That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?

I was living in a four-story Manhattan townhouse with three full-time servants and silver to be polished, and I was doing too much. My kids were growing up without me, and suddenly I thought, 'I want some other stuff.' So I stopped working instead of cutting back, and went to Australia instead of Vermont.

Looking at the world from other species' points of view is a cure for the disease of human self-importance. You suddenly realize that consciousness - which we value and we consider the crowning achievement of nature, human consciousness - is really just another set of tools for getting along in the world.

When you're in a fighter jet and there's a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, it's light and blue. You are totally connected with the elements. You are in another world.

I remember joining a boarding school in the sixth grade. I was lazy, complacent, and fat. Suddenly, I realised that I had to fend for myself. That's when I discovered this drive within myself. For the first time, I ranked first in class, which was a miracle in itself. However, it didn't matter to my family.

A man walks on through life - with the external call ringing in his ears but with no response stirring in his heart, and then suddenly, without any warning, the Spirit taps him on the shoulder. What happens? He turns 'round. The word 'repentance' means 'turning 'round.' He repents and believes and is saved.

I think when people begin to tell their stories, everything changes, because not only are you legitimised in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.

Most people think when the world gets itself together, we'll all be okay. I don't see that situation arriving. I think one by one, we all free ourselves from the chains we have chained ourselves to. But I don't think that suddenly some magic happens and the whole lot of us will all be liberated in one throw.

I think I was lucky to be a little older when I became famous. But still, the shock of the world starting to treat you in a weird way... I had come from the army, where we had to deal with life or death, and suddenly, people were asking whether you were cool or not. I have never cared about whether I'm cool.

It astonished me in the early Nineties to suddenly have musicians admit that they had been inspired and influenced by us. That meant a lot at that time. But of course, being human, the... disrespect isn't even strong enough a word, is it? The opprobrium was painful. Being popular and hated is not satisfying.

I haven't made many wedding dresses. It's a dress very, very important for the girl; it's important to know the person, I believe, but at the same time it should be a shock to the person - the person should be shocked to be suddenly revealed. That's the work of a designer sometimes, to propose an ID of look.

I'm sorry to bang on about it because I know everyone is, but Bryan Cranston in 'Breaking Bad' is remarkable. To see him switch from 'Malcolm in the Middle' to suddenly become Walter White is incredible. It's a) nice to see an actor given that chance, and b) great to see him really take full advantage of it.

But I think it's more that when you're young, you're invincible, you're immortal - or at least you think you are. The possibilities are limitless, you're inventing the future. Then you get older and suddenly you have a history. It's fixed. You can't change anything. I find that a bit disturbing, to be honest.

Reading 'Youth in Revolt' might have ruined my career because suddenly I wanted to abandon all the emotional truth of something and just go out far on a literary limb with completely implausible things that relied completely on voice and humor. And what saved me is realizing that I couldn't do that very well.

Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.

I think that if you know people who are performers on stage and actresses or whatever it may be, the bottom line is what you do on stage. You just take on a different persona - that's what makes her so successful. Lights come on, and suddenly, it's Britney Spears, and the lights go off, and she's just Britney.

Becoming a father increases your capacity for love and your level of patience. It opens up another door in a person - a door which you may not even have known was there. That's what I feel with my son. There's suddenly another level of love that expands. My son is my greatest joy, out of everything in my life.

Plenty of casual daters will throw you off with maddening phrases like 'I'm just enjoying having fun with you.' This doesn't make them a bad person, but it's your call now how to respond. Just don't assume 'having fun' or any such cliche means they're going to suddenly decide they want a relationship next week.

Grooming-wise, it is now a constant battle as I progressively turn into my father. I have to keep on top of ear and nose hair - things you never believe will happen to you. Suddenly I have a shaving brush in my ear and I don't know where it's come from, and the more hair I take the out, the more it surges back.

The most extraordinary thing about trying to piece together the missing links in the evolutionary story is that when you do find a missing link and put it in the story, you suddenly need all these other missing links to connect to the new discovery. The gaps and questions actually increase - it's extraordinary.

I remember when President Bush, George W. Bush, came into office, he focused on No Child Left Behind, and with - and before very long, suddenly, Republicans were thought of as being as interested and as competent in education as Democrats, and why? Because they were talking about it and doing something about it.

Many, many years ago, I stood on the stage and told bad jokes and did Sophie Tucker as an impersonation, and nobody looked up; and suddenly, I looked down and said, 'Sir, I'm getting fed up with you. Either you watch, or I'm going to suck your neck,' or words to that effect, and suddenly people started to laugh.

In my barrio, jobs work and money saves lives. When I have had the funds to place a gang member on a job site and pay his salary, I've seen him stop banging. When, on the rarest of occasions, an employer has offered a job to one of these youth, I've witnessed kids suddenly have a reason to get up in the morning.

In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.

I don't think you should ever say, 'This is the last time'. Music isn't like that. You'll be sitting there not wishing to get onto a stage again for maybe two, three, four, five months, or maybe a year, then suddenly you'll wake up and feel like you've got to do it again. It's in the blood, and I never say never.

I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.

I buy most of my plants from nurseries outside London these days, but there is a man who mysteriously appears each February to sell plants from a derelict site in Market Road. I think he's Greek, but people say he comes from Essex. He vanishes at the end of May only to reappear in December as suddenly as he went.

Because I had children relatively late - in my 40s rather than in my 20s - it wasn't anything I ever knew that I would do. It kind of happened to me: I met the right woman and we had children. It was a revelation because it suddenly makes me realize, 'Oh, I get it. Now I know what to do with the rest of my life.'

