Quotes of All Topics . Occasions . Authors
Beowulf is not a superhero. He has a talent, very much like Clint Eastwood in 'Unforgiven.' He's very good at staying calm in the right moment, but he does bad things. It's very much about having talent in a tight spot.
I was embarrassingly well-versed in Marvel lore, so it was pretty easy to slip into that world. But really, already, by the time I'd started writing superhero comics, my dream was really to be writing my own characters.
YI think what's cool about 'Scott Pilgrim' is that it shows that there is a superhero within all of us. There's not one ideal image of what a superhero looks like, and you don't really see that until the end of the film.
The fun of superhero comics is finding ways to turn the pieces that you know so that they're suddenly about things that you want them to be about, as long as they're true to the core and true to the DNA of the mythology.
I think we need a superhero in India that needs a great amount of writing and character behind it. if someone manages to crack it and approaches me, I would love to play a superhero which has a number of series behind it.
We love our superheroes because they refuse to give up on us. We can analyze them out of existence, kill them, ban them, mock them, and still they return, patiently reminding us of who we are and what we wish we could be.
What does it mean to be a superhero? We're all fighting for the better good. But, at the same time, I think what stands out is, as superheroes, you don't give up; you don't surrender. I think that's what makes a superhero.
In our increasingly secular society, with so many disparate gods and different faiths, superhero films present a unique canvas upon which our shared hopes, dreams and apocalyptic nightmares can be projected and played out.
I'm a big veteran of being able to, in one comic, explain to you everything that you need to know to get forward in the story without you having to refer back to years of continuity and a universe in these superhero comics.
One of the virtues of 'The X-Men' was that it managed to transcend the expectations and prejudices of the medium. It appealed to a vaster audience than anyone had ever anticipated from any superhero book, much less 'X-Men.'
We've always known we'd eventually be called upon to open our shirts and save the day, and the superhero was a crude, hopeful attempt to talk about how we all might feel on that day of great power, and great responsibility.
'Plutona' is the story of five kids who find the body of the world's greatest superhero in the woods after school one day. It's about how this discovery, and the decisions they make, affect them as a group and individually.
Before I went off to Rutgers, I worked in a comic book shop in my hometown. At night, I would work on some comic stories, and after a while, I developed an idea for a weird little superhero spoof comic called 'Cement Shooz.'
The fact is that Superman isn't around because he is the oldest superhero. He's still around because he is a great superhero. He's the guy that spawned the entire genre, and that didn't happen because it was a mediocre idea.
I'm excited that 'The Good Guy' is getting distribution because indie movies they're not - people ran out of money and they're not making these movies anymore. It's all superhero movies or real obvious tent pole studio films.
Superheroes fill a gap in the pop culture psyche, similar to the role of Greek mythology. There isn't really anything else that does the job in modern terms. For me, Batman is the one that can most clearly be taken seriously.
I've been looking for a superhero I could tune into and relate to for years, and when nobody stepped in to take the place of 'Buffy' in my poor soul, I thought, 'Maybe I can create somebody!' That's how 'Headache' came to be.
I think these movies are definitely comedies. It's quite difficult to take a superhero movie seriously because everything is heightened. A kid being bitten by a radioactive spider and getting superpowers is kind of ridiculous.
'Superman' had nothing to do with the superhero or physical power. It's a reference to the book 'Thus Spoke Zarathustra,' by Friedrich Nietzsche, who wrote about the evolution of consciousness to reach a higher superman state.
There's still a part of me that believes what was great about 'Doctor Who' in the early days was that you had a superhero who didn't wear his underpants on the outside of his trousers, who used his brain rather than his brawn.
I think that the superhero-as-metaphor involves a superhero being some sort of intellectual, emotional, or other such concept writ large. But I don't know that it's a necessary part of the appeal that the superhero be superior.
After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
Studios might not be able to figure out my leanings, but anyone who visits my blog or reads my Twitter feed or meets me in person will realize right away that I am a huge superhero fan and a fanatic about Superman in particular.
I think comics are really - superhero comics are at their best and most primal when they're about joy and flying, and about escaping the gravity of the world. But, at the same time, that's not to say all stories should be happy.
You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.
Don't be scared to look for help. Depression is real... It's crazy, and all these guys, us athletes, that keep thinking we're superheroes. I like to think I'm a superhero, but superheroes got to fight their demons, too, sometimes.
