I'm a musician with a very unique mental state, I suppose. I'm agoraphobic. I'm scared to leave my house. I haven't been alone in, like, two years. I'm either with my boyfriend or my assistant, my manager or my tour manager. I won't go anywhere by myself; I'm too terrified.

I am a fairly orthodox Christian. Every Sunday, I say and do my best to mean the whole of the Creed, which is a series of propositions. But it is still a mistake to suppose that it is assent to the propositions that makes you a believer. It is the feelings that are primary.

I'd always fought against presenting radio really, because my father was a radio DJ in Australia. He's just recently retired. And I kind of didn't want to follow in his footsteps. But I suppose, as we all find as we become older, to some extent we do all become our parents.

I suppose I was interested in creating a vision; in the same way, I was very drawn to tension within cinema. Hitchcock was my other early obsession - 'Psycho' and its score. So there was the sense of trying to create an atmosphere: how a sound resonates and makes an effect.

What I do is spend too much time thinking. Most of the time I just walk around annoyed. Would I describe myself as relatively happy, I suppose, but society gets to me. And the people that have mastered life seem to not care, and then they die, and then the grenade goes off.

It's quite ironic I suppose, it's that thing about being in a group when you all start out as friends and then invariably end up hating each other. So I just thought they needed telling really, in case they were labouring under the apprehension that they were still friends.

I've always figured the only way I could finish a book and get a plot was just to keep making it longer and longer until something happens - you know, until it finds its own plot - because you can't outline and then fit the thing into it. I suppose it's a slow way of working.

Generally, my notes and outlines comprise more words than my novels. I suppose that's one reason I'm a comparatively slow writer, something that has always bothered me given the fact that other authors can turn out a book every six months while I usually take about two years.

I suppose I'd always been attracted to commitment-phobes because some part of me felt unlovable. It was a lot easier to fall for a guy who I knew, on some level, wouldn't fall in love with me. There was nothing to risk. The real risk would be to finally be vulnerable to love.

It's true that youth is wasted on the young and, if I had my life to live over again, I suppose I would pay more attention to my career. I would make better choices. But, in my defence, I would say that I have three wonderful children, and that's something I am very proud of.

Ever since John Kennedy, Democrats have had a weakness for dashing younger men like Bill Clinton and Barack Obama and, I suppose, Jimmy Carter. They balance their tickets with senior statesmen - Lyndon Johnson, Joe Biden, Walter Mondale. (Al Gore was young but played ancient).

Most Muslim women know it is fear and curiosity that cause people to stare. They know it is ignorance and stereotypes that cause people to suppose that a piece of material covering the hair strips a woman of the ability to speak English, pursue a career, work a remote control.

I was always pretty ambitious, although it probably helps that I can't do anything else - apart from cleaning lavatories. But I remember my mum once said, 'I suppose you'll give it a year and see if you can make it as an actress?' And I said, 'No Mum, I think I'll give it 10.'

I've jokingly said that everything I'm doing now is filling up the hours before I die, but I do feel that slightly. I have no religious beliefs so this is the ride. This is it. So I'm just like anyone, I suppose, trying to fill out the days in the most interesting way possible.

I suppose there's a melancholy tone at the back of the American mind, a sense of something lost. And it's the lost world of Thomas Jefferson. It is the lost sense of innocence that we could live with a very minimal state, with a vast sense of space in which to work out freedom.

I suppose I have become a sort of living monument in Portugal. But I come from a family with roots all over the world, so the idea of patriotism is not very strong in me. My country is the country of Chekhov, Beethoven, Velasquez - writers I like, painters and artists I admire.

I suppose when people are criticising you and saying that you are not really worthy of going to such a club as Liverpool, it gives you a little bit more drive and more desire to prove them wrong. And that can only help you in the long run: make you a little bit tougher mentally.

I'm here to get the story on to the page. It would be good to catch your attention, and I have to make you want to read on, and I suppose I prefer you don't actually think about the 'how' at all - the writing technique, the 'style', or even who it is that's putting this together.

It is a mistake to suppose that the Supreme Court is either honoured or helped by being spoken of as beyond criticism. On the contrary, the life and character of its justices should be the objects of constant watchfulness by all, and its judgments subject to the freest criticism.

I suppose the only thing at 50 you can really start to look forward to is just total irresponsibility. As you get older, you can just sit in a chair, wear anything you want, you know you can walk down; old people dress cool. You know they wear sweatpants. The elderly have it down.

Although I was writing songs when I was younger, I didn't feel I had much of a clue as to what I was doing or how I was doing it. There are a few songs from my past where I thought, 'Well, that's pretty decent,' but I didn't have a discipline. I suppose I'm kind of a late bloomer.

I'm not such a nuisance to the world, and the kick I get out of living can, I suppose, justify the impositions I make on it. But when life isn't so fun, well, then I start to wonder. What's the point of going on if it's just trouble for us both? My friends will miss me, I am told.

I think I work much harder on the children's books. I suppose I enjoy that. I find it interesting that although there are more than 30 books in the Discworld series, it is the four that were written for children which have won the awards. I've never been quite certain why this is.

We as children went up the mountain to find feed for livestock, like goats, cows and horses, and because in the winter time we would light the fire in the house, we would climb the mountain to collect firewood as well. Because of that, I suppose I became used to climbing mountains.

I suppose people hadn't really thought each decade should have its own character and be different from the others till the 1920s, although I remember in a nineteenth-century Russian novel someone remarked that a character was a typical man of the 1830s - progressive and an atheist.