Do you remember when you were 10 or 11 years old and you really thought your folks were the best? They were completely omniscient and you took their word for everything. And then you got older and you went through this hideous age when suddenly they were the devil, they were bullies, and they didn't know anything.

I've known Emma Watson since she was 9, we've watched each other grow up, formed this sort of brother/sister bond, and suddenly I'm leaning in to kiss her. Well, it felt completely wrong... but, you know, you try to sink into the character and divorce yourself from it. We ended up laughing hysterically afterwards.

I always like to break out and address the audience. In 'The History Boys', for instance, without any ado, the boys will suddenly turn and talk to the audience and then go back into the action. I find it more adventurous doing it in prose than on the stage, but I like being able to make the reader suddenly sit up.

Temptation is just that - she's the girl you claim you don't want, but in the moment, you have more drinks than you should in the club. One thing leads to another, and suddenly you've done something really stupid. You've jeopardized what could've potentially been a really great relationship, all due to temptation.

I do not expect NASA to go out and build settlements and colonies. I do not expect them to give SpaceX all the money needed to colonize Mars. I do not expect them to realize the future of humanity is contingent on harvesting the wealth of the solar system overnight and suddenly subsidize my asteroid mining project.

Yes, you have to be brave enough to take steps that your heart is telling you to take. Because when I decided to go into cricket, not one person told me I was making the right move. At that time, nobody thought the IPL would become so big. I was nervous at that time, because suddenly I was in an uncomfortable spot.

I'd be totally exhausted by mid-afternoon, and I could barely climb the stairs at home. It was particularly alarming because all my life I'd enjoyed doing all my own stunts in shows, taking on every physical challenge. Yet suddenly, I'd become like a very old man. I knew something was wrong, but I had no idea what.

There was a point when comics were considered to be mainly of interest to kids, and it was decided that kids could relate more to someone their own age than an adult. So suddenly all these previously grownup comics were lousy with sidekicks: Aquagirl, Aqualad, Robin, Kid Flash, Speedy, Stripesy... the list goes on.

Once, when I was 5 years old, a little girl who lived next door to my grandmother dared me to put on a muumuu and run across a nearby parking lot. So I did. I threw it on, hiked it up in one hand, and ran like hell. It felt amazing to be in a dress. But suddenly my grandmother appeared, a look of horror on her face.

When I first travelled to New York in 1982 on a summer holiday as a student, I remember thinking how exciting it was, how energising it felt, and also how it felt dangerous - it was a place where you could make a wrong turn, either geographically or just in a human interaction, and suddenly find yourself in trouble.

I had done a couple of plays, but I was a clueless boob. 'Cosby' allowed me to have something on my resume that was real and then the producers of 'Guiding Light' let me play a preppy killer just the following month. Suddenly I had two gigs on my resume that made me look like a real actor, although I was far from it.

I think failing the qualifying or the 11-plus actually hurt me more than I realised. After I'd become a professor of physics at the Open University, I suddenly thought, 'This is a bit silly.' So I suddenly became much more open about it. But I think probably I was hurt by the failure and didn't want to talk about it.

The episode of the 'shoe bomber,' Richard Reid, has suddenly meant more feet being bared at airports than at the average Hindu temple. My solution has been to replace my customary lace-up Oxfords with a pair of slip-on loafers when I fly. Generals are always fighting the last war, and security screeners are the same.

I made an awful mess of my first marriage. It was hard to live with me being me. I was so abnormal. I mean, most writers struggle. I hadn't struggled. I couldn't suddenly go down to the PEN Club and behave like a normal human being, because most of those guys were struggling to make a couple of thousand pounds a year.

I learned in the computer game business early on that all senses are not equal. The best example is, you're listening to a radio play and you're driving down the road, and suddenly you realize you haven't seen the road in five minutes. It's because your visual cortex has been partying with your imagination, basically.

I never played sports or got into the whole guy camaraderie of, like, 'I love you, man! Seniors forever!' So suddenly being in the military with these guys who were under these very heightened circumstances, isolated from their families, living this very kind of Greek lifestyle, it changed my life in a really big way.

We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.

My concentration span is truly that of a gnat. Some people have this ladder, and that's all there is - the ladder. I have the ladder, too, but there's a building around it with scaffolding, and lots of windows for me to peek into. Then suddenly I'll remember, 'Oh, there's the ladder. I should be concentrating on that.'

I dropped out of school, but I didn't drop out of life. I would leave the house each morning and go to the main branch of the Carnegie Library in Oakland where they had all the books in the world... I felt suddenly liberated from the constraints of a pre-arranged curriculum that labored through one book in eight months.

When I started giving talks about women's history, one of the things that bothered me was the tendency to say, 'Well, everybody was totally oppressed and suddenly in 1964 we rose up, got our freedom, and here we are.' It dismisses the women who fought for rights for several hundred years of our history up to that point.

In the '70s, the newspaper guild managed to get people paid what they were worth, but the reporters suddenly became middle class. It's much more respectable, more uptight, and everyone speaks in guarded tones. And the writing isn't as good. We always had guys who were failed poets and failed novelists who did it to eat.

The hardest thing to do in movies is be a day-part player. You have to go in, make your mark, and get out. There's a lot of leading actors who are not good for a lot of a movie, and then suddenly they have good moments, and they're like stepping-stones across a particularly feisty stream. They build careers out of that.

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