Quotes of All Topics . Occasions . Authors
My mom is from Venezuela, and my dad is German and Japanese, and we lived in Brazil when I was a kid for a couple of years, and then I grew up on Long Island. I think all the traveling and all the nationalities put that stuff in my head. I was just around it a lot.
You learn to laugh at yourself, and you also lean on comedy as a crutch to kind of take the edge off because comedians often are self-deprecating, and they cross lines that they shouldn't. Stuff like that brings a smile to my face every once in a while when needed.
It's just one of those things like when you're not supposed to laugh, it makes it that much harder to stop laughing. And for some reason Zach [ Galifianakis] and I get in this feedback mood of giggling, and on the set of Hangover we just couldn't get through stuff.
I drove to Nashville a few times, met with some people and hung out, went to the Opry, and that kind of stuff. I made the decision - you've got to be present to win, so I packed it up and moved out here, and it's been great. It's been the best decision I ever made.
I love Catherine Maladrino, Angela Dean and Nicole Miller. Catherine Maladrino designs that beautiful, high-class red carpet stuff. Nicole Miller makes beautiful dresses you can wear every day. And when you just want to go and shut it down, you turn to Angela Dean.
My pictures had and have secret lives, and so there were things I did not tell, a lot of stuff I did not say back then which I'm saying now... I intend to continue allowing forms of secret life to paintings I'm working on right now because it excites me to do that.
Over the years, I pride myself on being more than just a spot-up shooter. I've gotta put the ball on the floor. I've got to post up and drive the ball from the perimeter and get to the basket - all the stuff I was actually doing that helped us win the championship.
For our first album, we were our own dressers. We didn't have no stylists. We came up with all of the ideas when it came to dressing. At that time, Cross Colours and Jabos were really popular, so we were able to get stuff from them, but we always added accessories.
Especially today, with the Internet, you have people who have best friends that they never met, with Facebook and Twitter and stuff. If you're really friends, it doesn't matter if I'm on the other side of the world. We'll still be friends and find a way to connect.
I'd love to have a room full of taxidermy. I'd be devastated if my cat, Archimedes, ever died. I was debating the other day with a friend whether I should stuff him, but don't know whether he would end up looking like himself. I'd be really sad if he looked strange.
Prayer is, for me, not an opportunity to ask God to do stuff for me. Prayer is an opportunity to open myself, to try and understand his will, and oftentimes it's a prayer of thanksgiving, and sometimes it's a prayer of supplication, and sometimes it is just worship.
Resveratrol is fascinating stuff. One of the best sources of information about it is the Immortality Institute. They have a forum where some people are in the 500 Club, as they call it. They've been taking 500 milligrams for years. It's a really great source of data.
I make sure to hold onto everything, even the stuff I've gotten rid of, because if there's one thing I've learned about the band is that I'll bring stuff in, and it's oftentimes the stuff that I've gotten rid of that's the stuff that everyone else is like, "yeah!!!!"
We like scalable companies that we think we can grow - because of our expertise, operational is consumer-facing. For the most part, consumer-facing, technology-driven process, driven sometimes if they're call center or into the sales type of stuff associated with it.
One of the things I love about directing is I love actors, because no matter how complex they are, once you get down to working and talking to them and the toughest guy will want you to open them up and he wants to show you stuff he was afraid to show anybody before.
The creepy stuff was that I have had sex with women who worked for me on this show. Now, my response to that is yes I have. I have had sex with women who worked on this show. Would it be embarrassing if it were made public? Perhaps it would, especially for the women.
I feel like, If I would have lived in my hometown, I probably would have gotten in a lot more trouble. I was just in places where I could have gotten in trouble. I skateboarded a lot, just getting into the wrong stuff. I could've just hung out with the wrong friends.
You might go to a cheap bakery that uses really bad fats and sugars and stuff like that. You go to a nice bakery and you can enjoy a nice sweet that's made well and it doesn't make you put on any weight if you eat in moderation and if you do a little bit of exercise.
Joan Cusack is one of my favorite comedic actresses, and every part she plays is so different. She does the wackiest stuff and somehow it works. I like watching her a lot, and I think you can always go further and pull back. That's something I really have to work on.
I saw Deep Purple live once and I paid money for it and I thought, 'Geez, this is ridiculous.' You just see through all that sort of stuff. I never liked those Deep Purples or those sort of things. I always hated it. I always thought it was a poor man's Led Zeppelin.
People ask 'do you make a conscious effort not to swear?' - if you're doing silly stuff you're not tempted to put swearing in. All the comics from my childhood, who were funny without swearing, were the people that influenced me. What I do is quite traditional anyway.
What surprised me most about fame is how unpleasant it can be. I used to think it was going to be so fun. I got excited about the parties. You don't anticipate friends being jealous of you and critics giving your music bad reviews. Media and rumors - that stuff hurts.
I love everything about that because when he goes out there Javy Baez is not afraid of making a mistake, and that's big thing when you get players that are en masse not concerned about making mistakes, really good stuff can happen. That's, he leads the pack with that.
Daniel Bryan is a friend of mine. It's sort of funny that the relationship that you saw between Team Hell No on screen, it sometimes goes the same way off screen as well. He is a great human being and good friend of mine, and frankly, the Team Hell No stuff helped me.
When I left home after graduating high school, I left as a migrant agricultural worker with a Modern Library edition of Plato in my duffel bag. It sounds kind of crazy, but I loved it. I loved the stuff. Before I knew there was a subject called philosophy, I loved it.
