Quotes of All Topics . Occasions . Authors
There's something very surreal about driving a truck, looking in the rearview mirror, and seeing 20 cop cars behind you. Even though you know, 'We're just shooting. This is just a scene; we're making a movie here,' it's very unsettling.
Possibly the strangest book ever made, the 'Codex Seraphinianus' is an encyclopedia of an imaginary world, with illegible calligraphy - it is written in an alphabet no one can understand - and surreal drawings of odd beasts and machines.
An ambitious, surreal tale of the love between a young Arab girl sold into marriage and the orphan boy she adopts, 'Habibi' spans multiple eras of conflict and change, stretching the lifetimes of its two protagonists over many centuries.
When I won in 2003, never in my wildest dreams did I ever think I would win Wimbledon and have my kids seeing me lift the trophy, so this is pretty surreal. And yeah, I was almost shocked in the moment that it all came together so nicely.
When I first left Florida for Boston, I was so eager to shed my Floridian identity, perhaps some of my earlier surreal gestures felt hollow and unconvincing because they were not rising from the particular brand of the uncanny I knew best.
I know it's become an ongoing thing about whether videogames are art, and I think there's plenty of examples of things that use the form in a fascinating way. Things that are more surreal or artistic, like 'Katamari Damacy' or 'Vib-Ribbon.'
For me, it was my first cosmic connection, on par with a first kiss. No other planet looks as unworldly or surreal as Saturn. When you see it floating in the eyepiece of your telescope, you feel as if you've uncovered mystery in the cosmos.
It's surreal working with people you admire. I don't think it ever goes away, no matter how human people are; there's always that moment of 'Oh wow, that's still George Clooney!' But I find that the most talented people tend to be the nicest.
Since it's based on my parents, it's more emotionally close to me than some of my more surreal plays. And then I like the balance of the comic and the sad. It should play as funny, but you should care about the characters and feel sad for them.
It's really weird when we're out of the country, whether we're in Brazil or Greece or some crazy place like France or Germany. When you hear your song on the radio or in a store, and you're in a different country, it's really freaky and surreal.
A lot of the surreal filmmakers, like David Lynch, Alejandro Jodorowsky, or countless other underground filmmakers... Their sense of explosive images have always dominated their films. It's a way to shock the senses, to make them open themselves.
I look around and see guys that I've been on the road and traveled the world with in a WWE locker room, and we still think it's surreal. At least once a week, one of us will look at the other and just say, 'Can you believe we're really all here?'
Fame and stuff like that is all very cool, but at the end of the day, we're all human beings. Although what I do is incredibly surreal and fun and amazing and I'm really grateful for it, I don't believe my own press release, do you know what I mean?
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
A lot of the surreal writing that I love is really dreamlike. Like Murakami. He uses the real world, and it's pretty recognizable, but its populated by these strange visitors, or it has these underground spaces. I was always really compelled by that.
Obviously when you grow up in the area you love playing on the street, and to go from playing on the street with my mates to playing at Upton Park is a bit surreal, and 15 years on to still be in the heart of the West Ham midfield is quite good going!
It was surreal to play opposite Angela Lansbury and Elaine Stritch, Bernadette Peters and Catherine Zeta-Jones. There was so much to learn just from watching them, and it was an honor to share the stage with women who have accomplished what they have.
When I got the call that the Patriots were interested, it was a very surreal feeling. I've always looked up to watching them play. They've been a team that has a long history of winning. Just to be considered to be a part of this team is a great honor.
I find the past so fascinating. Photographs are strange, almost surreal, almost here yet gone. I slip into thinking what the past must have been like and I enjoy creating that ambience and atmosphere - 1730 to around 1870 is the most interesting period.
The most surreal moment might have been meeting President Obama. It was really cool, actually; they, like, announced us into the room. There was a man in a uniform who announced all our names in a booming voice, and we walk in, and there's the president.
I've gotten to travel all over the world and meet all kinds of people and do all kinds of great things, so it's, like, surreal. It just lets you know how time flies, especially when you're having fun. It seems like time keeps going by faster as I get older.
The difference between being in the closet and out of the closet as a gay man is such a huge shift. I feel so connected still to that 22-year-old, but the idea that I was not open with that part of my life - which I am now so open about - is sort of surreal.
I've been to Sundance eight times as a publicist and thought I was very prepared. I mean, who could've been more prepared for me? A publicist who's been there eight times. Getting there as a filmmaker was a completely surreal, different, unexpected experience.
I think I was the only person in my experimental film class doing comedy. But my sense of humor and a lot of comedy that I love is quite surreal and strange, you know? You could argue that 'Monty Python' is experimental film. It just happens to be really funny.
To wind up in Cooperstown is surreal for me. To go into the Hall of Fame is one thing. When you think of all the other Yankees that are in here, it's pretty special. This is just a shrine. To visit it, much less be inducted, it's still sort of unbelievable to me.
Obviously, everyone's journey is different, and we all have different ambitions and beliefs as kids as to whether we're actually going to be able to play in a World Cup and whether it can be a dream that can come true. For me and for my family, it's very surreal.
I think meeting someone like, meeting Sam Shepard, that was someone who was kind of important for me, because I'd read so much of his work and watched him as an actor since I was a kid, then being on set doing a scene with him and thinking, 'This is really surreal.'
