Quotes of All Topics . Occasions . Authors
I'm very bullish on the streetcar.
I have a GoPro in the trunk of my streetcar.
We'll all be riding that streetcar of desire.
Streetcar is a most wonderful, wonderful play.
Democracy is like a streetcar. When you come to your stop, you get off.
I'm in the theater because of two plays: 'A Streetcar Named Desire' and 'Death of a Salesman.'
I would really have liked to have gone to Broadway with 'A Streetcar Named Desire.' I was proud of that.
Growing up, I loved films like 'A Streetcar Named Desire' and 'On the Waterfront' and became a huge fan of Marlon Brando.
'Death Of A Salesman,' 'Streetcar Named Desire,' these are the things that, when I was growing up, made me want to be an artist.
People who don't know how old I am can cast me as the woman in 'Girl with a Pearl Earring' and can cast me as Stella in 'Streetcar Named Desire,' and they are miles apart.
'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
I remember watching 'A Streetcar Named Desire' when I was quite young, I was about 12, or 13, and I watched it, thinking, 'Wow. That is pretty cool. I'd like to do something like that.'
By the time I was four, I would walk around the corner and wait at a local streetcar stop, get on the streetcar with somebody who looked like they could be my mother and go to the end of the line.
A common pickpocket trick is for the operator to carry a shawl or overcoat carelessly over the left arm, and to take a seat on the right side of the person they intend to rob in a streetcar or other vehicle.
Chaplin was my idol. I remember watching those movies at this little theater in Woodstock, N.Y., when I was probably 6 and laughing so hard at the surprises, like Keaton suddenly being dragged by a streetcar.
I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'
I remember, when I was growing up in Baltimore, we'd get on a streetcar and go down to see the Orioles, and for a couple of bucks, you could get a pretty good seat. Kids can't do that anymore. So I think that changes the whole nature of sports.
'A Streetcar Named Desire' is the play I've probably read the most times in my life, and I love the weirdness of all the scene outs but especially the end of the second scene, when Williams brings a tamale vendor on stage to simply say, 'Red hot!'
I was probably 8 years old; my mom let me stay up one night. She's like, 'You have to see this movie.' It was 'A Streetcar Named Desire,' and it was on TV, and it was a big deal. And I saw Marlon Brando, and I was like, 'Oh, my God.' That's where it started.
If there was a street synonymous with San Francisco, it's Market Street. It is the everyday backbone of the City, with hundreds of thousands of people traveling along it on foot, bike, bus, or streetcar. It's where we gather to celebrate our victories and protest injustices.
'Streetcar' is no longer about the moment at all. There is no Blanche DuBois anywhere; south, north, east or west. We don't have Blanche DuBois at the moment. But we have Willy Loman; everywhere we look we see Willy Loman. We are Willy Loman. We're on Facebook; we need to be known; we're selling all the time.
I had a high school girlfriend whose mother gave us theater tickets, so I saw the second night performance of 'A Streetcar Named Desire.' My girl and I could not get up during intermission, we were so stunned. To this day it's the only thing I've seen on stage that's 100 percent real and 100 percent poetic simultaneously.