I think a lot of women want to be, like... 'I'm cool with stretch marks and my body changing.' To be honest, I thought I'd be a lot cooler with it, but I'm struggling with my weight gain. I know I'm healthy... but I was expecting to not be as affected by it... I'm self-conscious.

The idea of doing something that I've never done before, that presents a new challenge, that forces me to stretch in some way - that's kind of a perfect project for me, and especially something that has greater social, conversational ramifications. I mean what more could you want?

Over a 10-season stretch from 1967 to 1976, eight Super Bowl champions either were the Raiders or had to beat the Raiders in the playoffs. The Jets, the Kansas City Chiefs, the Baltimore Colts, Miami, the Steelers each of the first two times... we all had to deal with the Raiders.

'The Count' wasn't a real stretch. I was doing pretty generic Bela Lugosi bad vampire on purpose. It was supposed to be lame. I didn't put fangs on; it was a guy who was just going through the motions. I drew on the widow's peak with eyebrow pencil and wore a turtleneck, not a tux.

A new idea - whether it's a way to collect solar energy more efficiently or a cheaper way to desalinate sea water or a new seed to boost the amount of food we can grow - can stretch the physical resources we have, or even multiply them. And the ideas themselves don't ever wear out.

If you're a good actor, you should be able to do soap, comedy, Shakespeare, musicals, pantomime, and something like 'Frozen.' Of course, you will be better at some things, but who says you can't do them all? The intent should always be to stretch yourself and broaden your horizons.

We're living in a whole new social and economic order with a whole new set of problems and challenges. Old assumptions and old programs don't work in this new society and the more we try to stretch them to make them fit, the more we will be seen as running away from what is reality.

I'm focused on the work. And now I've done 'Morris' and 'Mr. Robot,' my appetite is whet to go deeper. It's fun, and it's challenging, and it stretches me. I'm not saying I'm done with comedy by any stretch of the imagination. I'm saying, yeah, let's see how deep the rabbit hole goes.

Thanh Hoa itself is a rich agricultural province. Rice fields, a pattern of many shades of green, stretch far into the distance along the road, which also winds through foothills and the fringes of heavy jungle where tigers are said to roam. The vegetation, wild or cultivated, is lush.

The funniest memory that I can recall about my school days has to be one incident that involved unfinished homework for numerous days. I didn't do any of my homework for days and days at a stretch, and kept stalling my teacher that I was extremely unwell and was under heavy medication.

When you're doing comedy constantly, you're organized: you know where everything is, you know how to get out of it, you know how to stretch it. But, like, doing 'SNL,' I stopped doing spots, and then I would finally do some sets - it take me so long to, kind of, get in the rhythm of it.

I'm trying to break the stereotypical role now of the Theo-type character because, in my post-'Cosby' life, as I call it, I don't want to be known as just the kind of guy who can play a Theo Huxtable-type character. I want to be known as being able to do more things, being able to stretch.

For clothes, I like Anna on Regent's Park Road. Anna Park, who owns it, has an amazing eye for fresh, exciting clothes. I also love Arrogant Cat on Kensington Church Street. Space NK on Duke of York Square for exciting potions. I think I stretch the term 'tester' way beyond its boundaries.

I got an opportunity to be on a tribute to the Rolling Stones in the late '90s and did a rockin' version of 'Paint It Black' - that's probably the biggest stretch of anything that I've personally done. I listen to a lot of different kinds of music, but I understand where my parameters are.

I should say that generally I'm a pretty happy person, but as soon as I'm done with a project, I'm usually not happy at all. I feel a little empty and strange. I begin to think about how I can get better, stretch more artistically and intellectually. My biggest worry is getting complacent.

Back when you were doing plays like 'The Miracle Worker,' you had 20, 25 people in the cast. When you go to make the film, that's not such a stretch. But when you're doing plays like 'Proof,' it's just five people or something in the thing, and it gets to be a really difficult re-conception.

I quite enjoy fame, especially when you go to conventions in America where they treat you like a god with stretch limos and the whole fame thing, but then when you come back to Britain, you end up changing in a toilet in a theatre off West End and that's really good, because that is what it's about.

