Quotes of All Topics . Occasions . Authors
We work hard when we're in the studio, but then when we take our breaks, we walk outside and look around.
It depends on the time of the year and who I've been talking to, I try to put people in the studio I like.
I don't have a formal home recording studio, but I can record tracks on my computer upstairs in my office.
I work out in a studio. Every day, regardless where I am, at least two hours. I need it. I can't cease it.
I must say, I've been in the studio with Jay Z, dog... I thought the freestyle thing was a myth. But, bro!
It's a real luxury to have a studio all to myself, somewhere to start mood boards for the next collection.
I'm not interested in making a $60-million studio film with a bunch of 24-year-olds telling me what to do.
I guess I'll just slip into the studio after the next time with the Muses, and then just keel over and die.
When I talk about football from a studio standpoint, I try to cut through the minutia and get to the point.
I'm never tired of going to the studio. I enjoy recording and documenting everything and trying new things.
I got out of high school, bought a recording studio and started operating it as an engineer and a producer.
Some people are denizens of the studio. I'm more of a denizen of the live appearance. I love the live thing.
Usually I go to the studio to write lyrics and compose music. I try to be a dad as much as possible at home.
You go into any recording studio in the world, and you see candles, lights, and that Apple light from a Mac.
Whenever I'm home, I haven't got any makeup on. But even in the studio, before I do vocals, I put makeup on.
I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no.
Lately I've been a workaholic. I'm in the studio all the time and I've helped to produce a couple of artists.
Imagine the first time you are about to rap in a studio and you find yourself in a booth with Redman and KRS!
If you go in RCA A, you'll realize that it's not just a Nashville thing. It's a studio that belongs to music.
I really don't chase songs. I get in the studio, I know what I gotta do; I'm pretty much programmed to do it.
At any one time, I'll have 30 to 40 pieces going on in the studio, so this is not economically driven at all.
We've been working with the very best in the business. The studio really just let us alone to make the films.
My studio is a laptop. Everybody I work with is the same. We make computer music, we're the laptop generation.
I like working with modern sounds in the studio as much as I'm happy to work with a basic rock n' roll format.
The thing that's characteristic of my performance is that I literally do drag the whole studio onto the stage.
It's clear I'm not the best singer and don't have the best voice, but you can work a bit of magic in a studio.
I don't want to spend a month and a half in a studio with music I don't like, and fortunately I don't have to.
I love to go to the studio and stay there 10 or 12 hours a day. I love it. What is it? I don't know. It's life.
I used to record but just in my own studio or in my friend's back when I toyed with the idea of being a rapper.
Sometimes if you're in the studio for a very long time, you want to get out and play live shows and vice versa.
Every time I wrote a school scene, I thought of that drama studio, because that's where I was a bit lost at sea.
I walk by studio heads and they actually look and put their hand out now, like maybe I should be on their radar.
Decline III, I funded myself, from the studio money. That, and I sold a lot of drugs. Kidding. Don't print that.
While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.
I think every cute girl is told to move to L.A. someday. So I do like the drive over from my house to the studio.
I love working with different musicians in the studio, that's a real joy working with someone for the first time.
That is the most important thing to me, what happens behind the closed doors in the studio and makes me an artist.
Everything I did on the 'Paid in Full' album and those first three albums, I wrote everything right in the studio.
You can tell the difference between songs that were created in a garage and songs that were created in the studio.
My job of being a musician in a recording studio has nothing to do with being a musician being on tour performing.
Man, I wanna be there for everybody. I wanna make everybody happy, and I can't... That's why I stay in the studio.
And going into my studio at night, particularly at night when everybody's asleep, is just a total pleasure for me.
To me, my studio is my trap house. That's where I trap out of; that's where I hustle. That's where I make my money.
I've made three studio albums and one live one with my brother. It's melodic singer-songwriter acoustic-rock music.
It's the formulaic studio movies the make money, and when they do, the actors in them are automatically movie stars.
Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music.
But in marketing, the familiar is everything, and that is controlled by the studio. That is reaching its apogee now.
I always feel I could be like Toni Collette, going between big studio things and indie films. That would be feasible.
I guess, you make a big studio film, you spend a lot of money on it and you hope people go see it. It's really risky.