full of mutual admiration, of Appreciative love, it is not Friendship at all.

The sensual and spiritual are linked together by a mysterious bond, sensed by our emotions, though hidden from our eyes. To this double nature of the visible and invisible world - to the profound longing for the latter, coupled with the feeling of the sweet necessity for the former, we owe all sound and logical systems of philosophy, truly based on the immutable principles of our nature, just as from the same source arise the most senseless enthusiasms.

What is patriotism but love of the good things we ate in our childhood? I have said elsewhere that the loyalty to Uncle Sam is the loyalty to doughnuts and ham and sweet potatoes and the loyalty to the German Vaterland is the loyalty to Pfannkuchen and Christmas Stollen. As for international understanding, I feel that macaroni has done more for our appreciation of Italy than Mussolini... in food, as in death, we feel the essential brotherhood of mankind.

Someone else who liked what I did might turn around and say, "She's reworking and rethinking everything. She could just be making blankets now, and be a lot wealthier." I'm actually making it difficult for myself. I wouldn't call it re-branding. If I get bored with my work, then other people will - it's that simple. And I'm not gonna get bored with what I'm doing. I'll struggle and fight and do new things to excite myself - and do it in my own sweet way.

When we hear complaints of the wretchedness or vanity of human life, the proper answer to them would be that there is hardly any one who at some point or other has not been in love. If we consider the high abstraction of this feeling, its depth, its purity, its voluptuous refinement, even in the meanest breast, how sacred and how sweet it is, this alone may reconcile us to the lot of humanity. That drop of balm turns the bitter cup to a delicious nectar.

Many do not recognize the fact as they ought, that Satan has got men fast asleep in sin and that it is his great device to keep them so. He does not care what we do if he can do that. We may sing songs about the sweet by and by, preach sermons and say prayers until doomsday, and he will never concern himself about us, if we don't wake anybody up. But if we awake the sleeping sinner he will gnash on us with his teeth. This is our work - to wake people up.

How we shall earn our bread is a grave question; yet it is a sweet and inviting question. Let us not shirk it, as is usually done.It is the most important and practical question which is put to man. Let us not answer it hastily. Let us not be content to get our bread in some gross, careless, and hasty manner. Some men go a-hunting, some a-fishing, some a-gaming, some to war; but none have so pleasant a time as they who in earnest seek to earn their bread.

I think, when people so strongly associate an actor with a character they play - but the main feeling is I feel very happy that I've been able to play somebody that people connect so strongly to. That's overall a very good feeling. There's the sweet and the sour, I guess. It does sting a little bit. Your insecurity as an actor maybe seeps in, but ultimately I think it's a very lovely thing. It doesn't happen that often. It's mostly good, I'm fine with it.

Won? He’s one of them! How exactly is that winning?” Michael shook his head, moved up behind her, and put his hands on her shoulders. He kissed the nape of her neck gently. “I don’t know, Eve. I’m just telling you what I heard. He got some kind of agreement out of the vampires. And it was because Amelie loved him.” “Yeah, loved him enough to kill him and turn him into a bloodsucking fiend,” Eve said grimly. “How sweet. Romance isn’t dead. Oh, wait. It is.

I doubt if Dickens did, especially his women-his pretty women-Mrs. Dombey, Florence, Dora, Agnes, Ruth Pinch, Kate Nickleby, little Emily-we know them all through Hablot Browne alone-and none of them present any very marked physical characteristics. They are sweet and graceful, neither tall nor short; they have a pretty droop in their shoulders, and are very ladylike; sometimes they wear ringlets, sometimes not, and each would do very easily for the other.

She was nervous about the future; it made her indelicate. She was one of the most unimportantly wicked women of her time --because she could not let her time alone, and yet could never be a part of it. She wanted to be the reason for everything and so was the cause of nothing. She had the fluency of tongue and action meted out by divine providence to those who cannot think for themselves. She was the master of the over-sweet phrase, the over-tight embrace.

Sweet baby Jesus, Blue Eyes was... He was gorgeous in all the ways that made girls do stupid things. He was tall, a good head or two taller than me and broad at the shoulders, but tapered at the waist. An athlete's body - like a swimmer's. Wavy black hair toppled over his forehead, brushing matching eyebrows. Broad cheekbones and wide, expressive lips completed the package created for girls to drool over. And with those sapphire-colored eyes, holy moley...

