Barbra Streisand developed overwhelming performance anxiety at the height of her career; for 27 years she refused to perform for the general public, appearing live only in private clubs and at charity events, where she presumably believed the pressure on her was less intense.

I've always wanted to work with Barbra Streisand because she's worked with some of the best background singers in the world who are friends of mine, worked with them in concert or on movie soundtracks, and I always say 'Now, where was I? Where was I when she was hiring people to work with her?'

I've been a big believer in musicians turned actor, going back to Sinatra winning the Oscar for 'From Here To Eternity.' David Bowie in 'Man Who Fell to Earth,' Kris Kristofferson's been great in a bunch of films. Liza Minnelli, Barbra Streisand, Mariah Carey, I thought was great in 'Precious.'

Barbra Streisand has always been an inspiration for me. I admire Jennifer Lopez because she's been against all the odds, and she's made such a name for herself, and she can put her name on anything and it sells, and I admire that about her, but Barbara Streisand and Woody Allen are my favorites.

There is a reason that both have had the longevity in their careers that they have had. They have each done very different things throughout their careers and lived really interesting lives. There is a reason why they are up there still. After all, there is only one Barbra Streisand and one Liza Minnelli.

In 2003, I wrote a New York Times best-seller called 'Shut Up & Sing,' in which I criticized celebrities like the Dixie Chicks & Barbra Streisand who were trashing then-President George W. Bush. I have used a variation of that title for more than 15 years to respond to performers who sound off on politics.

People ask me over and over how is it that I work with stars. How do you work with Barbra Streisand, with Paul Newman, with Al Pacino, with Sally Field, Jane Fonda, you work with all these people. Isn't this a problem? And it isn't a problem at all. It's terrific. It's great fun. And I don't know what the answer is.

When I had a record deal in the '90s, that was my dream - to make an album like Barbra Streisand's Broadway album - and they laughed me out of the room. Broadway wasn't cool. But artists like Michael Buble and Josh Groban have brought the classic genre back to the forefront, so I'm trying to find my way inside that market.

When I was a kid, when I was 16, 17, I'd come home from high school, and my dad collected all of Barbra Streisand's records. And she was very young then. I think she probably had three records out, and she was 21, and we had them all. And I knew every single song, every breath, every elision, every swell. And I sang along to it.

Here is my prescription to heal all wounds. Watch the film 'Funny Girl' at least five times, eat at least 45 chocolate bars, and hang out with all those friends you blew off to hang out with your ex. I truly believe that, through a combination of Nutella, old pals and Barbra Streisand, we can achieve happiness and, very probably, world peace.

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