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I do a lot of biking. I need that mileage and the long-distance stuff because tennis demands it. My fitness trainer is always trying to convince me to do an Ironman. I can probably run the marathon, I can make the 112 miles on the bike, but I will never swim for 2.4 miles. I will die after 100 meters.
In the descent from a world of factual discourse into a world of emotions and alternative realities, the first step you take, whether you're the Russian media, whether you're Breitbart, is that you manufacture lots of stuff that isn't true. The second step is that you claim that everyone is like this.
Think about back in the day when we had Archie Bunker, 'The Jeffersons.' We had stuff to sit down and share and laugh at. The Internet has made it so we don't have to sit together anymore. It's so self-absorbed. No one has to talk to each other anymore, and people don't realize that that is killing us.
Normally I can't watch playback. I can't watch anything because I know that it's so rough and there's going to be effects that are added, there's going to be sound effects, there's going to be so much stuff that happens between this point and that finished product that it just ruins the illusion for me.
My mother did a fried vegetable dish called 'stuff.' It's fried potatoes and carrots. Then you add bell peppers, mushrooms and other softer vegetables. At the end you add onion. Then, you steam the dish with hot pepper cheese on the top and it melts down through the dish. It's delicious. It's wonderful.
My dad, who is a screenwriter, showed me all these great movies. He showed me 'E.T.' when I was 2-years-old, and I just kind of progressed from there. It was also my brother. We'd always watch movies together, and he'd do these voices and he'd always want to do skits and he'd come up with stuff with me.
My brain is a big cluster of stuff. It moves quickly and loses focus quickly, so I need many projects to keep me stimulated - it's a luxury to be able to do lots of different things: style, write, present, DJ or just consult. It can't be any other way; I think I would shrivel up and fall asleep forever.
You watch these reality shows and say, 'Oh, I would do that, except for eating all the gross stuff.' These reality shows are like everyone's little guilty pleasure. To have an opportunity to be on one, why not? Anybody who says, 'No, I don't want to be on one' is kind of lying in the back of their heads.
Open platforms and experimental amateurs eventually beat out the spendy, slick pros. Relying on incumbents to produce your revolutions is not a good strategy. They're apt to take all the stuff that makes their products great and try to use technology to charge you extra for it, or prohibit it altogether.
It has been discovered that all the world is made of the same atoms, that the stars are of the same stuff as ourselves. It then becomes a question of where our stuff came from. Not just where did life come from, or where did the earth come from, but where did the stuff of life and of the earth come from?
'Mars Needs Moms' was motion capture, where you walk into a space that's essentially a black box with cameras everywhere. It was so technical. You have these mandibles with cameras on your face and a helmet, and you have to hit certain marks. You couldn't shoot this stuff without the green-screen aspect.
My kids, they're like nine or ten years old right now so you give 'em responsibilities just to keep them up on things. It ain't just all about getting on the skateboard or putting your Heelys on, and swimming in the pool all the time. You gotta do stuff like wash dishes, take the trash out, feed the dog.
As a producer, as a CEO of Hartbeat Productions, I am making deals to put my company in place to win, to put my staff to work so that while all this stuff is going on, they're in the kitchen cooking. So it's understanding the longevity of the entertainment business; you get out of it what you put into it.
The problem with modern politics is everybody is doing sound bite stuff. In my stump speech, I give 20 minutes on why I think we're off track. And I think people do really want to engage in a serious high-level discussion on how to get the country back on track because people care about their own country.
We're drawn to making our mark, leaving a record to show we were here, and a journal is a great place to do it. Once you start drawing, writing, and gluing stuff in every day, it can quickly become a habit - addictive, even. Your attitude should be: 'I can do this, but I mustn't make it too intimidating.'
There's stuff going on in the world right now, which you can't imagine why is this happening; it's crazy. I don't know what the answer is, but if you didn't have faith in the universe that somehow something great would arrive at the end, then we'd all give up, and that would be a waste of everyone's time.
I hope that there's a difference between being childish and childlike and that I'm the latter, if you take my meaning. I often sort of wonder. I don't think I'm a terribly good grown-up; I don't take responsibility easily or well in many areas of life. Finance and stuff like that, I'm absolutely appalling.
