Quotes of All Topics . Occasions . Authors
The reason people turn to supernatural explanations is that the mind abhors a vacuum of explanation. Because we do not yet have a fully natural explanation for mind and consciousness, people turn to supernatural explanations to fill the void.
When 'Supernatural' came out, there were a lot of procedurals and you were either a doctor or a cop or lawyer, otherwise the show didn't stay on TV. And then we came around, and I don't want to say we were trailblazers, but we found our niche.
Supernatural movies generally have a much more brooding pace. If you look at films like 'The Sixth Sense' or 'The Others,' it's more building up the characters and building up the situation as opposed to just opening with a big action set piece.
This house I grew up in was built in the 1800s, and the back yard was like a cemetery. Naturally, I grew up in an environment where ghosts and supernatural things were very unnerving to me, because my brothers and I dealt with it on a daily basis.
My manager got the script for 'Under the Dome,' and I read it and just fell in love with the character. I grew up on Stephen King, and I love his whole aesthetic of the classic American story with supernatural events happening, so it just made sense.
I've been going to 'Supernatural' conventions, so they tend to be big 'Lost' fans and big 'Supernatural' fans, but it's usually for both of those. Walking on the street, people are really, really into 'Lost.' But on the conventions circuit, it's Lucifer.
My interest in the comic goes back a long time, because I grew up reading comics, mostly Marvel Comics, and I always loved 'Doctor Strange' uniquely. It was the presence of the fantastical, the presence of the supernatural that was in it. The idea of magic.
If you could find a way to peel back the skin of this world so to speak, would you really see this supernatural reality that is greater? Is it true that we fight not against flesh and blood but against principalities and powers? Every young person wants to know.
One of my favorite things to do is formulate powers for a character, then come up with their corresponding weaknesses and liabilities. And I delight in world-building: melding the supernatural with the natural, then tweaking and polishing until it feels organic.
There's something about a supernatural universe that you would think would actually make it easier to create tension and build conflict and have big scares and big ideas and big sequences. And that's true in a lot of ways. You can pick the best idea out of a hat.
I was that weird kid that checked out all of the non-fiction paranormal studies books from the library. I've always been fascinated by the supernatural, particularly movies and TV shows that manage to blend humor with the horror - 'Supernatural', 'Buffy', 'Angel.'
'Find Me' I think, is brooding in a very literal sense of the word in that you have all of these sort of interior storm that's growing within Joy over the course of the book and leading her to her moment. And certainly, I think there's an aspect of the supernatural.
The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural... The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.
There's something about seeing someone who has actually no real supernatural powers and only being able to throw things with precision that kind of makes people be like, 'Oh, I can see that. I can put that person in real life, and I can see it play out as a human being.'
These 'Supernatural' conventions are such a great time. The fan base is like none other, and I'm sure I'll never experience a fan base that support is the same with - their kind of unbridled decency towards the actors makes me not have to worry about going into the crowd.
This fact immediately suggested a singular event - that at some time in the distant past the universe began expanding from an extremely small size. To many people this inference was loaded with overtones of a supernatural event - the creation, the beginning of the universe.
Basically, Urban Fantasy means D&D in New York. Ordinary people have no idea that they share the world with fantastic, supernatural creatures. It can't just be vampires or werewolves; it has to be a whole continuum of fantastic beings, with their own society within society.
Purity is not imposed upon us as though it were a kind of punishment, it is one of those mysterious but obvious conditions of that supernatural knowledge of ourselves in the Divine, which we speak of as faith. Impurity does not destroy this knowledge, it slays our need for it.
The evolutionary explanation for origins, although impossible either to prove or to test scientifically, is nevertheless defended by its proponents on the basis that it is the only explanation which is naturalistic, not involving the 'supernatural' element of a divine Creator.
My story reflexes come less from fantasy or horror than from the darker sort of psychological thriller - not as plot-driven as most, rather more mood-driven. My interest in the supernatural is a complication - though I am less interested in ghosts than in people who see ghosts.
When you read a supernatural suspense story or a ghost story, or a horror story, the evil at play is something that you can dismiss. And I wonder if, in this time, if people really want to be sitting on the subway reading a book about someone releasing a dirty bomb on the subway.
When I went to university, I decided that I would like to do something related to plant ecology, because I felt that plants were so beautiful. When I am studying plants, I feel like I am talking with some kind of supernatural life, like I am talking with someone who does not speak.
I welcome newcomers to cons, or 'con-virgins' as I like to call them, by saying 'Welcome to the 'Supernatural' Circus,' and I mean it. We take pride as a cast to deliver a show that not only entertains the fans but ourselves, Creation Entertainment, and everyone involved on both sides.
Magical realism is a blending of the unusual or supernatural into an otherwise ordinary setting. And, to me, this perfectly describes the South. 'The Sugar Queen' involves a lot of magical happenings, but in a very down-home Southern setting. It's full of things that could almost be true.
I was dirt-poor. I could barely hold down a job. Eventually, though, I started getting small parts on shows like 'Smallville,' 'Supernatural'... and lots of really bad sci-fi movies. I was running around the woods in wolf contacts, covered in fake blood made out of pancake syrup, roaring.
Before we understood that houses shift just over time because the ground is moving, the creaks in a house were assumed to be apparitions, or ghosts. Before we understood that we live on a planet, and there are others, the only answers to where we came from had to be something supernatural.
We know that men are saved by repentance and faith, and whoever does call upon the name of the Lord shall be saved. But salvation is a supernatural work of God that will always produce fruit. And the evidence, not the cause, but the evidence of salvation is a changed life, a changing life.
