Style Quotes - Page 43

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My style is pretty clean, classic, and elegant, with some elements to make it a little funkier. If you see me on a normal day, I'm usually in a T-shirt and jeans, maybe with some cool sneakers, but I'm pretty basic.

One unexpectedly striking moment, when Tom Amandes as Lincoln, recites the Gettysburg Address, not in booming, this-is-a-great-speech style, but casually, as if chatting over dinner. The approach elevates the words.

Lifestyle. Not a word at all, really - rather a wordette. A genuine case of more is less. ... the word life and the word style are, except in rare cases (and chances are that you're not of them), mutually exclusive.

There is the glamour side of it, which allows you to meet great variety of people with whom you simply can have a good time, but there's also the sad side of it that drags you into a superficial and artificial world

I think the biggest influence for me is when I hear a great piece of music, whatever the style, I'm kind of inspired by that greatness and I'm inspired to try and obtain something that comes close to that greatness.

Vert skating was the kind of skating that was done in pools, where you could get airborne and be weightless. The other style, which is what I did, was called free style, which was tricks you could do on flat ground.

What a newspaper needs in its news, in its headlines, and on its editorial page is terseness, humor, descriptive power, satire, originality, good literary style, clever condensation and accuracy, accuracy, accuracy.

Getting to the top of any given mountain was considered much less important than how one got there: prestige was earned by tackling the most unforgiving routes with minimal equipment, in the boldest style imaginable.

What a newspaper needs in its news, in its headlines, and on its editorial page is terseness, humor, descriptive power, satire, originality, good literary style, clever condensation, and accuracy, accuracy, accuracy!

If you're an artist, you do what you do, and in a way, you don't even control the core essence of what you do. You try to mold it and develop a style, but the core elements of what you do are just part of who you are.

What was pretty crazy was to plan a wedding around a tour. It felt very getting-hitched-in-Vegas style. It was like, we played a show in Salt Lake City, ran to New Mexico, we got married, and then I was off to Lisbon.

I looked long and carefully at the picture of a stag painted by Landseer - the style was good, and the brush was handled with fine effect, but he fails in copying Nature, without which the best work will be a failure.

Let my style capture all the sounds of my time. This should make it an annoyance to my contemporaries. But later generations should hold it to their ears like a seashell in which there is the music of an ocean of mud.

I have no style. There are certain people who just have a visual sense that defines their work. You could probably watch 30 seconds of anything they do and you'll know exactly who directed it. I don't have that skill.

Call-and-response style, yes, exactly. So whenever different groups get together then there has to be this long period of negotiation. How will we worship? What's acceptable? What's not? If I want to say "Amen" can I?

We're into this barrage of pop culture - you know, TV, movies, the Internet. We become creatures that we've made up, made of certain different flotsam from pop culture and certain different personas that are in style.

The epic poet has behind him a tradition of matter and a tradition of style; and that is what every other poet has behind him too; only, for the epic poet, tradition is rather narrower, rather more strictly compelling.

You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.

I don't think I'm intentionally rejecting anything for the sake of rejecting it. I do think though that my style is hard to define around a certain signature. Perhaps the haphazard style will itself become a signature?

I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.

The great thing about 'The Office' and it being single-camera and the documentary style is that it's mostly a comedy, but 10 percent of it is, we get to show the existential angst that exists in the American workplace.

I was working more on a primal, instinctive level. And it just seemed to suit me; it seemed to suit my concentration span, it seemed to suit my personal style of performance, and I have fallen in love with film acting.

[Ruslan] Provodnikov has a totally different style than Manny Pacquiao and that's what training camp is all about and that's why I stay in shape year round, so I can work on strategy in camp instead of getting in shape.

I'll say God seems to have a kind of laid-back management style I'm not crazy about. I'm pretty much anti-death. God looks by all accounts to be pro-death. I'm not seeing how we can get together on this issue, he and I.

Fashion as a whole is a farce, completely. The people behind it are perverted, the styles are created by freaked out people, just natural weirdos. I know this because I worked with all those people while I was modeling.