I can feel things - tap into emotions. When I meet a new person, I know their life straight away. I suppose you could call it a special intuition, but it's my number one quality, and I'm always 99.9 percent right. If I don't like someone, it always turns out to be for a good reason.

I am something of a contrarian, I suppose. I feel less comfortable when everybody agrees with me. I say, 'I better reexamine my position!' I probably believe that the worst opinions in my court have been unanimous. Because there's nobody on the other side pointing out all the flaws.

I'm not a masochistic reader. If something is just too dense or not enjoyable, even though I'm told it should be good for me, I'll put it down. That said, most of what I read would be considered high-end or good for you, I suppose. But, I also think that reading should be enjoyable.

I suppose Spotify is a good thing. The ads are quite annoying, but a lot of people seem to like it and use it. I don't myself, but it seems like a good idea, and the labels are getting a huge amount of money off it, but the artists aren't, so that must be good for them... but not us.

I suppose when I was growing up, it was all about fitting into a box or fitting into a category. You know, looking like I listened to hip-hop, or looking like I listened to grime. You'd see someone and go, 'Oh, look at that person. He's wearing that or that; he listens to punk rock.'

I suppose being a bit of an antisocial weirdo definitely honed my skills as a soloist. It gave me a lot more opportunities to solo lots of easy routes, which in turn broadened my comfort zone quite a bit and has allowed me to climb the harder things without a rope that I've done now.

The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there's some improvisation, although I work over the stuff after I've got it down on paper.

I think everybody has their own way of looking at their lives as some kind of pilgrimage. Some people will see their role as a pilgrim in terms of setting up a fine family, or establishing a business inheritance. Everyone's got their own definition. Mine, I suppose, is to know myself.

A common misperception of me is... that I am a tough, rough northerner, which I suppose I am really. But I'm pretty mild-mannered most of the time. It's the parts that you play I guess. I don't mind it. I'm not a tough guy. I'd like to act as a fair, easy-going, kind man at some point.

My mom was funny and nutty. I suppose she had to be to survive raising 10 kids. To cope and keep a cap on things, she kept us buoyant and harmonious. She wouldn't let us express anger, which later on landed me in therapy but also made it easier for me to play laid-back, measured roles.

I've always saved. I believe in keeping money back for a rainy day and living within my means. I don't buy expensive clothes; I have a 10-year-old car I'm hoping to replace when a big job comes in. I suppose when we do go on family holidays, I am quite happy to spend when we are there.

The goal, I suppose, any fiction writer has, no matter what your subject, is to hit the human heart and the tear ducts and the nape of the neck and to make a person feel something about the characters are going through and to experience the moral paradoxes and struggles of being human.

When it comes to orchestral music, whenever I see a concert with orchestra and strings, and I arrive and there are speakers up, my heart always sinks a little bit, and I think, 'It's going to be down to some sound guy's ideas.' Contact microphones on the violins. I'm a purist, I suppose.

I have never, ever, received any taunts or any form of anti-Semitism. And I suppose being a Jewish football player with the Atlanta Falcons was no different than being a Baptist football player with the Atlanta Falcons. But in the back of your mind, you always expect something to happen.

I've come to realize I'm more spiritual than I am religious. What I mean by this: As far as praying to God goes, I'm more about looking inside for inner guidance - tapping into our own abundantly powerful inner resources - which, I suppose, is where some might say God does indeed reside.

I don't suppose there is a more daring or more impudent rascal on earth than a good American beggar. It is always his boast that he has begged an ex-president, or the present one, and he claims to have received benefits from a number of well-known millionaires, actors, and prize-fighters.

The Kate Winslet thing has been a shocker. I was like, that is the most ridiculous claim. Amazing, obviously. She's been my idol since I re-enacted 'Titanic' and fell in love with Leo. And it's a privilege to be called the next anything. But I suppose to be the next you is all you can do.

Essentially, I spent most of my childhood with my mother and my older sister, and I suppose I had rather a romantic vision of how things might be if there were men around; I saw myself in a country house with six children and a garden. That has never been achieved - and I still regret it.

I'm certainly not a person who spends their every waking moment soaking themselves in signs and signals of the sort that cult studies people study; and it's partly, I suppose, because some of those signs and signals aren't worth bothering about. You have to be selective about these things.

Suppose that every prospective parent in the world stopped having children naturally, and instead produced clones of themselves. What would the world be like in another 20 or 30 years? The answer is: much like today. Cloning would only copy the genetic aspects of people who are already here.

My mum was a librarian, and she brought home a lot of interesting books, and we just read and read. I suppose I didn't really think I could be a writer myself until I was working in editing in my 20s and discovered that actually, the books that came in were not very much like published books.

I've always liked texts that you immediately understand. I suppose the playwrights who really speak to me are Edward Bond, Joe Orton and Harold Pinter. I've been in six different Pinter productions - I love the clarity of his language. He has this way of using words - there's a thrill to them.

I suppose they think me an old man and imagine it is nothing for one like me to resign a life so full of trials. But I am not old - at least in that sense; you know I am not. Oh, no man ever left the world with more inviting prospects, with brighter hopes, or warmer feelings - warmer feelings.

I suppose for me as an artist it wasn't always just about expressing my work; I really wanted, more than anything else, to contribute in some way to the culture that I was living in. It just seemed like a challenge to move it a little bit towards the way I thought it might be interesting to go.

I think a lot of directors over the years have cast me because they see something of another generation in me: you know, certain people look like they've come from the 19th century. Because I have classical background I suppose that is more suitable to patriarchal roles and easily infuses them.

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