A lot of TV can be linear and cinematic and formulaic. What's to say that people can't be creative and surreal - and push boundaries? You can look at a piece of art and not necessarily know what it means or what the artist intended by it. It's the effect it has on you.
It's just surreal because I get to empower other little African-American girls around the world and say that you can be a superhero, and you rock, and you can conquer the world, and you are beautiful just the way you are, and your flaws are nothing, and you're awesome.
I taught a class about the Tony Awards at a summer theater camp the year after I graduated from high school. So, the first time I was nominated for 'Spring Awakening,' it felt like a surreal dream: it was every childhood dream I had come true. It felt like a fairy tale.
My whole life has changed so much, and it's still constantly changing, but 'Moonlight' brought about a bunch of opportunities that were really surreal, from the Oscars and Golden Globes to the notoriety that it brought, to even doing things like working with Calvin Klein.
The first time I ever heard professional actors delivering lines that I wrote was completely surreal and was just a gigantic moment in my life. It was just a little bit mind-blowing and completely strange to have something that had been on my computer being said out loud.
I play a character called Lieutenant Delcourt who, in the original comics, pops up from time to time to rescue Tintin. I guess if you've grown up watching movies like 'Jaws' and 'Indiana Jones,' it's pretty surreal to find yourself on set with Steven Spielberg directing you.
Lewis Carroll, you see, wasn't really interested in telling an exciting story. Well, he wasn't interested in things like cause and effect or a linear narrative. It's surreal, it's absurd, it's wordplay, it's satirical, it's analyzing itself, it's funny, it's an enormous challenge.
It's surreal to think that I own this beautiful island. It doesn't feel like anyone can own Lanai. What it feels like to me is this really cool 21st-century engineering project, where I get to work with the people of Lanai to create a prosperous and sustainable Eden in the Pacific.
For a child, it's not so much scary, it's surreal; there was a lot of fighting in my great-grandmother's house; you'd go there and then someone would meet up and there'd be a fight; I've seen my uncles fight in the street, I've seen my grandmother fight in the street, it becomes normal.
My first book is really comparable to what I do now, where it's pretty surreal and strange at moments, but that being my first book - I wrote that when I was 22; it came out when I was 24 - and it was just really overwritten. I just didn't trust myself as a writer to say something once.
When I did 'The Tonight Show' and Jay Leno was still there, he was very nice but it was surreal. It's like you can't believe you're standing there talking to that person. If you've seen them in a lot of movies or on TV you feel like you know them, just like my fans feel like they know me.
I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.
Before my first child was born, I had nothing going on professionally really, and it's been a very blessed period of creativity for me since he arrived. It's very surreal. It's almost as if the babies are out there pulling strings somewhere, deciding what kind of life they want to be born into.
When I see Bruce Banner becoming the Hulk, it's only a picture. My imagination has to do some of the work there, to impute feeling and everything. We're talking about something that's so surreal, it's just not possible within the world as we know it. So that requires a form that is not so literal.
I always say 'Knocked Up' opened the doors, and 'Hangover' just burst it wide open. To this day, it's still surreal. And my wife's a doctor. All our friends are doctors - our close friends. And it's just that I have an odd job now. I think I'm like a doctor who had a detour, and I just have an odd job.
I appreciate the 'Surreal Life.' I had a really positive experience on that show, and with those people. I found some love in my heart for religion again, and had the support of a new family of friends. I wouldn't have had the pleasure of meeting those people, if we were not all placed in that fishbowl.
Back when I was a kid, I used to tear pages out of magazines and stick them on my bedroom wall - I had the Eternity ads on my wall and the CK One ads. My whole childhood, those were on my wall, and cut to 20 years later, being asked to be the face of one of Calvin Klein's new fragrances is kind of surreal.
And the whole Oscar thing, that is just surreal: you spend months and months doing promotion, and then come back to reality with this golden thing in your hands. You put it in the office and then you just have to look at it sitting on the shelf. And, after about two weeks, you go: 'What is that doing there?'
I remember 'The Shepherd's Dog' record being not necessarily a political record, but a reaction to socio-political situations in America. And it didn't manifest itself as protest or propaganda songs, but there's a lot of surreal imagery that was born out of really me being surprised Bush got re-elected in '04.
I get star-struck anytime I meet performers that I grew up watching and appreciating. I mean, it's still incredibly surreal to me that I was a kid in San Antonio watching movies and then now I'm working with some of the people that were in those movies. I don't think it'll ever stop being surreal on some level.
Right now I'm in 'Twilight' and I go around to signings and there are people screaming and crying, and it's so surreal. I know that when this is over in a month or two and whenever 'Twilight's no longer relevant, that doesn't live on for me. It's because of this. It's not very often that this happens for people.
I was offered a lot of reality shows in the past. I continue to be offered things like 'The Surreal Life.' I did one in 2002, right after the attacks on the World Train Center. It was called 'Celebrity Bootcamp.' It sounded exciting and cool when they presented it. When you get down to it, it was corny and cheesy.
I know I have this level of celebrity, of fame, international, national, whatever you want to call it, but it's a pretty surreal thing to think sometimes that you're in the middle of another famous person's life and you think to yourself, 'How the hell did I get famous? What is this some weird club that we're in?'