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I was a stunt man for 35 years.
I don't remember the first stunt I ever did.
I worked every day. I never turned down a stunt.
I always thought of myself as an amateur stunt man.
I wish I could be behind the wheel for every stunt.
Before I do a stunt, I have to make sure it is safe.
I couldn't sacrifice my heart for a publicity stunt.
Doing stunt work is risky, but it's something I enjoy.
I'm the one that brought airbags into the stunt world.
I had professional stunt racers teaching me how to drive.
Awards sell tickets, and they're a clever publicity stunt.
I was in Australia in 1983 and did a stunt in a lion's cage.
Preparing for a stunt is like training for a sporting event.
I am very hands on doing my own work, all my own stunt work.
Big Brother sounded like a silly stunt and that's what it is.
One time they traded me for seven horses. Seven stunt horses.
I'm a great believer in stunt doubles. They do an amazing job.
I do most of my own stunts because the stunt guys show me how.
There's a lot of directing within the stunt coordinator's job.
I am a trained, professional stunt driver. I'm a great driver.
As a stunt girl I've done most varieties of female fight action.
There's a huge amount of faith and confidence in the stunt team.
Stunt people are amazing at what they do, but they're not actors.
When you're fighting with a stunt person, your intent is to miss.
As a performer, the more I scare the stunt coordinator, the better.
The stunt team were great on 'Defiance.' They were there, every day.
There's no such thing as a great stunt if there's no danger involved.
Since very early in my career, I have always did my own stunt fighting.
In the stunt world, fights and vehicles are often two different disciplines.
The more you do a stunt, the more you increase the risk of something happening.
The things I do, I do for me, not for no publicity stunt or cameras or whatever.
'Pinocchio's Revenge' was pretty bad. I was basically a stunt double for a doll.
All stunt men and women are as competitive as I am. They're just not as talented.
To be a stunt person you kind of have to have a screw loose like you do in wrestling.
I would never consent to a lame publicity stunt at a time when I already want to hide.
As a stunt guy, you become a mini-director. You're talking to actors about performance.
I love getting to work with the stunt coordinator. It's like choreography, like a dance.
I haven't done a lot of action movies, so it's kind of fun to get to do a lot of stunt work.
If I'm going to fly for more than twenty feet it's generally a good idea to get a stunt guy.
I don't do my own stunts, but I do my own fighting. I don't consider fighting to be a stunt.
I'm doing some more dangerous stuff on a weekly basis than professional stunt men are doing.
Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers.
I think if they suddenly cut away and you realize there is a stunt guy, you're out of the movie.
It's always a stunt acting opposite Robert Picardo, because you never know what he's going to do.
As much as possible, I try to encourage people to use stunt men because that is really their job.
I'm very klutzy. I've fallen off horses, I've tripped with my high-heeled boots over a stunt guy.
Being a part of the action is just incredible. I loved doing stunt stuff. I loved learning to ride.
Sending a couple of guys to the Moon and bringing them back safely? That's a stunt! That's not historic.
I always end up hurting myself doing something mundane. If I have to do some complicated stunt, I'm fine.
I've done approximately 15 films, and most of the things I've done have either been stunt or costume work.