Quotes of All Topics . Occasions . Authors
There is a subconscious way of taking violence as a way of expression, as a normality, and it has a lot of effects in the youth in the way they absorb education and what they hope to get out of life.
When I work alone, it can be like dabbling with a canvas. Maybe you paint over bits, and it starts to form its own life and lead you off in a direction. It becomes an intuitive, subconscious process.
I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
Usually, I'll just sit down at a piano or with a guitar, and I'll just be relaxed and playing music. Because that's what relaxes your subconscious. That's why everyone from animals to humans love music.
When two people are paying close attention to each other, check out the others in the group and see who's observing. Human dynamics are amazing, but so much that you might learn is subconscious interplay.
Absurdity is my favorite brand of humor because deep down inside, in our subconscious, it's all surrealism. It's all abstract. The world is the surrealism, the absurdity, the humor - it all just overlaps.
I've had 20 years, 25 years of running business. I've been well trained by a number of amazing organizations and I've got a lot of implicit, subconscious pattern recognition on how to make business decisions.
I want to do something original rather than interpret someone else's performance, which is always the risk - even if it's only in a subconscious way. I want to concentrate on giving my own fresh interpretation.
My father was a food lover and a deadbeat dad, and maybe a connection between good food and bad dads was forged early, in the deepest folds of my subconscious, where we make so many decisions about our parents.
If the only way you could read an email was to run a mile first, the urge would quickly die. Human beings constantly do subconscious effort/reward calculations. Tapping a screen is the easiest of physical tasks.
Our subconscious minds have no sense of humor, play no jokes and cannot tell the difference between reality and an imagined thought or image. What we continually think about eventually will manifest in our lives.
You can't really think about more than one movie at a time. You're thinking about it consciously, and the subconscious is working too, and if you cram too much into your head, you don't get any ideas in the shower.
I've always been more comfortable making my decisions from the subconscious level, or more emotionally, because I find it is more truthful to me; Intellectually, I don't think like that because I get uncomfortable.
A lot of problems get solved in those sort of in-between moments when your subconscious has been working on some problem. If you keep it spinning, you can fix ideas sometimes better than if you focus on them directly.
My posture is changing constantly with different length clubs. I have to. Whether it's subconscious or not I'm still changing. That's going to put another variable. I said, 'Why can't we make the lengths all the same?'
The devil personifies not the nature that is around us but the nature that is within us- the infinitely ferocious and cunning prehuman creature that is still within us, sealed in the subconscious cellars of the psyche.
I started writing for myself when I didn't know how to understand how I was feeling, and I didn't know how to talk to people about it, so I would break into the subconscious to try and understand what I was going through.
Wherever there's an all-encompassing 'always,' 'all' or 'never' in your life, it's a sign that your mischievous subconscious is setting you up for failure by consistently leading you back toward these repeat performances.
Painters hate having to explain what their work is about. They always say, 'It's whatever you want it to be' - because I think that's their intention, to connect with each person's subconscious, and not to try and dictate.
I heard that your subconscious is on the right side. I always shut my right eye when I play, or both eyes. I feel like you go to a deeper place in your subconscious, and you tell the stories that are more deeply within you.
When I read a script or I see a character, I don't necessarily see the arc of her, that by the end she is this person, she's different from she was in the beginning. I guess it's more a subconscious understanding of that arc.
Meditation, especially for people who don't know very much about it and think it's this very hippy dippy thing, can really be powerful, terrifying even, as it lifts the rug up on your subconscious and the dust comes flying out.
I focus on the elements of a movie that are meant to invisibly affect me as a viewer. The edges. As an author, I'm aware of how the subconscious things can pluck at a reader's emotions, and I love it when filmmakers do the same.
It feels like your subconscious can be way ahead of you, as a songwriter. You can write a song that you think is about one thing and months later you're playing it and thinking, hang on, this is completely informing where I am now.