There is an island fantasy A "Someday I'll," we'll never see When recession stops, inflation ceases Our mortgage is paid, our pay increases That Someday I'll where problems end Where every piece of mail is from a friend Where the children are sweet and already grown . . . . Most unhappy people . . . put happiness on "law away" And struggle through a blue today . . . . Life's most important revelation Is that the journey means more than the destination . . .

I may never be happy, but tonight I am content. Nothing more than an empty house, the warm hazy weariness from a day spent setting strawberry runners in the sun, a glass of cool sweet milk, and a shallow dish of blueberries bathed in cream. When one is so tired at the end of a day one must sleep, and at the next dawn there are more strawberry runners to set, and so one goes on living, near the earth. At times like this I'd call myself a fool to ask for more.

If you did wed my sister for her wealth, Then for her wealth's sake use her with more kindness; Or, if you like elsewhere, do it by stealth; Muffle your false love with some show of blindness; Let not my sister read it in your eye; Be not thy tongue thy own shame's orator; Look sweet, speak fair, become disloyalty; Apparel vice like virtue's harbinger; Bear a fair presence, though your heart be tainted; Teach sin the carriage of a holy saint; Be secret-false.

When my parents were liberated, four years before I was born, they found that the ordinary world outside the camp had been eradicated. There was no more simple meal, no thing was less than extraordinary: a fork, a mattress, a clean shirt, a book. Not to mention such things that can make one weep: an orange, meat and vegetables, hot water. There was no ordinariness to return to, no refuge from the blinding potency of things, an apple screaming its sweet juice.

I don't think most people know how to meditate - they fall asleep and they call it meditation. I prefer a kind of sweet, deep, rich prayer in which a person goes in and says, Take me down deep into the reason you gave me life. Take me down deep. It silences the chaos in me. Take me away from my sense. I need to go away now, because I'm in chaos - take me down deep. Hover over me, because I need grace. I say that a lot, many times a day. So that's my practice.

What a sweet and succulent morsel: so soft, so salty, so deliciously delectable, it makes me want to wiggle with delight. You should cook for me more often, Roran Stronghammer. Only next time, I think you should prepare several deer at once. Otherwise, I won't get a proper meal.' Roran hesitated, as if unable to decide whether her request was serious and, if so, how he could politely extricate himself froim such an unlooked -for and rather onerous obligation.

O Romeo, Romeo, wherefore art thou Romeo? Deny thy father refuse thy name, thou art thyself thou not a montegue, what is montegue? tis nor hand nor foot nor any other part belonging to a man What is in a name? That which we call a rose by any other name would smell as sweet, So Romeo would were he not Romeo called retain such dear perfection to which he owes without that title, Romeo, Doth thy name! And for that name which is no part of thee, take all thyself.

My first job was a show called The Others. I had, like, three lines. Julianne Nicholson was in it, and Gabriel [Macht]. I remember Gabriel wasn't there the day I was, but he sent a note, because he went to Carnegie Mellon as well, so we knew each other a little bit through that, and he was so sweet and generous. It was meant to be a recurring role that would evolve on the show, but the show only lasted a little while and I ended up only doing that one episode.

Millions of American women, and some men, commit that outrage every summer day. They are turning a superb treat into mere provender. Shucked and boiled in water, sweet corn is edible and nutritious; roasted in the husk in the hottest possible oven for forty minutes, shucked at the table, and buttered and salted, nothing else, it is ambrosia. No chef’s ingenuity and imagination have ever created a finer dish. American women should themselves be boiled in water.

His lips hovered over hers. “No,” he snarled. Madison wasn’t sure to whom he was talking, but then his mouth was crushing hers, and her world became him—the touch and feel of his lips pressing down, forcing hers to respond. It wasn’t a gentle kiss or a sweet exploration. It was angry and raw, breathtaking and soul burning. Right now, she didn’t want gentle. She wanted hard and fast, him and her, on the floor, even the bear rug, both of them naked and sweating.

