Quotes of All Topics . Occasions . Authors
That's why I like to get out there, and get people to see the other side of Mitt, and know us in a different reflection when you see the family and how funny he is with the boys and with the grandkids. And you know, just what a super guy he is. That's part of what I am doing, is letting people see the other side of Mitt.
The woeful tales of 'Super Mario Bros.' and 'Street Fighter' have taught studios that merely slapping a name to a movie is not enough to bring in the fans of the franchise. Also, the way games now unfold their stories more parallels that of a movie, with characters and plot points actually meaning as much as a high score.
I have butt muscles, thigh muscles, and then my upper body is super skinny - except for in my shoulders, which you need for a little bit of strength to hold other players off the ball. So I think I've developed muscles 100 per cent from just shooting the ball and running. Every single thing about my body looks like soccer.
Anyone who is humble but still super accomplished, super recognized, renowned, has status, and has every reason to not have to be humble if they don't want to, but they still choose to be humble because they value that humanity is connected - that we're all on the same level as humans - that humility is what wins my heart.
I think it would collapse my heart if I was super famous. I don't have the nerve for it, I'm too anxious. I don't know how you're not obsessed with how people perceive you, because they're real people, you know? You can convince yourself that they don't really know you, and that's true, but how can it not hurt your feelings?
Now, they hold the World Cup every year, so it's like any Super Series. It's boring. To me, it's very boring. I think the players will always attend the World Cup. But for the fans, and also for most players, the Olympics and Asian Games will become more important. Nobody will look forward to the World Cup with anticipation.
'FlashForward' was on the outs when I was approached with 'Happy Endings.' I literally got the script on a Friday, and on Saturday morning I met with David Caspe, Jamie Tarses, and the Russo brothers. I took the role on that Saturday, and on Monday I was doing a table read. It all happened very fast, but it was super exciting.
There's nothing worse than working out and having a guy walk back and forth looking at you, because you know he wants to talk to you, but he's calculating his tactic! Then, somehow, he comes closer and introduces himself while you're halfway through the workout - and super sweaty, with messy hair, bad makeup and out of breath!
I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.
I like superheroes who are very human and underdog. That's why I relate to my character in 'A Flying Jatt': because he is a very normal person and very human. He was very unsure about his super powers; he didn't know how to use them. He is scared of heights, speed. Especially he is scared of his mom, but he has to listen to her.
'Melanin Man' was inspired by the words of an Uber driver in L.A. Before I got out of the car he said, 'They're scared of you young man. You're a king and they all know it. They want your culture, your soulful element and your style. You're Melanin Man, a super hero. Be safe out here.' Then I got out the car and took that all in.
I think I've lived a pretty hard life. What I mean by hard is that... I've been kind of reckless with things. I'm a passionate person. I'm a super passionate person. I think there's definitely been sorrow in my life, good and bad. I think it comes through. I hope it comes through in my writing because to me that's what artistry is.
That's what 'Star Trek' was: We don't know how to make an ideal society, but we're going to portray that, and then we're going to work backward. I think that's why science fiction - despite the dystopian parts - comes out of this super ideal that, eventually, we will get to some better place where we actually live up to our ideals.
Super polished signage is not always a good sign. I'm always looking for places that you have to know about to find. Also, just food-wise, if I'm eating ethnic cuisine - I hate that phrase, but still - If I'm eating Mexican food, I'm looking to see that there are Mexicans in the restaurant. They know if the food is being made right.
MeToo is a strong movement in Hollywood, but a lot of my fans and demographic are younger, and they don't really understand what's going on with it. I wanted to put something out for them, even for those who are 4 years old, that every girl is a super girl. No matter your age, your height, your weight, your color - whatever you are.
Just based on the primary adage of the necessity breeding innovation, it was just like 'Well, what makes me the guitar player that I am?' and I feel like I listen to so much different music, and I'm a student of so many genres of music, and I feel like it's fun to apply those things and anything super applicable to any type of music.
In 1988, as an unknown candidate, totally unknown, I won Iowa, came in second in New Hampshire, won South Dakota. I was ahead in every Super Tuesday state the day after South Dakota. The only problem was I didn't have enough money. I had a million dollars left, and Al Gore had three and Michael Dukakis had three and it was lights out.
Regarding 'Ferris Bueller,' I was in the Czech Republic once, in Prague, making a movie at the same time as Jeffrey Jones, who played the principal, who was making a different movie. The Super Bowl was going to be playing at this bar at midnight, so we decided we would go watch the Super Bowl at this bar at midnight in Prague together.
