Quotes of All Topics . Occasions . Authors
When Nixon opened the door to China in the early 1970s, Chinese artists got their first view of the West. Suddenly five centuries of Western art lay before them as a stylistic smorgasbord. Chinese artists could reinterpret it out of admiration or try to replace it. They choose the former.
That's the thing - you do a job like 'Shameless,' and suddenly that's why you can get a job like 'The Virgin Queen', not because of all the classical theatre you've done. But we can be very snippy about television. It's absolutely the most potent and powerful form of storytelling we have.
I had been obsessed with insects and creepy-crawlies: I used to get up at five o'clock in the morning and go out into this field behind our garden and collect insects before everyone else got up, and suddenly, all I wanted to know about was music. It just seemed a very, very strange thing.
I took a break after 'Confessions.' I was real picky. And then I suddenly realized I hadn't worked in a year. And I was sort of, like, not really happy. I think people are happier when they have structure, you know? You realize that as you get older. You have to have rituals and structure.
Around '62 in Baltimore, all the girls had those big hairdos. And then suddenly, a few of the really hip ones started doing their hair straight. And people panicked. And it was called going 'Joe,' meaning Joe College. And people would say, 'I don't know. Should I be 'Joe'? I can't decide.'
After River was born, I remember being in the bedroom by myself, overwhelmed because he wasn't latching well, and I yelled, 'Dave, I need help! Can you get in here?' Suddenly my husband, my mom, and my in-laws were all in the doorway. I just melted into tears. It really does take a village.
If you take away the predators in the prairies and the national parks, you suddenly have an explosion of elk, and then you have a lack of the food source for the elk, so they strip all the ground bare and that takes away the cover, on and on and on and on. The whole food chain is disrupted.
In a regular theatre, you'd be kind of moving your eye from one character 5 feet over to the right on the cut. In IMAX, suddenly that's like 20 feet. So I would love to do something. I think I would really want to take the massive screen into consideration so that it would be done properly.
Football is like hunting. One second can change it all, but it's not just any second, it's a flash. The prey is there and suddenly then it's not. In an instant it's over - you won't have the chance again. You need to know which one precise second to train for, and to understand that moment.
There's an element to songwriting that I can't explain, that comes from somewhere else. I can't explain that dividing line between nothing and something that happens within a song, where you have absolutely nothing, and then suddenly you have something. It's like the origin of the universe.
People often talk about the self-driving car and what will that do. In 32 states, the number one job is to be the driver. But remember, it's not just the driver. Let's think about the truck stops along the way. When you suddenly have a lot of other people who are dependent on those careers.
The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
You spend five months filming in outer space and saving the world, and suddenly that kind of family unit and story disappears, and you come crashing back down to Earth, and you have to do your own washing... and most actors are insecure that the last job they did will be their last job ever.
For a few years, skeins of yarn piled up in baskets around the house. There weren't enough humans in my mother's orbit to wear all the scarves and sweaters and hats she knitted. And then, as suddenly as she started, she lost interest, leaving needles still entwined in half-finished fragments.
When I was about to be famous, I feared it on a few levels. I feared it because I didn't want people to lump me in with those people who'd do anything to be famous. I didn't like the word 'celebrity.' I feared intrusion, you know? Make me famous, and suddenly you can go through my trash bins.
It was a very intense and stressful situation. There was playing in the Johnny-pump (an opened fire hydrant) and the ice-cream man coming around and all of these games that we'd play, and suddenly it would turn just violent and there would be shootings at 12 in the afternoon on any given day.
With China and North Korea, you never know who you'll fight. The faces are always changing, and suddenly young opponents come up. It's all about winning at the Olympics, not about winning pretty. I'll just keep trying to improve, add more muscle power, and make sure I'm the last one standing.
All of the things that people said that I would experience - that idea that you suddenly have this new person in your life that you could love so much and that time will go incredibly quickly, but that the nights will seem incredibly long - all of that has been true, but it has been wonderful.
When done right - or wrong, depending on how you look at it - deficits remove liberal options from the table. Suddenly there's no money for building bridges or inspecting meat. Not surprisingly, running up a deficit is a strategy favored by the wrecking crew for its liberal-killing properties.
It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'
My process is messy and non-linear, full of false starts, fidgets, and errands that I suddenly need to run now; it is a battle to get something - anything - down on paper. I doodle in sketchbooks: bits of ideas, fragments of sentences, character names, single lines of dialogue with no context.
The greatest promotion I ever had on a newspaper was when 'The Washington Post' suddenly promoted me from city-side general assignment reporter to Latin American correspondent and sent me off to Cuba. Fidel Castro had just come to power. It was a very exciting assignment, but also very serious.
In the early '90s, it was grunge; everybody was fully clothed. Alanis Morissette was one of the biggest artists in the world, never wore makeup, wearing Doc Marten boots, and then the Spice Girls turn up, and suddenly it all looks a bit burlesque; suddenly they're the biggest band in the world.
My way of dealing with the world has always been to make fun of it and observe it but not take part in it. That's how I became a writer. But when you have kids, suddenly you have to be part of things. It leads almost to a breakdown because your whole defense mechanism is now really destructive.
My parents were not musical, and they were not effervescent people; everything was very quiet. The music that I played was loud; it used to drive them up the wall. My father died, and that was a tragedy for everybody, but suddenly I didn't have anybody to stop me from doing what I wanted to do.
