Historically, diversity has been a real issue for superhero comics - so we need to do something about it, crafting strong, modern heroes for a modern audience.

I don't think people are experiencing superhero fatigue. Do you hear people complaining that there are too many action movies? I think it's good entertainment.

Let's face it: there aren't a lot of black superheroes. So, in dealing with a black superhero, you're going to deal with ugly history and the beauty of history.

It's awesome that they would think of me and base the next big Marvel superhero off of me. That was definitely something I was not expecting and I'm so honored!

If I could play any superhero... my favorite superhero is Spider-Man. Andrew Garfield is wonderful at doing it to the point that I don't think I should play it.

I really want people to know that I am a normal girl. I'm not a superhero now. I'm not some sort of celebrity that doesn't have feelings. I'm very, very normal.

I like the superhero comic books, and I like to see what the actors do creatively with the characters and how they bring these superheroes to life in the movies.

I would like to do an action film, and in which I am doing the action. I don't want to be a damsel in distress. I want to be a superhero. I would love to do that.

The Green Hornet was a human superhero. And he didn't wear a clown costume. And he was a criminal - in the eyes of the law - and in the eyes of the criminal world.

Sometimes we just sit around and sit on our hands and don't do anything because it's like, 'Hey, that's not my problem.' You can't do that when you're a superhero.

You can make your superhero a psychopath, you can draw gut-splattering violence, and you can call it a "graphic novel," but comic books are still incredibly stupid.

I hated teenagers in comics because they were always sidekicks. And I always felt if I were a superhero, there's no way I'd pal around with some teenager, you know.

When you think about justifiable anger in one's personal life, we look at those scenarios in everyday life and through our story with a superhero, we heighten them.

David Ortiz is almost like a superhero. The type of love that he gives and everything, the positivity that's around him - a lot of people admire him and respect him.

Most superhero shows are set in an alternative universe. 'Black Lightning' is literally in the hood. He's going inside of the ghetto and trying to make a difference.

I seem to like playing with form, and the superhero genre has an awful lot of formula to it. It has a lot of formula to it that I don't think it should be limited to.

Before I found out you couldn't get bitten by a radioactive spider and shoot webs out of your wrist, I wanted to be a superhero when I grew up - until I was, like, 8.

It's something that was very interesting to me to be a part of and all of them again because of the relationship. Some of the superhero movies are better than others.

Wonder Woman isn't Spider-man or Batman. She doesn't have a town, she has a world. That was more interesting to me than a kind of contained, rote superhero franchise.

When you first get sober, you feel like a superhero. You feel real emotion because you've been suppressing it forever. It's so much easier to navigate what's important.

When you're playing a superhero, you're almost playing two different people. I separate when I'm playing Jefferson Pierce and the days when I'm playing Black Lightning.

When you're a kid, and you're a superhero lover, the holy trinity is Batman, Superman and Spider-Man, so to be able to take any of those and play with it is a huge joy.

'Runaways' was exciting because it was something brand-new and fresh, and I'm hoping to be able to bend the rules in my own way of what a Marvel superhero story can be.

If Spider-Man is your ground level superhero, I wanted to come up with a ground-level villain. I wanted to figure out if I could turn a regular guy into a super-villain.

Better take the keys and drive forever. Staying won't put these futures back together. All the perfect drugs and superheroes wouldn't be enough to bring me back to zero.

I used to be a superhero; no one could touch me, not even myself. You are like a phone booth I somehow stumbled into, and now look at me - I am just like everybody else.

I want to play a princess or some woman from royalty or aristocracy. If I get to have an accent, even better. And I want to play a butt-kicking superhero, like Catwoman.

Role model, as far as my kids, I try to be more like a superhero than a role model 'cause I don't want them to go through what I went through, like, growing up and stuff.

Lynda Carter played Wonder Woman and was one of the first female superheroes. It gives me more of an encouragement that we can be strong and can do whatever a guy can do.

One of the great things about playing a fallible superhero, one who doesn't necessarily have superpowers, is that the stakes are raised by the prospect of them perishing.

When the mob and the press and the whole world tell you to move, your job is to plant yourself like a tree by the river of truth, and tell the whole world - No, you move.

I couldn't say no when I received that offer [to re-invent the DC characters]... How can any writer say no to the opportunity of redoing every one of DC's top superheroes?

The fundament of a superhero is the guy in tights saving innocent people from bad things. It's amazing how infrequently that seems to happen in superhero comics these days.

One of the things that I have learned since trying to bring in an interesting story in under 28 pages is that we already agree on great chunks of typical superhero stories.

I've done so many superhero comics, and I've actually just been really excited about sci-fi, and Chrononauts and Starlight were both sci-fi, which I had a great time doing.

I created the first black superhero who was not a gangbanger or an African chief but was rather a college graduate and a professional, which I think is a big accomplishment.

No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero movie.' Though if one did, that would be an interesting studio to work with.

It's become almost a cliche at this point that movies in the general sense are the place you go for superheroes and explosions and TV is where you go for actual storytelling.

For me, Superman's greatest contribution has never been the superhero part: it's the Clark Kent part - the idea that any of us, in all our ordinariness, can change the world.

I'm really just looking for an excuse to get in shape, so if someone could send me a role for a superhero movie, I'll get in shape, then you can just give it to someone else.

It's a strange place where the film industry is at. I guess you could just play superhero after superhero. That seems to be the only guaranteed big-money thing. I don't know.

There's the chiselled superhero that we're used to seeing and we've all grown up with. But Doctor Who has never been that, which is wonderful. It's attainable in so many ways.

Everybody loves superheroes, and so to be associated with a superhero forever is just kind of like, that's where the goalposts are. That's kind of, 'Bam, you're immortalized!'

I have the greatest fans. I have fans that come from soap opera world, I have fans that come from superhero world, which are a whole different section of fans. They're so cool.

How many superhero movies can we have? It seems like there are 19 a week. They're making money, though, and people are going to see them. So, I get it. I understand completely.

I think it's a fair criticism to say that we've gotten our fill of superhero films, and audiences should just have different things to choose from when they go to the theaters.

I was a huge fan of the Justice League growing up. I watched all of the cartoons, all of the animated series, all of the movies, superhero related, since my personal beginning.

'Drake and Josh' was strictly nine to five. We'd go in and know what we were doing, and 'Superhero Movie' was just nuttiness every day because there's a joke every ten seconds.

Look. I was a superhero in the '90s. I said so at the time. McCartney, Weller, Townshend, Richards, my first album's better than all their first albums. Even they'd admit that.

I love good versus evil. It always works. Even when you look at superhero movies, the action is really cool and all that, but what sucks you in is good trying to overcome evil.

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