Quotes of All Topics . Occasions . Authors
We must end semi-automatic weapons that are used for war. We don't want those in the streets of America and that's why I've got to go to the people on this, not just the elected representatives and Senate, just like I did in my district.
I think the black community is no different from any other community. We need to take responsibility for how we live together. We need to be personally responsible for keeping our streets clean, our schools safe, and our houses peaceful.
The alt-right is working hard to cloak its desire to create chaos in the streets as free speech. They say they want to air their views, but it's about provoking violent reactions. We all can easily see that this is not about free speech.
I like to treat paint as material - to daub it, drop it, let it slide. There was Action Painting, but I also compare it to paint effects found on the streets. This approach is superimposed on a sculptural surface that is also 'painterly.'
A writer has a difficult fate, but a Jewish writer has an especially difficult fate. His soul is torn; he lives on two streets with three languages. It is a misfortune to live on this sort of 'border,' and that is what I have experienced.
Mahesh usually picks the places we go to for our vacations. He has an uncanny sense of where to go, and we just follow him happily. He is the happiest when he can roam the streets with his children, something that he can't do in Hyderabad.
From a viable economy to the full funding of Headstart, from a clean environment to true equality for women, from a strong military to a commitment to racial brotherhood, from schools that are honored to streets free of excessive violence.
As a journalist, you have to have multiple sources and verifiable science, and when you've done that and satisfied the most skeptical voice in your head, you have an obligation to ride through the streets - let people know what's going on.
I had a few DJs in my neighbourhood that would play music in the streets. There was no hip-hop yet; there were just DJs that were playing disco, funk, and pop music, and we would gather round, go to the parks, and dance and enjoy ourselves.
The city's the best gallery I could imagine. I would never have to make a book and then present it to a gallery and let them decide if my work was nice enough to show it to people. I would control it directly with the public in the streets.
Franschhoek Valley was, in recent memory, a simple place with some notable vineyards and two or three streets of Victorian cottages and a few older, thatched houses. The valley was settled early in the 1680s by Huguenots fleeing repression.
We now think it hilarious that medieval streets were used as open sewers. Equally, our descendants will say: 'You won't believe this, but people were once allowed to hurl a couple of tons of dangerous metal around smashing into each other.'
Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.
As the lower parts of the Japanese houses and shops are open both before and behind, I had peeps of these pretty little gardens as I passed along the streets; and wherever I observed one better than the rest I did not fail to pay it a visit.
Traffic in the streets of Bombay is chaotic at best. Riding a bicycle is a dangerous occupation. However, there are hundreds of them on the streets competing with the cars and buses and lorries because it is the poor man's mode of transport.
There will be a competition for the memorial. And then it can be developed with trees, with planting. It can become a very beautiful place protected from the streets, because it is below. And it can be something very moving and very private.
Domestic wiretaps, government television cameras blanketing our streets, spy drones by the thousands flying over our heads. It makes you wonder if the very foundation of this great country, which is liberty, is eroding right before our eyes.
We cannot afford the creeping paralysis that destroys the effective will of democracy - the paralysis carried by hate and rancor, between class and class, person and person, party and party, as plague is carried through the streets of a town.
'Society's Child' was a real hard record to start with. That's all you want is for you to put your first record out and have people screaming at you in the streets. But it taught me right away that what I was doing was valuable and important.
My parents were extreme left so everything was against the system. I was walking barefoot in the streets of Paris when I was eight. When I started to DJ they hated it, because for them, nightclubs, and all of this life, was terrible and fake.
I want to turn momentum on traffic. I want to make in a dent in homelessness on the way to eradicating it on our streets. But there's always something else to do tomorrow. And you have to be at peace knowing you're not going to finish it all.
Art can help a town by attracting a certain Bohemian population that adds life to the bars, character to the streets and a buzz to the name. Employers may then follow. But art can't do much if every town does it. There aren't enough Bohemians.
I did ride a bike on the streets of Manhattan with four-and-a-half inch heels. Is that fun... or a death wish? You tell me. I was in severe pain, and everyone was laughing at me. That was great. I like when people laugh at me when I'm in pain.
'Chicago Fire' has been a wonderful outlet for me. We're thrown into the gritty streets of Chicago working among actual first responders. They're a wonderful bunch, and the sense of community among Midwesterners is very similar to Australians.
The fault lines are shifting from the boundaries of nations into the web of our societies and the streets of our cities. And, terrorism and extremism are a global force that are larger than their changing names, groups, territories and targets.