My mother tongue, Mende, is very expressive, very figurative, and when I write, I always struggle to find the English equivalent of things that I really want to say in Mende. For example, in Mende, you wouldn't say 'night came suddenly'; you would say 'the sky rolled over and changed its sides.'
I was a very shy girl who led an insulated life; it was only when I came to Oxford, and to Harvard before that, that suddenly I saw the power of people. I didn't know such a power existed, I saw people criticising their own president; you couldn't do that in Pakistan - you'd be thrown in prison.
The Internet is going to have a bigger impact on content creators than the television ever had. The reason why that's the case is that suddenly you're able to tell stories 24/7 in the home, out of the home, in every room of the home. A television screen can be in your pocket through a smartphone.
Screen is satisfying because it's so technical and mysterious. It's like playing roulette: you get a script, you think it's either great or naff, but you have no idea how it will really turn out. On stage, you are your own editor - and you get brief moments of grace, where suddenly you feel free.
Learning lessons is a little like reaching maturity. You're not suddenly more happy, wealthy, or powerful, but you understand the world around you better, and you're at peace with yourself. Learning life's lessons is not about making your life perfect, but about seeing life as it was meant to be.
Something I realized when I moved to America: people get these general American accents, but when they get angry or upset or excited, their original accents come out. It's something I noticed with my manager, because he's from New York, and the first time he got angry, he suddenly had this accent.
Whatever happened to books? Suddenly everybody's talking about these 100-hour movies called 'Breaking Bad'. People are talking about TV the same way they used to talk about novels back in the 1980s. I like to think I hang out with some pretty smart people, but all they talk about is 'Breaking Bad.'
It's very difficult to change your approach to how you see yourself when you suddenly get divorced. And you have to think again, over the next few years, how you're going to earn your income, how you're going to run your life. You have to identify as a single mother rather than as part of a family.
I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.
The problem with dragons is that everyone uses them. All the time. When that happens, they become commonplace. A lot of people think you can just throw them into a story and suddenly whatever you're writing is 28% cooler. But that doesn't work. All that does is make dragons into some boring cliche.
I loved doing 'Pennies from Heaven.' Because you have to understand that I'd been doing comedy for 15 to 20 years, and suddenly along came the opportunity to do this beautiful film. It was so emotional to me. I loved it. I don't think it was a good career move, but I have no regrets about doing it.
In the old days, when you took out a mortgage, it was probably through a local bank or a credit union, and whoever gave you your loan held on to it for life. If you lost your job or got too sick to work and suddenly had trouble making your payments, you could call a human being and work things out.
My parents came from Russia and suddenly they wound up in Boston, Massachusetts, Brookline, Massachusetts and they felt the sun rose and set on Franklin Delano Roosevelt's backside because he meant so much to them. This was freedom. This was something totally different from the Russia they had left.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
I first started acting in primary school, just doing little plays. And from the moment I began, something just went 'click' inside me. Suddenly I wasn't shy anymore. Instead I felt confident and happy. I can remember the enormous sense of relief it gave me. I loved the feeling of making people laugh.
The movies were so healing for me because I had such an isolated, lonely childhood. Going to the movies and having the lights go down, you disappear. If you have esteem issues, suddenly you're in a void where nobody can see you. You are just by yourself in that darkness, and your loneliness is cured.
Our Congress passes laws which subsidize corporation farms, oil companies, airlines, and houses for suburbia. But when they turn their attention to the poor, they suddenly become concerned about balancing the budget and cut back on the funds for Head Start, Medicare, and mental health appropriations.
By all means, let's have free trade and no trade barriers and a common market. But where did it all suddenly become about our own economic and political destiny being surrendered to Brussels with agendas that arguably have very little to do with the interests of the British people and British voters?
This is what I tell my students: step outside of your tiny little world. Step inside of the tiny little world of somebody else. And then do it again and do it again and do it again. And suddenly, all these tiny little worlds, they come together in this complex web. And they build a big, complex world.
I was 13 when my parents moved to Israel, and I was put in a Scottish mission school. Ninety-nine percent of the children were Israeli... Suddenly, I found myself speaking the wrong language, dressed in the wrong clothes, picked up by the wrong mode of transportation - an embassy car instead of a bus.
People who hardly ever cook at all, suddenly at the holidays, feel like it's their responsibility to not only cook dinner for large groups of people suddenly, but to serve things that are fussy or fancy or formal. And I don't think that's what anybody really wants, especially if you're not good at it.
There are two things I enjoy most about my work. First, I get to work with interesting and enthusiastic people who are also fired up about science. Second, every once in a while I have moments in which I suddenly understand the solution to a problem that I've been working on - those are great moments.
I'm not a prophet, but I always thought it was natural for dictatorships to fall. I remember in 1989, two months before the fall of the Berlin Wall, had you said it was going to happen no one would have believed you. The system seemed powerful and unbreakable. Suddenly overnight it blew away like dust.
I could suddenly see the pressures all around; these endless magazines and cheap reality TV programmes poking at women, humiliating us for every flaw. It makes me so angry. I really wonder what it is we are doing to ourselves, because I do think women can be the worst ones for picking each other apart.
You get very comfortable doing the open mic circuit, turning up to the same places and playing to 20 people. In that situation, it won't matter if you aren't great on that night because no one will really remember who you are. Then suddenly you are doing rooms to 400 people and you have to up your game.