While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way.

At USC, when I studied film scoring my first year, one of my first friends that I met was Ryan Coogler. He was in the directing program at USC. He became one of my best friends at school.

I studied natural resources planning and thought I could get a job at some marine park. But I was great at art and so-so at marine biology. It's funny how the two eventually came together.

Over the years, I have studied church history as well as the contemporary church, and I noticed how rare it is for a God-glorifying transition of leadership to take place in a local church.

I studied acting at Boston University. I was in the theater department there. Somewhere in there I decided that wasn't what I was going to do and I went to the B.F.A. film program at N.Y.U.

I moved out at 18. I always studied classes and trained a lot, you know. I think nowadays is such a different time because there's so many channels promoting the celebrity aspect of things.

I'm very sensitive to the English language. I studied the dictionary obsessively when I was a kid and collect old dictionaries. Words, I think, are very powerful and they convey an intention.

I had never written anything. And I had never studied writing. So my motives were pure: I had a great story... a courtroom drama that I sort of fictionalized, and that became 'A Time to Kill.'

As an undergraduate, I studied the Greek and Roman classics, and I went to graduate school in classics intending to work on the presentation of moral issues in various Greek and Roman tragedies.

If I have to name someone who is responsible for me coming to films, it is Ilayaraja's music. From a young age, I've been a huge fan of his music. Because of that, I studied Visual Communication.

I studied acting throughout high school, then modelling took over because it brought more opportunity. When I quit modelling, coming back to Vancouver, I registered at the University of Victoria.

I was born in Ann Arbor. I lived for a while in Ohio; Pennsylvania, California for 10 years, and now in Boston. And I lived in Iowa for a couple of years, where I studied at the Writers Workshop.

Everybody in our family studied a musical instrument. My father was really big on that. Somehow I only took a year or two of piano lessons and I convinced my father to let me take dancing lessons.

I studied to be a lawyer, and after that I did something, obviously, completely different. With change, you learn something. If you do the same thing over and over again, you never learn anything.

I studied German at school. I lived in Berlin for two years and had a German girlfriend for five years, so I don't find speaking German particularly difficult. Singing was slightly more difficult.

The issue of civil rights was too much for the establishment to handle. One of the chapters of history that's least studied by historians is the 300 to 500 riots in the U.S. between 1965 and 1970.

I bought a selection of short, romantic fiction novels, studied them, decided that I had found a formula and then wrote a book that I figured was the perfect story. Thank goodness it was rejected.

I was fifteen years old, and I hardly knew how to play a simple Bach prelude on the piano when I began to compose music, and at the most advanced level. I had never studied such things as harmony.

I studied Jeet Kune Do and Brazilian Jiu-Jitsu. On element of Jeet Kune Do is that I had several of years of practice with the kali stick - a stick with a size and length similar to a baseball bat.

While I circled around and around in my brown rental skates, I studied a group of skaters spinning in the center. I was fascinated! When my mom picked me up, I began a campaign for skating lessons.

I studied method acting for four years and I'm a big believer in the idea that it's not about the actual experience itself. You don't have to go through exactly what this character has gone through.

Music is, of course, a universal emotional experience, cutting across cultures and languages. I studied piano for ten years as a child and consider that experience one of the most valuable in my life.

Maybe if I'd studied writing instead of anthropology, I'd be more sensible. You know - pick a genre, follow the rules, stay in the box - but let's face it. Sensible people don't major in anthropology.

When I was in New York after I left the Army, I studied for two years at the American Theater Wing, studied acting, which involved dance and fencing and speech classes and history of theater, all that.

I studied at UC Santa Cruz before going on to do a grad program at UCLA. Santa Cruz was like an awesome hippie summer camp. I got to take a vacation from reality and hang out on beaches and in forests.

The DC 9/11: Time of Crisis film was hard to get the part; I had to audition three times. It was very serious and very sobering. We studied and tried to re-create all the stuff that we all saw that day.

We studied the light source in the direction of the magnetic force, we perforated the poles of the magnet; but even in the direction of the magnetic lines of force we found that our result was confirmed.

If I could be involved in the hunting and fishing industry, that would be amazing. That said, I studied biology in college and that led into me being really involved in anatomy and being a pre-med major.

It is not true that I invented what is called the Montessori Method... I have studied the child; I have taken what the child has given me and expressed it, and that is what is called the Montessori Method.

Power is getting things done without having to demonstrate that you can bulldoze it through. I'm most effective when I've studied an issue, when I can make a credible argument, and then bring people along.

I stepped away to find out more about myself, which I was having difficulty doing as a football player. I got a chance to travel the world. I studied Eastern philosophy, and I've grown as a person so much.

That's something I learned in art school. I studied graphic design in Germany, and my professor emphasized the responsibility that designers and illustrators have towards the people they create things for.

I came, I studied architecture in America, so my technical background's completely western. But my seventeen years, the formative years of one's life, and I can't say that the Chineseness in me is not there.

When I entered college, it was to study liberal arts. At the University of Pennsylvania, I studied English literature, but I fell in love with broadcasting, with telling stories about other people's exploits.

I was raised in a Bronx public housing project, but studied at two of the nation's finest universities. I did work as an assistant district attorney, prosecuting violent crimes that devastate our communities.

I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.

Good acting is good acting, however you learn it. Some people who haven't studied are amazing. Some people like Leonardo DiCaprio are naturally gifted - he's learned technique by working with people early on.

I studied African American studies, and I read these slave narratives and the escape narratives of people that were able to escape slavery and always found those stories intriguing and powerful and inspiring.

I studied Judaism a lot. I studied religion in general, and I have never imposed my Judaism on my kids. They are what they want to be. I think... you must care for others. That's the correct religion, I think.

In all civilizations we've studied, all cultures that we know of across the Earth and across time have invested some kind of attempt to understanding where where, where they come from, and where they are going.

I studied communications, only because I could get my own show on the campus radio station. I never thought of it as a career. Music was always a really passionate hobby - it was like collecting DVDs or stamps.

I studied to be an architect. And I find tremendous similarities between building a company and the design process. Businesses have to do their planning on the fly in a fashion similar to an architect sketching.

The truth is, I love history and studied it in college, with a particular focus on early American history. My love is so deep, in fact, I went to school at The College of William & Mary in Colonial Williamsburg.

I wouldn't call myself a method actor, but I have my own method. I do my own research. I come up with a background for the character. I'm not a club man. I don't like isms. I've never really studied Stanislavski.

I had always studied French and was obsessed with French films. I hated the way American films always had happy endings. I liked the way French films had dark and unpleasant characters; it was much more realistic.

Before taking up law, I studied medicine for six months and then tried my hand at fashion designing for another six months. I wanted to find something that excited me. Finally, it was law that captured my interest.

I originally studied graphic design and video production. I had wanted to be a programmer - I loved development and coding - but it turned out that I really enjoyed doing the frontend more than backend development.

I wanted to be a great producer so I studied great hip-hop producers, but also stuff beyond that: Phil Spector, David Axelrod, Gamble and Huff. They're equally as influential to me as Dilla, Premier, and Pete Rock.

The fact I have an education forms my lyrical style, I'm sure. I studied the social sciences, history, stuff like that. I have an interest in politics, which maybe works its way into the songs in small, subtle ways.

I get mail from people all over the world now from people who tell me that they didn't really understand Down syndrome, but because of me they have read about it and studied it and now they know a lot more about it.

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