I was privileged to grow up in Mexico at a time when you could play in the streets. We lived not too far from the ocean, and we would be outside all the time with the neighbours' kids, running free. What better place could there be for a child?
Gradually I became aware of details: a company of French soldiers was marching through the streets of the town. They broke formation, and went in single file along the communication trench leading to the front line. Another group followed them.
I lived in Paris for two years with my family. I would roam the streets of Paris during the day for a few hours in the subway, on the streets, and I listened to the French language, and I got a sense of the rhythm and the melody of the language.
I'm the kind of person who likes to hang out and observe what's going on in the streets, or in certain places. I used to do that a lot. But having to become an international superstar, I can't do that comfortably! But it's all positive, you know.
I was really from the streets, and I really did hustle in a major way. When I got my record deal, I left the streets alone as far as hustling. I never, ever hustled again. I said, 'I'm gonna change my life, I'm going legit. This is where I'm at.'
My parents were children during the Great Depression of the 1930s, and it scarred them. Especially my father, who saw destitution in his Brooklyn, New York neighborhood; adults standing in so called 'bread lines,' children begging in the streets.
If those in charge of our society - politicians, corporate executives, and owners of press and television - can dominate our ideas, they will be secure in their power. They will not need soldiers patrolling the streets. We will control ourselves.
The later it gets the more disturbed the city becomes. I go with Albert through the streets. Men are standing in groups at every corner. Rumours are flying. It is said that the military have already fired on a procession of demonstrating workers.
I went through a phase where all I was doing was commercials, and not that it was a bad thing, but I was referred to as 'the Allstate guy' as I was walking the streets. Someone comes up to you on the street, you would like them to know your name.
After the fall of dictator Nicolae Ceausescu, Romanians were crazed with happiness. People who never met each other before hugged each other in the streets - convinced that tomorrow things would look different. Then came the many disappointments.
Manhattan, after eight years here, still reminds me of Hong Kong. There are parts of Chinatown that are the spit and image of streets in Wan Chai, and I am held in thrall by the Chrysler building as much as I was by I.M. Pei's Bank of China Tower.
People use mobile phones in this very distracting environment where you probably don't have time to watch a 30-minute film, but you might have time to look at a film for a minute and learn something you didn't expect while you walk on the streets.
I can't tell you the number of times I've been walking over an archaeological site. And you can't see anything on the ground, and pull back hundreds of miles in space, and all of a sudden you can see streets and roads and houses and even pyramids.
From age nine, my friends and I were on the streets, walking home, going to each other's houses, going to the store. I really wanted to write about that: the independence that's a little bit scary but also a really positive thing in a lot of ways.
While we dance in the streets and pat ourselves on the back for being a nation great enough to reach beyond racial divides to elect our first African-American president, let us not forget that we remain a nation still proudly practicing prejudice.
It doesn't matter where we are. We can be marching down the streets of New Orleans, or we can be onstage in front of 15,000 people. As long as I know that I'm about to put my horn to my mouth and play some notes, that's what I most look forward to.
Although I never marched through the streets shouting for Mao, I do believe that the liberation of China at the end of the 1940s was a wonderful thing and to provide its people with a billion pairs of shoes and trousers was a fantastic achievement.
Air Max is from when we were running the streets. It was comfortable to wear in London, whether you were going out to a club or kicking a ball in the streets. Those kinds of things stick in my mind from the young, magical, fantasy years of my life.
My great-grandfather was prime minister of Canada, and I had a very Edwardian upbringing. It was a beautiful, romantic way of growing up, until the family lost its money. And I decided to be bad and rough and find the streets rather than the gates.
When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
Whether a plane to Singapore, a subway in Manhattan, or the streets of Cincinnati, I search for meaningful conversation wherever I may travel. Without it, I believe we lose the ability to not only understand others, but more importantly, ourselves.
Philadelphia's awesome. It's one of my top home-away-from-homes. When I walk around on the streets there, people recognize me. They think I'm from Philadelphia, because I was there so much and because I'm so associated with Philadelphia through ECW.
I had this temp receptionist job in New York, and I kind of hated it, and in the morning I would come out of the subway and just walk along the New York streets with all these people around me and kind of sing to myself. Like, 'She's gonna make it!'
I can give you a 'Selfish,' and I can still come give you, like, a 'Jealous.' I'm coming from the streets, but I can still give you personal situations and relationships that I've been in with females. You just never know; I'm just coming different.
I remember when I was in Los Angeles, and there was one of the very big earthquakes, and it was just absolute pandemonium. I mean the streets were just - people were crashing into each other, people were looting, in just a very short amount of time.