I was a stunt man for 35 years.

I don't remember the first stunt I ever did.

I worked every day. I never turned down a stunt.

I always thought of myself as an amateur stunt man.

I wish I could be behind the wheel for every stunt.

Before I do a stunt, I have to make sure it is safe.

I couldn't sacrifice my heart for a publicity stunt.

Doing stunt work is risky, but it's something I enjoy.

I'm the one that brought airbags into the stunt world.

I had professional stunt racers teaching me how to drive.

Awards sell tickets, and they're a clever publicity stunt.

I was in Australia in 1983 and did a stunt in a lion's cage.

Preparing for a stunt is like training for a sporting event.

I am very hands on doing my own work, all my own stunt work.

Big Brother sounded like a silly stunt and that's what it is.

One time they traded me for seven horses. Seven stunt horses.

I'm a great believer in stunt doubles. They do an amazing job.

I do most of my own stunts because the stunt guys show me how.

There's a lot of directing within the stunt coordinator's job.

I am a trained, professional stunt driver. I'm a great driver.

As a stunt girl I've done most varieties of female fight action.

There's a huge amount of faith and confidence in the stunt team.

Stunt people are amazing at what they do, but they're not actors.

When you're fighting with a stunt person, your intent is to miss.

As a performer, the more I scare the stunt coordinator, the better.

The stunt team were great on 'Defiance.' They were there, every day.

There's no such thing as a great stunt if there's no danger involved.

Since very early in my career, I have always did my own stunt fighting.

In the stunt world, fights and vehicles are often two different disciplines.

The more you do a stunt, the more you increase the risk of something happening.

The things I do, I do for me, not for no publicity stunt or cameras or whatever.

'Pinocchio's Revenge' was pretty bad. I was basically a stunt double for a doll.

All stunt men and women are as competitive as I am. They're just not as talented.

To be a stunt person you kind of have to have a screw loose like you do in wrestling.

I would never consent to a lame publicity stunt at a time when I already want to hide.

As a stunt guy, you become a mini-director. You're talking to actors about performance.

I love getting to work with the stunt coordinator. It's like choreography, like a dance.

I haven't done a lot of action movies, so it's kind of fun to get to do a lot of stunt work.

If I'm going to fly for more than twenty feet it's generally a good idea to get a stunt guy.

I don't do my own stunts, but I do my own fighting. I don't consider fighting to be a stunt.

I'm doing some more dangerous stuff on a weekly basis than professional stunt men are doing.

Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers.

I think if they suddenly cut away and you realize there is a stunt guy, you're out of the movie.

It's always a stunt acting opposite Robert Picardo, because you never know what he's going to do.

As much as possible, I try to encourage people to use stunt men because that is really their job.

I'm very klutzy. I've fallen off horses, I've tripped with my high-heeled boots over a stunt guy.

Being a part of the action is just incredible. I loved doing stunt stuff. I loved learning to ride.

Sending a couple of guys to the Moon and bringing them back safely? That's a stunt! That's not historic.

I always end up hurting myself doing something mundane. If I have to do some complicated stunt, I'm fine.

I've done approximately 15 films, and most of the things I've done have either been stunt or costume work.

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