I've never felt particularly ambitious or driven, that's for sure, although I like to create stuff, whether it's a little doodle, a drawing, a small painting or a movie or a piece of music, so I suppose I'm driven by that. Everything I've done has felt very natural, and it's happened because it's happened.
In order to figure this artmaking stuff out, it's trial and error and experimentation, and takes some time and hard thinking. Putting work out in many forms and stages is an extension of how I see things. I feel the art process is best served when it invites comments and constructive criticism from people.
I just don't believe in abortion, period. But I would never take away a woman's right to choose what's good for her body. But I still believe that when you do have an abortion, still inside, you go through a lot of stuff. It tears away at your spirit and your soul. So I don't think people think about that.
CG can do anything, but it can't do everything well. What it naturally can do is special effects. But using stop-motion comes from our desire to do handmade stuff. There are always going to be kids who get out whatever it might be - clay, bits of wire, Barbie dolls, Legos. They want to tell little stories.
It is difficult to believe that even idiots ever succumbed to such transparent contradictions, to such gaudy processions of mere counter-words, to so vast and obvious a nonsensicalitysentence after sentence that has no apparent meaning at all--stuff quite as bad as the worst bosh of Warren Gamaliel Harding.
The weirdest moments for me are in Los Angeles when I go to a mall that I've shopped at since I was 12, and now there's like, massive pictures of our faces everywhere, at my local coffee shops now there's these billboards of people wearing the T-shirts and stuff. It's very strange, but it's really exciting.
I'm not a lawyer I'm a kind of mouthpiece/activist type, though occasionally they shave me and stuff me into my Bar Mitzvah suit and send me to a standards body or the UN to stir up trouble. I spend about three weeks a month on the road doing completely weird stuff like going to Microsoft to talk about DRM.
I've never really focused on if I had good habits when I sang or if I had bad habits, or if I was breathing correctly. So, I started doing vocal exercises and would stretch out before I sang, stuff to help my breathing. It's funny, you breathe your whole life then you find out you're not doing it correctly.
It's all about tuning out the noise, tuning out all the stuff that simply doesn't move the game forward - the doubt, the personal agendas, the often deafening fear of judgment and the need to please - so that you can ultimately get to that place of quiet, of calm, where you can focus on what really matters.
All that stuff about heavy metal and hard rock, I don't subscribe to any of that. It's all just music. I mean, the heavy metal from the Seventies sounds nothing like the stuff from the Eighties, and that sounds nothing like the stuff from the Nineties. Who's to say what is and isn't a certain type of music?
Maori get pigeonholed into the idea they're spiritual and telling stories like 'Whale Rider' and 'Once Were Warriors,' quite serious stuff, but we're pretty funny people, and we never really have had an opportunity to show that side of ourselves, the clumsy, nerdy side of ourselves, which is something I am.
I think I'm trouble-adjacent. I remember hearing once that good girls don't get caught. I think that's sort of a lot of what my teen years were like. I skirted the stuff that other kids were doing because the idea of actually getting in trouble was not appealing to me, but I still wanted to have adventures.
I was selling stuff probably since I could remember, like 6 or 7 years old. I was always out there helping my mom and dad sell watches, glasses, CDs, DVDs, stuff like that. Whatever we could put our hands on. I did it until I was around 17. But I was just doing it because I had to. There was no other option.
People think that I'm mean because I'm quiet, and I don't really go out places or because I don't really say too much. On the other hand, people think that I'm soft because I may not handle myself the way other people handle themselves. That's just not me. They don't know my background or none of that stuff.
I'm in my late 20s, and people are coming around to it again. I think they're realizing how much this stuff affects them. I think all the time about how much Judy Blume affected me, or Beverly Cleary. And I think that now some people are starting to come around and get more of an appreciation for [my stuff].
I like to go after the foibles, basically of beliefs that are held without question. If people still want to believe in their stuff after that, that's great - as long as they just have a chance to step back and look at it for a second. Sometimes, you don't even realize what you've been thinking for 20 years.
It's very intense to be in front of a live audience. It's just an amazing experience. It's dangerous. Everything out there is heightened. The bad stuff is extra-worse. The silences are extra-silent. The good stuff is amazing. It's electric when you walk out there. For 90 minutes, you're on this other planet.