To come and turn the TV on and see Black Lightning trying to make a change and being a leader and stepping up, I hope that it inspires people within their own communities to try to make a change and to walk in their own superhero.
At one point, I worked up a list of five requirements for a superhero: superpowers, a costume, a code name, a mission, and a milieu. If the character had three out of the five, they were a superhero. But that's just my definition.
There's a level of shame attached to our history, and we need to replace that shame with pride and own our history. These are our superheroes. These are our people, and I would love to see us own this side of our history with pride.
I think everybody needs to find out who they are and who their, like, inner superhero is, or who you like to be. The world would be a better place if everyone was doing what the hell they wanted to do and being who they wanted to be.
I don't necessarily find superheroes in general, for me, that appealing. I'd much prefer to play, if I was to be cast in a superhero film, I'd prefer to play the villain because there's a reason, there's a motive behind their madness.
Most of the female 'superhero' role models of my childhood came from novels, and they rarely had powers. Take Dorothy, for example, from 'The Wizard of Oz;' or Laura Ingalls and her sisters in the 'Little House on the Prairie' novels.
Peter Parker is probably the most relatable superhero, maybe ever, because he goes through something that basically everyone has to go through. Whether it's puberty or talking to girls or doing homework, he does it in such a human way.
People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
When you see a superhero that looks like you and lives in and fights in a neighborhood that is sort of like yours, it's empowering to a degree that makes you have hope. That is the power of storytelling, and that is the power of images.
Seriously, I grew up a fan of Hulk Hogan, and I think I bring some of his best values to the ring... the values of a superhero. Always do your best. Never give up... I think kids want to believe in that, and they should believe in that.
I have the greatest fans. I have fans that come from soap opera world. I have fans that come from superhero world, which are a whole different section of fans. They're so cool. When people are fanatical about something, it's contagious.
I did my 'Hulk,' but it was not easy. If I do another Hulk film it will always be compared to the Ang Lee thing, and my first one... if I come back, I'd love to do another superhero, something different that I can really put my touch on.
I like Ned Leeds. I love the character so much. He's a very new character in the MCU. I think he's a very fresh take on people in the superhero world. Some superheroes crack under pressure, and Ned Leeds, who is not a superhero, doesn't.
People always complain that superhero movies end with a big fight scene where they're tearing up a city, and there's a portal opening up, and they have to close it... I wanted to have a climactic scene that subverted those familiar ideas.
I like monsters, and when the monster is a superhero, it's a byproduct. Like Hellboy, the Hulk, Man-Thing, Swamp Thing, Sandman, Constantine, Demon, Dr. Strange, Spectre, Deadman. Those are the superheroes I followed as a kid religiously.
I can say pretty confidently that I am not the right guy to do a superhero movie, just because I was not a comic book kid. I don't know that mythology, and I don't have it ingrained in me in the way that a lot of these other directors do.
A superhero is someone who, at some point or in some way, inspires hope or is the enemy of cynicism. Even if you bog it down with political allegory, or even if you're doing celebrity allegory. You still need to take the cynical out of it.
My superhero has always been Tendulkar, and it will be Tendulkar for life. He is someone who has inspired me immensely. Just watching him play for India, I used to dream of winning games for India, because he used to do it single handedly.
I'm not even against superheroes. It's not my cup of tea. But there's just this endless stream of them and they are so repetitious and suspend certain rules in a way that I don't find dramatically helpful. The imperviousness can be too much.
Coming out of the '60s and the Vietnam War in America, it was commonplace for people to make films that had relevance to them. And since the '70s, cinema has gone almost entirely in the direction of spectacle and escapism and superhero films.
Kane dons the mask because he is horribly disfigured, unstable, mentally insane and crazy, so I thought it would basically look like he had escaped from an institution. Then, I get the creative for the costume, and it looked like a superhero.
Movies have kind of become a tad bit uninspired, in that the big studio movies are spending more money to chase the big money with all these franchises and superhero movies. Some of them have been great, but some of them are a little tiresome.
The police officer who puts their life on the line with no superpowers, no X-Ray vision, no super-strength, no ability to fly, and above all no invulnerability to bullets, reveals far greater virtue than Superman - who is only a mere superhero.
To be honest, 'Jurassic Park' was before my time. I was super into the superhero movies and stuff. Mum and Dad, they were like, 'Sam Neill - honey, do you know who that is?' I'm like, 'No. I'll Google him.' He's the nicest person and a big kid.