I practice yoga at home to a TV show called 'Inhale,' taught by Steve Ross. I figured that if the people on the show could stretch that deep then I could too. I ended up pulling my hip flexor. But that's how I met my husband. Paul was the physical therapist my coach called to meet with me after hours.

A gravitational wave is a very slight stretching in one dimension. If there's a gravitational wave traveling towards you, you get a stretch in the dimension that's perpendicular to the direction it's moving. And then perpendicular to that first stretch, you have a compression along the other dimension.

Not far from my apartment, within a stretch of no more than 500 feet, there are two doggie gyms where Gotham's canines who aren't getting enough exercise running through the city's parks, or are neglecting their all-important doggie glutes and abs, can go for a workout. What can I say? This appalls me.

I believe in Liberty for all men: the space to stretch their arms and their souls, the right to breathe and the right to vote, the freedom to choose their friends, enjoy the sunshine, and ride on the railroads, uncursed by color; thinking, dreaming, working as they will in a kingdom of beauty and love.

Clubs are taking away the steal of home. Not only are more pitchers throwing out of the stretch position, but more third basemen are playing closer to the bag. But another reason why nobody does it much anymore is that some guys, no matter how fast they are, just aren't comfortable trying to steal home.

When I get ready for a high-profile event, it's really about sleep and making sure I'm eating something healthy, and then it's always important to stretch to stay limber. No matter what, you want to feel as loose as possible, because it's easy to get full of excitement or tension with all that's going on.

I wanted 'The South Bank Show' to reflect my own life and that of the team around me; to stretch the accepted boundaries and challenge the accepted hierarchies of the arts; to include pop music as well as classical music, television drama as well as theatre drama, and high-definition performers in comedy.

When I go a stretch without tweeting, I will occasionally get an email from my mom, checking in. I always find this amusing but also gratifying: Thanks to Twitter, I can keep in touch with my parents and let them in on what I'm doing in a way that even the regular phone calls of a doting daughter can't do.

I've never really focused on if I had good habits when I sang or if I had bad habits, or if I was breathing correctly. So, I started doing vocal exercises and would stretch out before I sang, stuff to help my breathing. It's funny, you breathe your whole life then you find out you're not doing it correctly.

I was a student in London in the '70s, so CBGB really wasn't on my radar at all. Obviously, I was aware of the emergence of the Police in England and as an art student, I was very aware of David Byrne, but I suppose my musical taste at that time certainly didn't stretch towards the Dead Boys or the Ramones.

Book tours are really kind of fun. You get to stay in nice hotels, you are driven everywhere in big silver cars, you are treated as if you are much more important than you are, you can eat steak three times a day at someone else's expense, and you get to talk endlessly about yourself for weeks at a stretch.

No breed of cats in its proper condition can by any stretch of the imagination be thought of as even slightly ungraceful - a record against which must be pitted the depressing spectacle of impossibly flattened bulldogs, grotesquely elongated dachshunds, hideously shapeless and shaggy Airedales, and the like.

When I was 19, my dad got sick, and I quit college to take over his business, a coffee shop on 19th Street, below Dupont Circle in D.C. I had been working there since I was 11 years old, so it was not a stretch to think that I could do it, but my record as a teenager, in many respects, was less than stellar.

'Goon' is very much an action - it's got a lot of heart, it's got a lot of comedy, it's got a lot of similarities to what I think was successful in 'Deadpool,' and so I think it's not a stretch to compare those two things and say the world is a little more ready than they used to be for this kind of material.

'Toybox' is that kind of game that will stretch your mental capacity by doing very simple things like solving an easy puzzle of shooting aliens. You'll just need to do everything at the same time to make it through alive. Just to make things tricky, the tasks change every week so you can't get used to any set.

Pre-show, I warm up my voice, stretch, do a little team huddle, and sometimes throw a shot of whiskey in there, too. After the show, I hang out at merch meeting people and signing things. After that, I usually try to see friends in whatever city we're in, or if I'm super beat, listen to a podcast and pass out.

There was a summer in college where I worked for a stretch picking up garbage at the beach. On the early shift, it was very meditative walking the shoreline and crisscrossing the sand, picking up the junk people had dropped or tossed or that the ocean had returned. And there was this strange fantasy element to it.