I haven't read a book in a very, very long time because, when I'm writing, I don't like to see other people's work. I don't want to see something great and not be able to use it, and I don't want to have any subconscious influences.
I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.
I always liked the idea in 'Potter' that you don't choose the wand, the wand chooses you, and that relics decide when you're ready to handle them. I'm a cinephile first and a filmmaker second, and it's all swimming in the subconscious.
Where once Lego offered a whimsical form of escapism into the world of the subconscious, encouraging creativity and imagination, it's transformed into a rigid 'box ticking' discipline where children are encouraged to build by conformity.
Hasn't it ever occurred to you that in your promiscuous pursuit of women you are merely trying to assuage your subconscious fears of sexual impotence?" "Yes, sir, it has." "Then why do you do it?" "To assuage my fears of sexual impotence.
I'm not afraid of just cranking it out and seeing what comes out of my subconscious. Because I don't always know what I'm feeling. I do a lot of rewriting later. But that first blast feels like a spigot - like it's coming from somewhere else.
There are all these scripts where the women, if they're working, are prostitutes and lawyers with an angry streak who'll kill you. It's a reaction to women leaving their men and men being angry about it and saying it on some subconscious level.
I saw music as a way to entertain people and take them away from their daily lives and put smiles on their faces, as opposed to what I see it being now, which is a way for me to actually communicate, and a way for me to tap into my subconscious.
I've learned that I get blocked when my subconscious mind is telling me that I've taken the work in a wrong direction, and that once I start listening to what my subconscious is trying to tell me, I can work out the problem and get moving again.
If the Holy Spirit can take over the subconscious with our consent and cooperation, then we have almighty Power working at the basis of our lives, then we can do anything we ought to do, go anywhere we ought to go, and be anything we ought to be.
That's how a lot of Tame Impala songs start out - as ideas for songs I could potentially give to someone else. I think of them with a different persona in mind; it's just a subconscious way of not being bound by what you think you are as an artist.
When I'm directing, I noticed I'm not using my subconscious at all. I'm literally using the whole front part of my brain all the time. When you walk on the set, every moment you have to be there because something's going on that requires attention.
The water was like a physiological stimuli to the subconscious that overwhelmed people with too much psychoanalytical material, you might say. People could do 10 breathing sessions without the water, and then they did breathing sessions in the water.
How does the subconscious mind work? Is it independent of the conscious mind? Is it programmed by experiences or instructions? Many questions come up, but the one answer is common: if you can access the subconscious, then you can reprogram it, period!
One thing that I think most people don't notice is that if you're sitting around telling yourself, 'I want to be happier,' there's a kind of subconscious message that you're also telling yourself at the same time, which is, 'What I have is not enough.'
When I'm writing, I'm trying to access my subconscious and turn off my conscious brain. I use my conscious for research, but when I'm actually writing, I'm trying to get into a place where I'm tapping into the deeper, darker elements of what's going on.
Stress is a byproduct of subconscious beliefs you have about the world. You can't choose not to believe something. You believe it because you think it's true. To eliminate stress, you must learn to challenge these beliefs so that you see them differently.
I think about the characters I've created, and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did.
At the start of my career, when I used to toss and turn at night, I was fighting that feeling and wanting to go to sleep. Now I know that's normal, so I'll just get up and watch TV or something. I know it's just my subconscious mind getting ready for a game.
Water represents to me, the beginnings of life, it is where we come from in our most primordial sense. It relates to some of our deepest subconscious thinking - it's a force we can't really see or understand, we just get glimpses of. But it's a part of us all.
Programmers and marketing people know how to get into your subconscious - they spend millions of dollars researching colors, shapes, designs, symbols, that affect your preferences, and they can make you feel warm, trusting, like buying. They can manipulate you.
The important discovery I made very early is that my novels had to be written without any given plan or outline. I can't do it in any other way. But then they are dependent on the sentences, my intuition, and, as I have experienced many times, the subconscious.
When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside before you start.
When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making. Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.
I think about the characters I've created and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did. It's spooky.
I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character.