Macbeth: How does your patient, doctor? Doctor: Not so sick, my lord, as she is troubled with thick-coming fancies that keep her from rest. Macbeth: Cure her of that! Canst thou not minister to a mind diseased, pluck from the memory a rooted sorrow, raze out the written troubles of the brain, and with some sweet oblivious antidote cleanse the stuffed bosom of that perilous stuff which weighs upon her heart. Doctor: Therein the patient must minister to himself.

Marry me. Nay, marriage will cost us precious moments together. Let us make sweet, passionate love right here. Let me bear your children.” A primal growl signaled Miss Lynn getting over her shock at being thus addressed. She lunged forward; Jack deftly rolled off the bench, jumping up out of her reach. “Goodness, I didn’t expect you to be quite this enthusiastic about my advances. If I don’t play hard to get, how will I ever know whether or not you respect me?

There is one way by which a strolling player may be ever secure of success; that is, in our theatrical way of expressing it, to make a great deal of the character. To speak and act as in common life is not playing, nor is it what people come to see; natural speaking, like sweet wine, runs glibly over the palate and scarcely leaves any taste behind it; but being high in a part resembles vinegar, which grates upon the taste, and one feels it while he is drinking.

How unutterably sweet is the knowledge that our Heavenly Father knows us completely. No talebearer can inform on us; no enemy can make an accusation stick; no forgotten skeleton can come tumbling out of some hidden closet to abash us and expose out past; no unsuspected weakness in our characters can come to light to turn God away from us, since He knew us utterly before we knew him and called us to Himself in the full knowledge of everything that was against us.

What is it that sometimes speaks in the soul so calmly, so clearly, that its earthly time is short? Is it the secret instinct of decaying nature, or the soul's impulsive throb, as immortality draws on? Be what it may, it rested in the heart of Eva, a calm, sweet, prophetic certainty that Heaven was near; calm as the light of sunset, sweet as the bright stillness of autumn, there her little heart reposed, only troubled by sorrow for those who loved her so dearly.

The soul of a true christian, as I then wrote my meditations, appeared like such a little white flower as we see in the spring of the year; low and humble on the ground, opening its bosom to receive the pleasant beams of the sun’s glory; rejoicing, as it were, in a calm rapture; diffusing around a sweet fragrancy; standing peacefully and lovingly, in the midst of other flowers round about; all in like manner opening their bosoms to drink in the light of the sun.

I think my moment of revelation came when I saw this young man come on court in the most flamboyant clothes. He had a sweet smile and questionably blonde hair and a generally chirpy glamour that in fact concealed huge skill. When he was interviewed he confessed to hating to get angry and it was also said that he slithered out of winning when it came to the big matches. And I thought, My God! This Andre Agassi is the image of Howl in my book HOWL'S MOVING CASTLE!

I am very astonished that the scientific picture of the real world around me is deficient. It gives a lot of factual information, puts all our experience in a magnificently consistent order, but it is ghastly silent about all and sundry that is really near to our heart, that really matters to us. It cannot tell us a word about red and blue, bitter and sweet, physical pain and physical delight; it knows nothing of beautiful and ugly, good or bad, God and eternity.

I was also reminded of one of the unique charms of NYC in the summer: vast piles of rotting garbage piled on the sidewalks, with that sweet yet nauseating smell of decomposing groceries sitting in the humid fetid air, and rancid food juices oozing over the sticky sidewalks. With my windows open to counter the stuffiness, I could occasionally catch a whiff of the stench outside. People actually like living in this chaotic, fetid monument to incompetence? Beats me.

There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.

I suspect he's sweet on Sophie and doesn't like to see her work too hard.' Tessa was glad to hear it. She'd felt awful about her reaction to Sophie's scar, and the thought that Sophie had a male admirer - and a handsome one like that- eased her conscience slightly. 'Perhaps he's in love with Agatha', she said. 'I hope not. I intend to marry Agatha myself. She may be a thousand years old, but she makes an incomparable jam tart. Beauty fades, but cooking is eternal.

My mate Karl once told me he’d been looking after this five-year-old boy who – not knowing enough to have an ironic inflection to his words – said, ‘I want something.’ He didn’t know what it was. Not ‘I want sweets’, or ‘a can of Coke’, or ‘to watch the Tweenies’, or whatever it is they’re into now (I like Bagpuss), but ‘I want something.’ All of us, I think, have that feeling. And what heroin does when you first start taking it is tell you what that something is.

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