And he's pressing into her and she into him, bodies shivering, like they are two scared, lost children, starving, starving to be touched, to be held, by someone, anyone, the first one they can find who seems familiar enough, safe enough, strong enough to rescue them. They breathe, heavy. Hard. Their fingers strain at cotton. And then they slow down. Stop. Hold. Rest. Before one of them, or both, begins to sob. Before they break another piece that needs to be fixed.
Under the spreading chestnut tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. . . . He earns whate'er he can, And looks the whole world in the face, For he owes not any man. . . . Toiling,-rejoicing,-sorrowing, Onward through life he goes; Each morning sees some task begin, Each evening sees it close; Something attempted, something done, Has earned a night's repose.