Quotes of All Topics . Occasions . Authors
I got problems. I freak out, go to a shrink, go through all kinds of therapy and stuff, but I'm learning how to deal with it. That's why I've chosen one hour a night to get all of my aggressions out. to really tell the world the way I feel.
The assumption was that a calorie is a calorie. Nothing could be further from the truth. The food industry wants you to believe that because it works for them. If a calorie is a calorie, then why would you pick on any individual food stuff?
I really just concentrated on putting out solo stuff on my website, just trying things, but this time we thought it was time to do a proper record, where you make a bit of a fanfare about it. Something that says "listen everybody, I'm here".
I would say auditioning was my real training ground. The technical aspects - like hitting marks and pacing yourself and preparing and dealing with the downtime - the first recurring role I had on 24 was probably the way I learned that stuff.
But you know, we have more hits than you can possibly think about. One of my personal favorite artists is the wonderful artist named Cher. And although I love much of her late stuff, her early stuff was the stuff that I really, really loved.
Hip-hop and electronic music are so similar, in the fact that they're both very visceral, have so much bass; a lot of times, it's the same tempos. The culture and some of the sound design is different but a lot of times, it's the same stuff.
A guy is a lump like a doughnut. So, first you gotta get rid of all the stuff his mom did to him. And then you gotta get rid of all that macho crap that they pick up from beer commercials. And then there's my personal favorite, the male ego.
Sometimes you're not always on or at your best, especially during auditions. So if you go in and you don't nail it, even if they're like, 'We don't need to see you again,' get a friend, get a video camera, and film you doing the stuff again.
The Green Party provides the infrastructure, kind of the culture of watchdogging the electoral bureaucracy, and how you participate, how you get on the ballot, stuff like that which is very difficult to do unless you have billions of dollars.
The future could go this way, that way. The future's futures have never looked so rocky. Don't put money on it. Take my advice and stick to the present. It's the real stuff, the only stuff, it's all there is, the present, the panting present.
On the microphone, I'm not scared to step up and say, 'This is my ability, this is how good I am.' In other areas of life, I'm not so confident; I'm still adjusting to the photo shoots, all that stuff. But behind the mic, I'm fully confident.
We take it for granted sometimes that certain parts of our history are told, and we take it for granted that we know all that stuff, and we move forward along on that basis, but there are also massive gaps, and we have to try to address them.
The change that I never fall into is the, 'I'm-above-you-look-at-me-do-stuff-for-me change.' The change that I'm hoping I get to is where I become wiser, smarter - where I put myself in situations that don't have a huge potential for disaster.
The music played most around St. Louis was country-western and swing. Curiosity provoked me to lay a lot of the country stuff on our predominantly black audience. After they laughed at me a few times, they began requesting the hillbilly stuff.
I've experienced Islamophobic stuff. But I don't care - you can say whatever you want to say about me, but I am who I am. I think that what I'm trying to fight for and what I'm performing for is bigger than any religion, race, creed, or class.
I have pets, but they're the really ordinary sort - yellow Labrador, tabby cat, white rabbit, a few goldfish - that kind of stuff. Nothing very... extravagant or unusual or exotic, but I find, in terms of inspiration, Mother Nature is just it.
For a while I was collecting Satan and devil stuff - you know, anything that had to do with old Beelzebub or Lucifer. But I had to put the brakes on it, because there's a lot of stuff out there, and the collection was just growing too quickly.
With the computer and stuff, the difference between a rich guy and a poor guy, to me, is nothing. Because I don't like big houses, I don't drive a car, so you know, I just live in a small apartment and I have my computer, which is really cool.
The trouble is now, with rock'n'roll and stuff, it gets so big that it loses what once upon a time was a magnificent thing, where it was special and quite elusive and occasionally a little sinister and it had its own world nobody could get in.
Nobody wants to read about the honest lawyer down the street who does real estate loans and wills. If you want to sell books, you have to write about the interesting lawyers - the guys who steal all the money and take off. That's the fun stuff.
Frank Sinatra did 'Born Free', Tony Bennett did 'Walkabout,' but you have no control over who does what, really. So you just hold yourself responsible for the stuff you do, and then get filthy rich on all this stuff that other people have done.
I'm always impressed that as we go through life most of the stuff we do doesn't matter that much, at least not ostensibly: you go to the grocery store, you work, you go to school. If any of that were omitted, most days, it wouldn't matter much.
There are things that I invented - the creaky geriatric robot that is always grumpy, for example, or the little wheelie guy, he's not in the Hasbro lore. But kids love that stuff - this little guy as a pet on a chain. They gravitate towards it.