Most advertisers spend millions upon millions of dollars to buy commercial time during the Super Bowl, and millions in creating eye-popping ads, hoping to create catchy, unforgettable commercials. Unfortunately, most Super Bowl commercials end up being unmemorable. Costly mistakes for brands and creative flameouts for advertising firms.
Bombino's a super modest guy, very nice. His whole crew is a bunch of characters and he's definitely the Grand Poobah. I don't think the other guys are that much younger than him, but he definitely feels like the wise man; you just sort of get that sense when you're around him. He doesn't say that much but he's humble and well-respected.
Weird Al was something that kids would listen to. It's funny, super funny, smart. It's just kind of jokey. I remember hearing 'Smells Like Nirvana' before hearing 'Smells Like Teen Spirit.' That's how it really worked. I think it's just such a cool thing how he introduced us to so many cool bands. Even Queen - 'Another One Rides the Bus.'
I heard that people were really interested in the new haircut, which I think is so funny. Great haircut, I really like it. It goes great with the time period. And I was super, super, super-happy to have my bangs swept to the side rather than straight in front of me, which I dealt with for three seasons. I'm very, very much done with that.
What we have are - some of the big political donors behind the super PACs are big on promoting more of these trade agreements which cost us jobs - another reason that we need to end political action committees and have only individual donations with their donations being disclosed completely with names and addresses and other information.
My parents are artists; in their world, in the world of modern artists, you are supposed to just go into your studio and tune everything out, and your entire relationship with your work is supposed to be a super private one. That was the way to do it and you weren't deeply truly artistic if that wasn't the way you were engaging the press.
When I played at Minnesota, Green Bay, those northern cities, Buffalo, they wanted to have those championship games at home. It was going to be an advantage to be there with their fans and the cold weather and all that. But when you've got a Super Bowl, and it's the two best teams, you want ideal conditions. You want to play a great game.
I'm constantly pitching one episode where we see life through Castle's eyes. I think Castle's just a little off as far as his perception goes. A very, very clever man, but I want to see the world as Castle sees it - kind of a rose-colored glasses, all the women find him irresistible, all the guys find him super cool and do whatever he says.
When I was around 12 or 13 my older brother had this friend who was a goth. He was dressed all in black... You know like super, super goth! I was just so drawn to that darkness and weirdness. I just wanted to rebel. And now that I think about it, rebel against what? I mean I have lovely parents and brother and things were always very great.
When I was in the middle of the 'Scott Pilgrim' series, and it was slowly becoming more popular, though still not financially solvent, I had this real bratty instinct to turn around and do something super arty and dark. I felt dismissed by comics culture, stuck in between the artcomix world and the nerdcomix world, and I was cranky about it.
There are times when you sit down, and you're just like, 'Man, I don't know if I can do it right now.' Take a second - go to the woods and just hang out, or go to Yosemite and check it out. Be in nature for a little while; clock out - which is super healthy, especially for creative types. Honestly, for everyone. Everyone needs that at times.
There were authors I read as an adult who completely inspired me. But when I was a teenager, I got to hang out with Tom Stoppard for a bit. My mum was his wife's secretary. He was obviously super smart, but he was also approachable and normal. I think he was the first person I'd ever met who I'd thought, 'Oh, I see. There's a living in this.'
I was born in San Francisco. I was raised in Oakland, so I'm, like, super Bay Area born, and, you know, it's just really multicultural up there, and there's a lot of subcultures just from, like, anything, like from rockabilly to, like, crazy punk scenes to, you know, a huge rap scene, and there's just all kinds of things you can do out there.
I do kind of think there's a bit of an overemphasis on - in the community - on sort of achieving ever-so-slightly better state-of-the-art results on particular problems, and a little underappreciation of completely different approaches to problems that maybe don't get state of the art because it's actually super hard and a pretty explored area.
I can't understand it myself - how nervous I was when I took the floor for 'Strictly Come Dancing.' I walk out with 50,000 people gathered in the Millennium Stadium to fight Mikkel Kessler in the unification fight for the super middleweight division in 2007, and I feel great... and here I am, wearing tight pants and Cuban heels, and freaking out.
I think the 'Terminator' idea is a reasonable one - that is that one day the Internet becomes self-aware and simply says that humans are in the way. After all, if you meet an ant hill and you're making a 10-lane super highway, you just pave over the ants. It's not that you don't like the ants, it's not that you hate ants; they are just in the way.
I'm not very interested in fame or notoriety at all - in fact, I'd be pretty bummed out if I woke up one day and I was, like, super, super famous. But the flipside of that is that I'm really passionate about my music, I'm really proud of it and I want it to be heard by as many people as possible, and I'm willing to embrace whatever comes with that.