Quotes of All Topics . Occasions . Authors
I'm now painting with all the elan of a Marseillais eating soup, which won't surprise you when I tell you I'm painting large sunflowers. The idea? To decorate the studio, now there's hope of Gauguin living here. I aim at a dozen panels of sunflowers in the room I've set aside for Gauguin.
London life was very full and exciting [...] But in London there would be no greenhouse with a glossy tank, and no apple-room, and no potting-shed, earthy and warm, with bunches of poppy heads hanging from the ceiling, and sunflower seeds in a wooden box, and bulbs in thick paper bags, and hanks of tarred string, and lavender drying on a tea-tray.
When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.
We are so impressed by scientific clank that we feel we ought not to say that the sunflower turns because it knows where the sun is. It is almost second nature to us to prefer explanations . . . with a large vocabulary. We are much more comfortable when we are assured that the sunflower turns because it is heliotropic. The trouble with that kind of talk is that it tempts us to think that we know what the sunflower is up to. But we don't. The sunflower is a mystery, just as every single thing in the universe is.