My parents both worked; I was a 'latchkey kid.' We were lower-middle class, and they did everything that they could to give me anything I wanted, within reason. We were not rich by any stretch of the imagination, but being an adopted kid, I think we had a different connotation. My parents tried extra hard, I think.

When I was younger, my whole sense of self-worth was based on whether or not I was working, which was awful. And I had a baby at 20 years old, so it wasn't just about me. At around the age of 30 there was a stretch where I wasn't working - certainly not on anything I liked, anyway - and I started to do other things.

I remember going to the Gap when I was in the fifth grade, and I desperately wanted a pair of blue jeans. I was with my dad, and I remember picking up the jeans, looking at them, and thinking that they had to fit me. But there was nothing that fit me. This was before the age of stretch, so I was trying on adult Gap.

The ability to stretch my range into all genres and characters is something I take great pleasure in doing. I thoroughly enjoy it. I consider myself a character actor, though some think of me as a leading man. As an actor, I love shifting gears from character to character, and the more range I can expand, the better.

I think, in the middle of the '90s, I made a couple of records where I tried to figure out what I thought the radio wanted from me. They weren't my best records by any stretch of the imagination. It didn't take me too long to figure out, 'Whoa, back up, dude. Just go back to following your heart, and it will all be OK.'

There was a long stretch of time where I was making these videos, and everyone just thought I was a weirdo because I was making videos in my apartment instead of, like, going out, you know. And so I, like, it's hilarious now because everyone gets YouTube now. But, you know, in 2006, when I started making videos, like, no.

The place where I grew up is the center of surfing. Everyone who grows up on the North Shore surfs, and from October to March, you have the best waves in the world within a 5- to 7-mile stretch. I grew up in the center of these incredible sunsets and all these incredible waves. And then we have the Triple Crown of Surfing.

I try to get away from the pits as quickly as I can. I speak to my engineer when I get out of the car, usually there's some press to do, then I will go off and have a shower and get my dry, clean overalls and clothing on. I'll have a massage, stretch and something to eat. I don't sleep, but I try to close my eyes for a while.

I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'

There is an image of me in France that is a long stretch from who I really am. I read about this girl who lives in grand hotels and has affairs with American actors - I don't recognise this girl at all. Sometimes it makes me depressed. Sometimes it makes me laugh. Sometimes I think, 'Gosh, that sounds nice, I'd love to be that girl.'

Before I sat down and became a writer, before I began to do it habitually and for my living, there was a decades-long stretch when I was terrified that it would suck, so I didn't write. I think that marks a lot of people, a real terror at being bad at something, and unfortunately, you are always bad before you can get a little better.

There was a long time in my professional life that I was not happy, and there was nothing anyone else could have done to make me happy. There was a big stretch where I was very sick, and I was very hurt. Those charged with taking care of my health and well-being weren't very good at their jobs. Or maybe they were too good at their jobs.

I'm a little hesitant to make my characters sentimental or to risk having the work labeled sentimental. It's something that I resist as a reader, and I don't resist it in life. I'm not an unmoved person by any stretch, but I think I don't want, I guess, to indulge those kinds of things sometimes in fiction. I can't tell you why exactly.

Early on in my career, when I had basically been a sitcom actor for all of these years, and I made my first movies, and they were comedies, and they were successes, it was very important for me to stretch, and 'Parenthood' was one of those films. Even though it was a comedy, there was a great deal of authentic drama in the piece as well.

When I was on the road full-time, there was about an eight, nine year stretch where I averaged, conservatively, 250 days a year out on the road. That's basically you fly into a town, you get a Rent-A-Car, find a hotel, go to the gym, you eat, you go to the arena, go back to the hotel, you wake up, go to the airport and go somewhere else.

Walter Mosley was not the first black crime writer, nor was he the first to fuse genre conventions with larger social concerns. But when 'Devil in a Blue Dress' introduced the Los Angeles-based private detective Easy Rawlins nearly 20 years ago, it was clear the author set out to stretch the boundaries of the mystery and thriller framework.

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