Quotes of All Topics . Occasions . Authors
There's more to research than just looking up facts. Eventually, you have to make subjective calls. If you're writing a science fiction novel, there's probably some speculative technology in it. You'll have to decide how to project existing technology forward in a plausible way.
Capitalism does not require us to hold a particular set of cognitive beliefs; it only requires that we act as if certain beliefs (about money, commodities etc) are true. The rituals are the beliefs, beliefs which, at the level of subjective self-description, may well be disavowed.
The purpose of language is to communicate. That's the most basic definition of language. I have my own subjective experience going on in my head, and you have your own subjective experience going on in your head. The only way we can bridge that unbridgeable gap is through language.
I see everybody arguing about what the value of music should be instead of what I think the bigger conversation is, which is that music has value, it's subjective and we're moving to a new era where the audience is taking more responsibility for supporting artists at whatever level.
Hearing is a subjective experience, but I never really understood that it's the same with seeing as well. I always thought that everything we see is the same for everyone. But having these more psychedelic experiences of being really, really sad made me realize how brittle reality can be.
Science is based on reproducibility and manufactured objectivity. As strong as that makes its ability to generate claims about matter and energy, it also makes scientific knowledge inapplicable to the existential, visceral nature of human life, which is unique and subjective and unpredictable.
Tak Fujimoto and I, when we started getting enough of a budget where we could afford the right lenses - 'cause we started out doing low-budget pictures together - we started experimenting with this subjective camera thing. And we kind of fell in love with the idea of using that as our close-up.
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
For thousands of years, human beings have been obsessed with beauty, truth, love, honor, altruism, courage, social relationships, art, and God. They all go together as subjective experiences, and it's a straw man to set God up as the delusion. If he is, then so is truth itself or beauty itself.
I keep trying to convince people that I'm OK to wrestle, and I think that's probably the hard part. A lot of times I'm trying to convince myself, too, that I can wrestle. It's really hard, because the concussion issue is very subjective, and that's the part that a lot of people don't understand.
Wine is similar to music in that it's a purely experiential realm, and it's a purely subjective practice. That's sort of the funny thing about wine criticism or, for that matter, music criticism. At times, those are useful guides, but ultimately it's all about how you react to that music or wine.
Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.
Film is subjective, and we must be careful with that. The kinds of films I love are those that observe, and I give possibility for people to talk. No need for me to tell people what to think - even when I make a film like 'S-21.' It's only one point of view. It's still a film; it's not a tribunal.
Often, equipment can as easily function as a security blanket for musicians unwilling or unable to risk anything personal in the studio. Whether one catches the feeling on a record is a subjective matter. How can you be sure? The machinery can hold out the promise of at least mechanical perfection.
It is not unusual for the eye or ear to play tricks with one, but when such illusions and delusions are taken for the Spirit forms of the departed and voices of the dead instead of being recognized as some subjective phenomena brought about by a physical cause, the situation takes on a grave aspect.
My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.
Loneliness is different than isolation and solitude. Loneliness is a subjective feeling where the connections we need are greater than the connections we have. In the gap, we experience loneliness. It's distinct from the objective state of isolation, which is determined by the number of people around you.
I must say, I always - from experience, when I watch TV shows and I see characters leave without a proper explanation or leave with not enough time, I get irritated. I like it when there's a clean-cut reason or a defining moment where they have to go. Whether that's death or not, I think that's subjective.
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
I came from a tradition where souls were a theological reality, not a faith reality. Souls were for saving, not for communing. Souls were for converting and, once they were converted, they were to be left alone. Souls were too mystical, too subjective, too ambiguous, too risky, too... well, you know - New Age-ish.
I experienced a lot of discrimination in the military. One commander told me that if my time of the month got in the way of my job, he would fire me. An instructor in pilot training continually failed me for subjective things, like judgment and situational awareness--I couldn't get him to tell me what I was doing wrong.
It's an odd experience reading interviews with yourself. Interesting, though. Of course, you know that the journalist will have edited, rephrased or even rewritten what you actually said, but you can't help feeling that there's a special kind of truth in the way someone else paints you, however subjective they might be.
Our science fails to recognize those special properties of life that make it fundamental to material reality. This view of the world - biocentrism - revolves around the way a subjective experience, which we call consciousness, relates to a physical process. It is a vast mystery and one that I have pursued my entire life.
Just as we might take Darwin as an example of the normal extraverted thinking type, the normal introverted thinking type could be represented by Kant. The one speaks with facts, the other relies on the subjective factor. Darwin ranges over the wide field of objective reality, Kant restricts himself to a critique of knowledge.
Embedded in 'The New York Times' institutional perspective and reporting methodologies are all sorts of quite debatable and subjective political and cultural assumptions about the world. And with some noble exceptions, 'The Times,' by design or otherwise, has long served the interests of the same set of elite and powerful factions.
Directing plays lacked the immediacy and connection to real world events that journalism offered; journalism lacked the drama, theatricality and subjective storytelling of theater. It wasn't until I had the idea of making a documentary film about the 1992 presidential campaign that these two passions came together in 'The War Room.'
Journalists in newspapers and in many magazines are not permitted to be subjective and tell their readers what they think. Journalists have got to follow a very strict formulaic line, and here we come, these non-fiction writers, these former journalists who are using all the techniques that journalists are pretty much not allowed to use.
Just like hair frames our face, brows frame our eyes. I see so much potential in harmonized beauty whenever I see a woman who's not filling in her brows, and I just want to go in with my brow pencil and just be like, 'Filling in eyebrows, OK, done - look in the mirror and be inspired.' That's one of my pet peeves, but beauty is subjective.