In relationships, I'm usually the one who's like, 'Oh, I don't need this right now. I don't need commitment. I can do well on my own. I'm independent,' and all this stuff, and I realized recently that that was making me really closed off to relationships and just closed off to anyone no matter who they were.
I exercise about 40 minutes a day, and I'll run one day and do circuit training the next day. I live in an area where there are brilliant hills and mountains, so I get a good hill run with my dog. At home, I'll do the circuit training with old weights, along with pull-ups in the trees and that sort of stuff.
I went to university in the north of England at University of Birmingham to do an English literature degree, and I knew I could do extracurricular stuff with theater and drama. I started a theater company, called Article 19, and I did it with a bunch of friends. I wrote and directed plays. I had a radio show.
I'd like to be that chameleon. That's really ultimately what I want to hear from people eventually: 'I really love when I see him in stuff, but I never know he's gonna be here.' I want to be that actor that surprises you when you see him in a project, and you go, 'Yes! I love that guy. He's in this? Awesome.'
I guess there's enough information out there to support that I'm a crazy, wild dude and rock and roll and this, that and the other. And there's enough information to support that, you know, I'm a single father, that, you know, has been a pretty standup guy in his community and pretty private about that stuff.
Housing Works is the coolest thrift store in the world, because not only are they the best thrift store - they're not the most thrifty thrift store - but they have amazing stuff and all of their proceeds go directly to kids, mostly homeless kids, living with AIDS and HIV in New York, in the metropolitan area.
It's funny: I put money into short films, and I put really good actors in it, and I write some stuff that's really funny, and I'll get, like, a million views. But to the right of me, there will be a video of a kitten that falls into a toilet bowl, and it's three seconds long, and it will get 25 million views.
I like to hide behind my intellect. But the truth is, unless all of us start getting honest about what the reality is, things aren't going to change. If we all keep pretending that we know stuff and if everyone else would do what we knew and everything would be a better place, then nothing is going to change.
I want the music to stand out a little bit more than many other bands do. I still have some stuff where I don't use the high hat, and I don't use any crash cymbals. It just makes for an interesting sound because you don't really notice it when it's not there, but if it was there, you would definitely hear it.
I like playing sport, and I like doing physical stuff. I like hiking and I like climbing and I like playing sport. I do a lot. But I don't like the term 'exercising.' I feel like with sport, you're playing games. But with exercise, you're literally just trying to stop yourself from dying too young. It's weird.
I work out Monday, Tuesday, Wednesday; take Thursday off; then I work out Friday and Saturday. So sometimes I'll eat whatever I want on Thursday, like a big breakfast of pancakes and bacon and eggs and stuff. You can eat a big, hearty breakfast because you're going to burn off most of it during the day anyway.
Before a show, you might have aches or pains, or it's a bad rainy day, or it's too humid. We all complain about stuff. But... how do I put this poetically? Once it's the roar of the crowd and the smell of the greasepaint, forget it. Once the adrenaline kicks in and your chest expands, you forget about all that.
Bands are always told, 'Nobody wants to hear your new stuff - just stick with the meat and potatoes - that's what people come for.' That's only half-true. I know if I went to see U2, I would be thrilled if they did 'I Still Haven't Found What I'm Looking For,' but I'm equally as thrilled to hear their new stuff.
The young man who's had the Guggenheim fortune behind him all his life - he can hire all the authorities on the subject to teach him how to do a monologue, but he's never going to have the right stuff to pull it off. If he doesn't walk out onstage needing to walk out there, he doesn't have a dream of doing well.
To truly rid the oceans of plastic, what we need to do is two things: One, we need to clean up the legacy pollution, the stuff that has been accumulating for decades and doesn't go away by itself. But, two, we need to close the tap, which means preventing more plastic from reaching the oceans in the first place.
Often, when a girl has a crush on a boy, her friend will dare her to speak to him or ask for a pencil, or better yet, let him know that she has a crush. Pretty risky stuff... It happens thousands of times a day in the lives of teenagers everywhere. Putting yourself out there. Daring to expose your true feelings.