For me, style is about how you feel that day and what inspires you, as well as taking chances and making mistakes. Everything has to be comfortable. If things are too tight or too constricting, I feel out of my element.

I started rooting - you know, sticking up joints - with some older guys. By now I had gotten a taste of what the racket world really was - the glamour, the way they dressed, the way they always had a pocketful of money.

I went from being an underpaid ad man to quite a successful photographer in a very short time. Success breeds confidence and as soon as I got properly confident, I developed my own style. After that I never looked back.

I'm not Deion Sanders. We're different people with different styles. People see similarities between me and him; that's fine. It's an honor to be mentioned in the same breath with him. But that's as far as I go with it.

If I was ever going to become a good designer, I had to leave America. My own culture was inhibiting me. Too much style in America is tacky. It's looked down upon to be too stylish. Europeans, however, appreciate style.

My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly.

Every day is a lesson in focus for me, and not buying into the world's concept of what you have to be. I really try every day to be individual and not just in my style or my look or my music, but in my approach to life.

The ablest and most effective leaders do not hold to a single style; they may be highly supportive in personal relations when that is needed, yet capable of a quick, authoritative decision when the situation requires it.

Sometimes I dream of a work of really great breadth, ranging through the whole region of object, meaning, and style. This, I fear, will remain a dream, but it is a good thing to bear the possibility occasionally in mind.

But revision is a creative act, not merely an analytical imposition of rules of style on a more creative first draft. That's a myth - that the first draft is more creative and everything after that is ruining creativity.

In Bulgarian I am much more flowery, the sentences are wilder. In English out of necessity I try to be clear and disciplined. I realized by writing in English there is so much more to writing a good story than the style.

One thing I can't afford to get sucked up in is the trend formation of restaurants here. I've invested heavily. We have a ten-year lease. More importantly, the style, the feel and the décor of the dining room is vibrant.

But I would say maybe just from an actress's perspective, probably 'Woman Under the Influence' is the best movie of all time... The style of filmmaking and the performances ... you don't feel like you're watching a film.

I like adding little elements into the final mix. I'm more fond of the '70s glam than '80s. I have that style of vocals... there are a lot of pop artists who are using the glam vibe in their music. I'm part of that wave.

The thing about Dickens is you either love him or you hate him and I fell in love with Dickens, I fell in love with his prose style and I decided that I wanted to read the whole Dickens verve during the course of my life.

The thing I want to do is put as many new ideas into the law as I can, to show how particular solutions involve general theory, and to do it with style. I should like to be admitted to be the greatest jurist in the world.

Language is properly the servant of thought, but not unfrequently becomes its master. The conceptions of a feeble writer are greatly modified by his style; a man of vigorous powers makes his style bend to his conceptions.

Onlookers frequently confuse edge with style...Edge means generating excess returns because of mispricing. Style suggests being in the right place at the right time. Sometimes edge and style overlap, sometimes they don't.

The psychedelic species of visual beauty is something we don't see in our furniture styles and our architecture. It seems to be coming in, literally, from another dimension, and yet it is undeniably moving. It's beautiful.

Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.

People care more about trends now than they do about style. They get so wrapped up in what's happening that they forget how to dress, and they never learn who they are because they never learn how to take care of anything.

In the evolution of the [The Hunger Games] movie, Gary [Ross] and I talked a lot about tonal bandwidth and making sure that the look and feel and style and choices of the movie stayed within a certain consistent bandwidth.

Wild Bill was a strange character, add to this figure a costume blending the immaculate neatness of the dandy with the extravagant taste and style of a frontiersman, you have Wild Bill, the most famous scout on the Plains.

Coming into the business, you'd pass through these little agencies until you got to understand what was happening in the business, unless you were really able to have a style strong enough to go directly to the publishers.

One is distracted by this notion that there is such an thing as inspiration, that it comes fast and easy. And some people are graced by that style. I'm not. So I have to work as hard as any stiff to come up with my payload

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