Quotes of All Topics . Occasions . Authors
It's hard to get movie studios to pay a lot of money for movies that don't have robots or explosions.
I don't think that Simon and Garfunkel as a live act compares to Simon and Garfunkel as a studio act.
In my studio I'm as happy as a cow in her stall. That's the only place where everything is all right.
Hood films now are made by studios and have nothing to do with the reality they supposedly represent.
I have a tendency to hire people who tend to be unattractive to the studios. Maybe this is a bad idea.
I just like to do covers, every once in a while. If someone pays me to go into the studio, I'll do it.
When I go into the studio, I'm strictly for business... I don't like any fooling around in the studio.
Getting a movie made is a miracle... because the studios are only interested in making 'The Avengers.'
Woody Allen is a better actor than anybody from the Actors Studio, and he can be anybody he says he is.
My ideas come when I least expect it, so I've always got to have a studio nearby or close by somewhere.
And I maintain good relationships with all the studios so I've never been bullied into any cut, frankly.
Like Ron Lorman's always sayin', "Na-na-na-na-na," you know what I mean? I don't need that in the studio.
In L.A., unless you've just won an Oscar or you're Mr. Studio Head, no one talks to you. Even at parties.
I don't listen to nothing while I'm in the studio, because I don't want to be influenced by anybody else.
You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
I think we have to bottom out. When the studios jump out of the ring, perhaps the artist can get back in.
The studios knew how to build a star, and they knew what to do with you. They also taught you everything.
That's why you go to a nice studio. You can get a magic take. You don't really have to do anything to it.
I went to underground music studios. In the studios, I learned that you can make a movie without a permit.
I lived in an area where there were a lot of rock musicians, and we got together regularly in our studios.
I'm not in a position where I can pick and choose. It's the other way around. The studios pick and choose.
Florida has tons of entertainment opportunities because Walt Disney World and Universal Studios are there.
The studios didn't really take independent films seriously, till 'Sweetback' was such a financial success.
Actors dread working with studios because they dictate what you do in a way that independent movies can't.
Some people are denizens of the studio. I'm more of a denizen of the live appearance. I love the live thing.
My name is not unfamiliar to anybody in the dance community. I'm talking the upper echelon of dance studios.
When I was working actively, I used to be in the studios for 12 hours. I didn't have any time for my family.
At any one time, I'll have 30 to 40 pieces going on in the studio, so this is not economically driven at all.
More and more, I've started to understand that no show is dead unless somebody decrees it's dead at a studio.
I don't have a stack of scripts that, when I get home, studios are clamoring, saying, 'Has Bob read ours yet?'
Studios are passe for me. I'd rather play in a garage, in a truck, or a rehearsal hall, a club, or a basement.
I love Buster Keaton. I was a big fan of the stunt shows at Universal Studios. I'm a huge Cirque du Soleil nut.
I love to go to the studio and stay there 10 or 12 hours a day. I love it. What is it? I don't know. It's life.
You can build radiant health, success and happiness by the thoughts you think in the hidden studio of your mind.
Audiences can be leery of sequels; the studios make a hit, they see dollar signs, and they make a cheap rip-off.
I always like the studio best, once I got the hang of it and the control. I like it because it's complete control
I don't mind being in studios, and I don't mind being out in nature. They're two different ways of making movies.
While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.
One of the factors that still keeps me in the studio is that every so often I have to more or less start all over.
A lot of people think that I grew up in recording studios and knew the whole process, but that was never the case.
Basically, the big studios and companies distributing your movie just take a big cut of profit for making posters.
I've really pushed the limits of what you can get away with at big studios, and I've been extremely well-supported.
The studios aren't lining up to make films about black protagonists, black people being autonomous and independent.
Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music.
It's not like I go into the studio and say I'm going to try to make music to prove to somebody that I can make music.
I was the first woman in WWE to ever be in a WWE Studios movie and was honored to be trusted with such an opportunity.
There's no point in me meeting with a bunch of producers or studios, because I'll write my own scripts in my own time.
But I don't like working on lyrics publicly in the studio - I prefer to take them away and work on them in my bedroom.
You don't enter a dance studio and say "I can't do that." If you do, then why are you in the studio in the first place?
Often, American audiences are underestimated by producers and movie studios. They often think we're dumber than we are.