God is not accustomed to refusing a good gift to those who ask for one. Since he is good, and especially to those who are faithful to him, let us hold fast to him with all our soul, our heart, our strength, and so enjoy his light and see his glory and possess the grace of supernatural joy.
I think there's something about supernatural shows that people see and just want to put me in them! I don't know. I just finished another show - 'The Nine Lives of Chloe King,' with Skyler Samuels, who was my girlfriend in 'The Gates' - and I play another supernatural character on that show.
If you come on the set of 'Sleepy Hollow,' and you go, 'So, is this a 'Once Upon a Time' spinoff?' That's right when we start slappin' people. It's right then. Now if you came on the set, and you were like, 'I like this show. It kinda reminds me of 'Supernatural,'' that gets you a high five.
I always choose to look, as much as one can, at the supernatural not being something that exists outside of nature, but a deeper, fundamental heart of nature that perhaps humans... have lost touch with. It's a more primal thing than perhaps we are attuned to in our modern, self-aware way of life.
The reason Buddhism can be so naturalised is because, stripped of its supernatural elements, its core teachings can be giving a sound, secular philosophical interpretation. In other words, it becomes a religion acceptable to the contemporary, naturalistic mind only when it ceases to be a religion.
With the transcendent or supernatural, they help us contextualize our own lives while we are here on this earth. On a narrative level, as a storyteller, they are a wonderful tool and technique by which to explore those hopes, those fears, those existential dilemmas that we all face from time to time.
The universe is so enormous, and we have no idea what's on the other side of the galaxy. It's a lovely thing to be able to tap into. I'm definitely not opposed to any supernatural ideas, but I've never encountered any. I believe in spirits, but I've never seen a ghost. And I believe in Heaven and Hell.
I grew up in a small town in Kansas, so I love meeting the fans. Those are the people who spend time out of their day to watch the things that I've done, and I've gotten to do some great supernatural stuff - 'Teen Wolf' and 'The Gates' before that - so it's nice when I get to go to Comic-Con every year.
As a child, these colourful superheroes that could fly, or were horrifying like Ghost Rider and the Hulk, with this tremendous rage or these supernatural powers, provided an escape for me from my mundane existence, from my lack of friends or my inability to communicate well with people. They liberated me.
Many actors are not willing to wait and take the risk. They get restless sitting at home and, eventually, take up anything that comes their way. It's not that I wasn't offered supernatural shows and love stories again, but I chose to wait for the right opportunity. I deserve variety, or I will feel stagnant.
Most believers struggle to really believe in the supernatural as a meaningful, deterministic reality except during moments when they are drawn to it, perhaps during a worship service or while reading a novel like 'Adam.' Being drawn to this truth is the first step to living a life in accordance to this truth.
Once in a while, you'll get somebody who watched 'One Tree Hill' and 'Supernatural,' but by and large, whoever watches one show is very distinct. There's not a lot of crossover. It's like, 'This is my show, and I love this show. I know everything about this show. My show is my show, and it will be until I die.'
My first book was signed up when I was 13, and I've been writing ever since. But penning the 'Halo' series has been so much more rewarding than I ever expected. For three years, from the age of 16 to 19, I poured my life, my experiences, and a love for the supernatural that dates back to childhood into these books.
I shot a pilot for ABC, which I'm a bit confused about what the actual title is - I heard it was called 'Chosen.' It's directed by Roland Emmerich - the master of disaster himself - and it's his idea and concept for the show that's a supernatural thriller about good and evil set in contemporary modern day New York.
There is something about the South that accepts the supernatural. If you don't accept it and you're having a conversation with someone who does, it's just one of those polite things where you don't question their belief in ghosts. You just go, 'Oh, yeah, okay.' It's amazing to be able to have conversations like that.
Theories of history used to be supernatural: the divine ruled time; the hand of God, a special providence, lay behind the fall of each sparrow. If the present differed from the past, it was usually worse: supernatural theories of history tend to involve decline, a fall from grace, the loss of God's favor, corruption.
I'm a sucker for gag reels and teaser trailers for new seasons. One of the great parts of panels, especially on a show like 'Supernatural,' which can be so dark, it's fun to get up there and laugh and remember we're only telling a story. Seeing Eric Kripke and Ben Edlund up there being so funny always makes me laugh.
In any authoritarian society, the possessor of power dictates, and if you try and step outside, he will come after you. This is equally true of Sovietism, of China and of Iran, and in our time it has happened a lot in Islam. The point is that it's worse when the authoritarianism is supported by something supernatural.
I love monsters, I love creatures, I love beings, I love aliens. That's more supernatural and more the stuff of fairy tales. Fairy tales are as ancient as we are. I love those stories. I think they're really interesting because they always have more than simply the fright aspect. There's something deeply psychological.
The fact that 'A Dirty Job' has comedy and supernatural horror in it, that both are woven in and out of it with a whimsical tone, despite the fact that it's about death, makes it hard to characterize with standard genre labels - but I have no problem with that. I'd call it a funny story about death, and leave it at that.
Theology necessitates an image of God as a conscious, rational, supernatural being of unlimited power and scope who cares about humans and imposes moral codes and responsibilities upon them, thereby generating serious intellectual questions such as: 'Why does God allow us to sin?' 'Does the Sixth Commandment prohibit war?'
In my own life, I think legends of supernatural, mythic things are really just a manifestation of the collective unconscious. So I don't really get freaked out. I mean certainly, you read about things people did to each other in the pursuit of some mystical or occult goal, and it's horrifying. But that's just human nature.
While there are perfectly legitimate criticisms that one can make of Israel or the actions of its government - and I have never been shy about making them - those criticisms cross the line into anti-Semitism when they ascribe evil, almost supernatural powers to Israel in a manner that replicates classic anti-Semitic slanders.