Reshoots are par for the course on any film. For me, I kind of love it because, as an actor, you always feel that there was a way you could have done it differently. Being able to go back and do some stuff again is always a blessing in my eyes.
Walter [Hill] basically brought me into that ["Wild Bill Hickok"], and it was one of the great experiences. It was extraordinary stuff. He wrote this kind of American Shakespeare. But I played my part for four episodes, and the rest is history!
I'm extremely willful to win, and I respond to challenges. Scoring titles and stuff like that... it sounds, well, I don't care how it sounds - to me, scoring comes easy. It's not a challenge to me to win the scoring title, because I know I can.
I've had a lot of voices tell me what I should be making. Personally, I would much rather live and die by my own hand. If my stuff sucks, then at least I made it suck. I didn't allow some person, some old dude in a suit, to make it suck for me.
Some things, I feel like no, I never could have the depth of experience of their own music and culture - but sometimes if I'm collaborating with somebody, they're interested in me bringing my own stuff into their thing, and sometimes that works.
The most I ever ate? In one sitting? Maybe four big plates of fried chicken, biscuits, chitlins, gravy. Then dessert. Apple pie, sweet potato pie. My mother cooked that stuff, good Southern food, and when I was 300 pounds, I never missed a meal.
And I realized, when I'd come in to the meetings with these corrugated metal and chain link stuff, and people would just look at me like I'd just landed from Mars. But I couldn't do anything else. That was my response to the people and the time.
But there's so much kludge, so much terrible stuff, we are at the 1908 Hurley washing machine stage with the Internet. That's where we are. We don't get our hair caught in it, but that's the level of primitiveness of where we are. We're in 1908.
On 'Adam Ruins Everything' we do the broadest sketch comedy possible. We do stuff where you can see it immediately and know it's a joke - characters in big silly costumes; here's Uncle Sam and he's twiddling his fingers saying, 'Oh, I'm naughty.'
When I write I'll sometimes say things which are somewhat controversial - not because I'm seeking out controversy for its own sake, but if I don't have anything to say which is different, why am I bothering to write stuff down in the first place?
Everyone is living for everyone else now. They're doing stuff so they can tell other people about it. I don't get all that social media stuff, I've always got other things I want to do - odd jobs around the house. No one wants to hear about that.
There are two types of films - one made by the big-time producers, the other is low budget stuff made by some producers who make films for the heck of it, they complete their films for small amounts, sell it at low costs with almost no publicity.
I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.
I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.
To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
In Atlanta, my mom came and came downstairs and we were talking like behind the crowd. People from the crowd saw me and started running towards me, asking for pictures and stuff. This girl asked for a picture, and after she got it, she passed out.
Something like going to get the newspaper can increase your writing efficiency by taking you away from the material. When I'm doing other things, writing stuff will be swirling around in my head, and sometimes I'll see a new way into the material.
I love having ten times as much stuff to do as I can possibly find time to do. That way, I can pick the one-tenth that I want to do most. But if I only have enough to just occupy all my time, I'm stuck doing all of whatever stuff it happens to be.
If I'd lived in Bristol, I'd probably be doing building site stuff, plastering. Probably not the plastering. It would have been mixing. I could always get work from friends who did construction. But I wasn't into getting up at seven in the morning.
For me, 'Jaws' is much more of an adventure movie, but when it's scary, it's terrifying. When it's funny, it's hilarious. When there's drama, it's the most sincere stuff on screen. When there's adventure, there's swashbuckle. It's all those things.
If you have a disease and suddenly start getting ads for cures for that disease and it's an embarrassing disease - all that kind of stuff it just gets into that zone of autonomy or privacy where you feel a sense of freedom to be who you want to be.
I got some tartar control toothpaste. I still have tartar, but that stuff's under control. I got so much tartar, I don't have to dip my fish sticks in anything. That's actually kind of gross. After that joke, I have to clarify that I'm just joking.
There are some things we can control and others we simply cannot. And our ability to distinguish between them is critical to our happiness and wellbeing. Sometimes unexpected stuff will happen to us or around us. Our true power lies in our response.
Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time.
I never felt like I left, I think before anything I am a writer and that's something that I do almost everyday. So it wasnt I guess public,but I still would put out stuff on like MySpace or you know whatever social networks were poppin' at the time.
Yeah, but you need an experienced radio veteran who is a liberal advocate. And there just hadn't been any radio that did that. And so they weren't trained - they had developed all these bad habits of being objective and balanced and stuff like that.
I think the best thing that I collect is memories. I love traveling; I love remembering stuff, my family, my daughter, my wife. I just love collecting memories of my trips, my experiences. And I think that's it. I'm not very glued to material stuff.