In high school, during lunchtime I would go in the room where the wrestling mats were and try different flips and different moves. Like windmills. I just started mixing martial arts with jazz and contemporary stuff and it would get mashed together and became my style.
I have a very high tolerance for gore and blood. I am, like, the perfect horror movie viewer because I do not get scared very easily. I can really stomach anything so, as a result, I have watched a lot of really disgusting stuff that I should probably never have seen.
I was a strange, dark little dude. I fell in love with horror movies, at a very early age. Somehow, as a first grader, I was able to convince my parents to let me go see stuff like 'An American Werewolf in London' in theaters, so I was headed in that direction anyway.
The key thing is confidence, and you get that from the actions that you take. It can be anything from getting chicks, being in a fight, having success at work, having a good family. A lot of that stuff comes from having confidence, so that's one of the biggest things.
Acting was always something fun to do on the side growing up, but I never really took it seriously. I would do a commercial every few months, and that paid my school tuition. But in high school, I was mostly into sports and didn't go out for stuff during those seasons.
Don't talk to me about the world needing cheerful stuff! What the person out of Belsen physical or psychological wants is nobody saying the birdies still go tweet-tweet, but the full knowledge that somebody else has been there and knows the worst, just what it is like.
Mike Jones, Ying Yang Twins, then a little later, Wiz Khalifa and Meek Mill, too. It was the repetitive stuff with Mike Jones when he would give out his number, and I also like his style. Back then, actually, I still think du-rags, grillz, and stuff like that are cool.
I don't let [my friends] visit me filming and I don't bring them to premieres. It's a different head zone - when I'm on set, I'm working. When I'm just with my friends, I can just hang out, do normal stuff and generally be a complete idiot. It's the same with everyone.
I've always been a spontaneous singer. And all the stuff that you hear on the end of the songs, what they call the ad libs - that just comes out of my head. That's not thought out at all. I have the verses and the choruses, and then after that it's total improvisation.
And there's so much extra material. I mean, I've certainly read as you asked about do I read reviews and stuff, like people are like none of the jokes in the trailers are like in the movie. And it's like and we have whole sequences and scenes that weren't in the movie.
I've just done a commercial in the U.S. in which I talk about stocks, shares and bonds. Everyone is amazed. They ask me: 'You really know about that stuff or did you just learn it for the commercial?' I tell them I wouldn't do it unless I understood and had an interest.
I suppose I look for humor in most situations because it humanizes things; it makes a character much more three-dimensional if there's some kind of humor. Not necessarily laugh-out-loud type of stuff, just a sense that there is a humorous edge to things. I do like that.
I've been going to the same barber the last few years, and we have great chats whenever I'm in the chair. He'll ask: 'How you doing? How's the training going?' Just ordinary, obvious things, but then, like you do with your barber, you start talking about personal stuff.
I always thought I'd look corny in the type of rap video in the club with girls and all that type of stuff. I just didn't think I could really pull that off. We always think it's more fun and better just to go outside the box and to use our videos to show cool concepts.
I love my husband very much. I knew it was real true love because I felt like I could be myself around that person. Your true, true innermost authentic self, the stuff you don't let anyone else see, if you can be that way with that person, I think that that's real love.
By the time someone gave me some samples of standard screenplays I was already beyond that stuff, because I was not only a tinkerer in ways to do things, I'd started from Dylan Thomas. As a screen dramatist he was a very intense visualist, with great timing and fluency.
For as long as I've been making movies, I really don't know a lot of the technical side. I mean, I've actively and consciously tried to avoid learning that stuff. I just want to be open and receptive to what's happening in the moment, and I don't want to force anything.
Basically I wake up in the morning and I think everything's going to be great. I'm really kind of optimistic, and I look forward to a new day. I pick up 'The New York Times,' and I look at the front page and realize that once again I'm wrong. I start to fixate on stuff.
I always laugh the hardest at the stuff you see in day-to-day life. Its great when somebody can tell a joke that really makes you laugh hard, but to see some kind of personal interaction that no one could write is so good. Those are always the things that make me laugh.
When you become a professional, there is all this other stuff you have to do. That part is the job, capital J-O-B. They're very different things, but they're all part of the same career. Once you get onstage and you get to perform, that's your reward for doing your job.
I'm lucky having parents that have been in show business for a while and they don't care about the shiny stuff so much. They raised me in that way - to stay grounded, not to chase the shiny pretty things. I stay in the moment, because when you do that the hype goes away.
I would jump into the middle of the street and say, "excuse me, there's a Mercedes that's got to get through here." And I would push people out of the way, "get out of the way! Let him through!" Smacking their cars and stuff. Just like, "whack" and you just jump into it.
I needed more stuff that glowed so when the lights went out, you could actually see me the whole time. So I slowly built it from there. I wanted everything to glow. I want my hair to glow, I want my nails to glow, I want my eyes to glow, I want my lips to glow, you know?
Seeing European guys wear suits was incredible. And it wasn't all like the big fashion house expensive suits, it was like simple stuff but the way the older men dressed in Europe just absolutely amazed me. In Italy, in France the way the older men dressed was incredible.
The Internet wasn't even an option for me, so one of the reasons I was so motivated to do street art was because there was no other outlet. Maybe if the Internet had been around then, I would have tried to do stuff that went viral and was clever and got me a lot of hits.