There’s nothing like a good ol’ film light in a fogged up studio.

I don't want to only make the movies that studios will greenlight.

I'm always working. If I'm not in my studio I become quite nervous.

I just go in the studio and write on the spot and see what comes out.

We don't curse at Shots Studios, and we send a very positive message.

The studios have been taken over by marketing people and accountants.

If it was up to the studio, everything would be shot with a camcorder.

I realized that the studios didn't really understand their own system.

Studios never put pressure. They know the kind of films I want to make.

I'm really interested in having a studio one day and being a filmmaker.

In the old days the studios guided your career. Now it's all up to you.

Of all studios that should be doing 2-D animation, it should be Disney.

Sometimes I hear a drum groove in my head and I rush down to my studio.

I'd wake up at 4 A.M. every day, and reach the studios on the dot at 9.

I like to explore a lot of textural, arrangement aspects in the studio.

I do this weird thing in studios where I climb stuff when I get nervous.

Don't go to the same studio twice, or work with the same engineer twice.

If the studio wants to spend money on making your movie better, let them.

I like the gritty parts of fashion, the design, the studio, the pictures.

Secondarily, I think films that are driven by music also terrify studios.

I'm not too much of a wild guy. I'm all about work, I'm all about studio.

The company, Tiffany Studios, ended up in bankruptcy in 1930 - early '30s.

I look forward to the future - and going into the studio to make new music.

When I go into the studio, I completely detach. I let my emotions come out.

I just hope, every now and then, the studios still slip one of my movies in.

I love the studio. It's my place to escape and to create and to try anything.

I don't try to go to the studio and make a single. I just do whatever I feel.

The studios will go wherever they smell money. It's like sharks to the blood.

I like the fact that major studios have been attempting horror films recently.

I get the music, I get the beats. And I go to the studios and write the lyrics.

If you look at successful studios, they're the ones with stabilized management.

Studios are like hospitals. A lot of people check in, and they don't check out.

I always prefer to work in the studio. It isolates people from their environment

I know my audience, and they're not people that the studios know anything about.

The fact that Disney bought Maker Studios doesn't really change anything for me.

Relatives cannot help you in the studios. You stand or fall by your own efforts.

I don't think anybody at the major studios is rushing to offer me a romantic lead.

When my wife died, I booked myself into the studio just to work, to occupy myself.

I think the big studios shaped and formed the artists that they put under contract.

I remember showing Prince around Warners' recording studios. He was the nicest kid.

I like performing live more than anything. I get a little bit afraid in the studio.

These audiences are so damn smart, way smarter than the studios give them credit for.

Only the public can make a star. It's the studios who try to make a system out of it.

If you look at American studios, the big productions have nothing to do with reality.

I lived in a studio apartment until my mid-30s. I don't have an extravagant lifestyle.

There's no room for being a visionary in the studio system. It literally cannot exist.

If the studios paid the artists, how would they ever be able to afford the executives?

I guess in Australia every film is sort of an indie film because there are no studios.

I make movies for me and posterity. I'm more scared of history than I am of the studio.

I am currently talking to one of the studios about making American Star as a TV series.

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