Quotes of All Topics . Occasions . Authors
My thing was always about individuality and about creating a world - because you don't just wear clothes, you live a life. You have style. You project who you are.
Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles.
I think that various styles and methods and approaches are an invention of people who don't understand the process of acting and who try very hard to label things.
An artist must never be a prisoner. Prisoner? An artist should never be a prisoner of himself, prisoner of style, prisoner of reputation, prisoner of success, etc.
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
The best leaders don’t know just one style of leadership—they’re skilled at several, and have the flexibility to switch between styles as the circumstances dictate.
Many people tend to look at programming styles and languages like religions: if you belong to one, you cannot belong to others. But this analogy is another fallacy.
Yet Aristotle's excellence of substance, so far from being associated with the grand style, is associated with something that at times comes perilously near jargon.
My main intention was to not only create collections that defined myself and style, but to also create things that my fans identify with me and feel a belonging to.
Style is all about your individual sense of how you want to present yourself to the world. It's about loving what you've got instead of wishing for what you're not.
Sometimes the data has a sense of a structure within it, especially if I'm looking at networks or relationships, which generally lend themselves to a certain style.
the whole purport of literature...is the notation of the heart. Style is but the faintly contemptible vessel in which the bitter liquid is recommended to the world.
Human learning is a very aggressive style in its native state. I am not sure why, though it is a very useful trait in an unstable, unpredictable living environment.
And it's a - it's a term that's based on contempt; it's a term that's based on fashion, style, elitism, satanism, and, everything that's rotten about rock 'n' roll.
Style is a capitalist invention. It's a trademark. It's very useful in the world of commerce to have a good trademark, but it wasn't my first concern. I got restless
I think of my drawing style like handwriting: it's a mix of whatever handwriting you're born with, plus bits and pieces you've pilfered from other people around you.
So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.
I guess I've always been really strong minded about what I wear; I've never followed what other people consider fashionable or what styles are happening at the time.
I seem initially to have followed Fauvism, and then to have followed in Cézanne's footsteps. Whatever - I do not mind... as long as first of all I remained Vlaminck.
There's so much music out there, and so many different styles that I've been influenced by, so each album reflects some of that knowledge or influence that I've had.
My style of dressing is extremely personal. I am impressionable only to a certain extent. The rest of it is my personal concoction consisting of my favourite trends.
I really said, 'Okay, this is just the right job for me. This is really what I need to be doing: telling stories through music in lots of different styles of music.'
A contemporary artist can use the findings of all epochs and all styles, from the most primitive literary expressions up to the most refined products of the baroque.
Russian fighters are always bouncing around and using a lot of effort with the punches they throw and grinding for takedowns. Anyone would get tired with that style.
The way that you remember your life, it's never linear. You have flashes of different moments of your life, and the flashes aren't equal; they have different styles.
I promised to finish school, so I'll figure it out I guess. Besides, I'm on a special school for musicians and artists, so I'm not the only one with this life style.
I write nonfiction in this thriller-esque style. I have all the facts; I research it. I have thousands of pages of court documents... I try to get inside my stories.
If I'm gonna go down I'm gonna do it with style. You won't hear me surrender, you won't hear me confess cause you've left me with nothing but I have worked with less.
So I'd be quite happy to have a three-hour Lincoln/Douglas style debate with Barack Obama. I'd let him use a teleprompter. I'll just rely on knowledge. We'll do fine.
I was a big fan of Jim Hall as well. I liked his comping style, his accompanying. And that he played, generally, four note chords, the top four strings of the guitar.
Every minute of every hour of every day you are making the world, just as you are making yourself, and you might as well do it with generosity and kindness and style.
The fashion industry is a free world, with creative codes that can be hardly considered sometimes, but it's also up to women to create their own style, and own trend.
I don't need anyone to write me a show in my style, I would like to do a show in a style that wasn't my style, because that's the only way I can grow up and grow out.
Trios aren't really geared for slide unless you're gonna play chords, or play that simple George Thorogood style. It gets pretty thin when you play single note lines.
I make it clear why I write as I do and why other poets write as they do. After hundreds of experiments I decided to go my own way in style and see what would happen.
I don't consider myself a person of fashion because it's too sophisticated. My thing is I look at style like swagger. I like things that pull me, that I gravitate to.
To mis-quote is the very foundation of original style. The success of most writers is almost entirely due to continuous and courageous abuse of familiar misquotation.
The reality distortion field was a confounding mélange of a charismatic rhetorical style, indomitable will, and eagerness to bend any fact to fit the purpose at hand.
Some artists are bound to an image: Bob Marley has dreadlocks, Matisyahu has a beard. But that's a reminder that the whole thing is not about style. It's about music.
I'm not really picky. Just as long as it's not the harder style of rap - anything that's about being on the come-up or your wealth doesn't go that well with marimbas.
Incorporating an awareness of style in the paintings gives them a kind of electricity and holds them together. It can plug you into the moment at which they were made.
There was this about vampires : they could never look scruffy. Instead, they were... what was the word... deshabille. It meant untidy, but with bags and bags of style.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
I don't go by trends. I wear what I am comfortable in and what suits me. It is never about what is 'in' and what is 'out'. My personal sense of style spells 'comfort'.
The power of our Muse lies in her meaninglessness. Even the style can turn one into a slave if one does not run away from it, and then one is doomed to repeat oneself.
Style consists in maintaining a convincing reality all through a piece. It's like wearing a garment that looks as if it might have been made for you even if it wasn't.
Every day each of us wakes up, reaches into drawers and closets, pulls out a costume for the day and proceeds to dress in a style that can only be called preposterous.
I progressed through so many different styles of music through my teen years, both as a player and a vocalist, particularly the jazz and pop of the early 20th Century.
I was wildly out of style when that television theme song suddenly pushed its way onto the Top Ten. It was certainly not the record company trying to make that happen.
One of the functions of art is to offer a more desirable reality - a model, as it were, of another style of existence with its own pace and its own cultural reference.