Street Quotes - Page 20

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It used to be that if your automobile broke, the teenager down the street with the wrench could fix it. Now you have to have sophisticated equipment that can deal with microchips. We're entering a world in which the complexity of the devices and the system of interconnecting devices is beyond our capability to easily understand.

My parents were kind of over protective people. Me and my sister had to play in the backyard all the time. They bought us bikes for Christmas but wouldn't let us ride in the street, we had to ride in the backyard. Another Christmas, my dad got me a basketball hoop and put it in the middle of the lawn! You can't dribble on grass.

One day, walking through the Bronx streets, I just realized that people were stopping me, taking pictures, and noticing me from across the street. I can't even use public transportation anymore, so I kind of stopped going places and started going straight to the studio, going home, and telling people I can't go anywhere anymore.

I got scouted for modeling on the street. I'm such a tomboy - still am. I just never thought about modeling before, but I thought, 'Ooh, interesting, similar world, perhaps it's a way into something.' Then, I was on my third photo shoot ever, and Adam Leech from 'Downtown Abbey' saw me reading poetry and asked me to recite some.

The fine line between roaring with laughter and crying because it's a disaster is a very, very fine line. You see a chap slip on a banana skin in the street and you roar with laughter when he falls slap on his backside. If in doing so you suddenly see he's broken a leg, you very quickly stop laughing and it's not a joke anymore.

I seriously feel like the best days are ahead, and I like the idea of getting to do everything I did before but with more knowledge, experience, and street smarts. There's a certain love, appreciation, and gratitude that you have at 40 that you don't have when you're younger, and it makes every accomplishment feel so much better.

I couldn't tell you my wedding anniversary (although I seem to remember it was in June. Or maybe July. Definitely a month beginning with a 'J,' anyhow. But not January. Um. I think) and people I went to school with get extremely fed up with me when I bump into them in the street and have absolutely no recollection of their faces.

It's important to underscore that it is not mediocre test scores that have caused the major problems in the U.S. It has been unnecessary wars, ranging from Vietnam to Iraq, and unfair financial practices on Wall Street. And these were brought about by 'the best and the brightest,' many of whom were educated at my own institution.

Watch the walls come down, whether it's in the South or on Wall Street. When the walls come down, what do we find? More markets, more talent, more capital and growth. Which means that the race and sex discrimination stunt economic growth. It's not good for capitalism. It's not good for America's growth. And it's not morally right.

When I called Clinton a Wall Street puppet, they called me a right-wing extremist. When I said the same about George W. Bush, they called me an anti-war communist. Now that I'm against Obama for the same reasons, mainline conservatives embrace me. When I attack the next right-wing 'savior,' they're gonna call me a communist again.

For me, the amazing thing was entering into this amazing world of 'Sesame Street.' We'd be in the kids' room, and there was a door into the soundstage that said '1-2-3 Open Sesame.' I remember pushing that door open and going into this incredible magical world of make-believe. In one episode, I was playing football with Joe Namath.

The Wall Street Dow Jones up and down thing that's moving when the stock market's open? That thing freaks me out. It's up, it's down, it's just maddening to me. I guess I'm such a super-focused kind of person that I get distracted really easy. I'll watch that thing, and it's like I'm losing money, I'm getting money. It's just crazy.

A friend of mine, a Hispanic entrepreneur asked me a question sometime ago, he said, 'When is the last time you saw a Hispanic panhandler?' I think it's a great question. I'll tell you, in my life I've never once have seen a Hispanic panhandler, because in our community, it would be viewed as shameful to be out on the street begging.

The great majority of Baghdad is a slum - a lot of it's new, but it's still slum. It's usually this concrete-block, one-room design with a door and a window, arranged one-up, one-down, often with a shop with nothing in it on the first floor, and then a one-room apartment above it. There's street after street after street of that stuff.

I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white.

We talk about sexual harassment in the workplace, but there's sexual harassment in schools, right? There's sexual harassment on the street. So there's a larger conversation to be had. And I think it will be a disservice to people if we couch this conversation in about what happens in Hollywood or what happens in even political offices.

We ain't gonna fight no reactionary pigs who run up and down the street being reactionary; we're gonna organize and dedicate ourselves to revolutionary political power and teach ourselves the specific needs of resisting the power structure, arm ourselves, and we're gonna fight reactionary pigs with international proletarian revolution.

'Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.

Bananas are great, as I believe them to be the only known cure for existential dread. Also, Mother Teresa said that in India, a woman dying in the street will share her banana with anyone who needs it, whereas in America, people amass and hoard as many bananas as they can to sell for an exorbitant profit. So half of them go bad, anyway.

I grew up across the street from, you know, the Villarias, which was a great Mexican family there. In fact, there was three houses right across the street from me. So, day and night, I listened to Mexican music, and I'm sure, you know, my guitar playing, singing, writing, whatever, has a lot of Mexican flavor there, but it comes natural.

My first experience in a movie theater was Dick Tracy. There was a scene with a guy with a Tommy gun and a wall of fire behind him. I panicked, screamed, and jumped out of my seat. And I ran six New York city blocks, running into the street and almost got hit by a bunch of cars and had my mom chasing after a panic-stricken four-year-old.

I had a really hard time after 9/11. I was basically living across the street from the World Trade Center, and a big chunk of debris fell on top of my building, and the roof caved in. I thought I was going to die. Really. I'd never thought that before, but on that day I sat there and thought 'I cannot believe it's going to end this way.'

You know, I never knew if I had any talent when I started in this business. My first job was being a page at The Tonight Show. I saw Jack Paar come out one night and sit on the edge of his desk and talk about what he'd done the night before. I thought, 'I can do that!' I used to do that on a street corner in the Bronx with all my buddies.

It's about people rising up in Ferguson and in Egypt and in Occupy Wall Street and in every place where a community has had enough and decides to make change happen. It's not about praising one charismatic leader but celebrating thousands of them... 'Black Messiah' is not one man. It's a feeling that, collectively, we are all that leader.

I think I have it all. But I won't say that the credit for all that goes to me. I think the credit for all that goes to everybody around me. I mean, I have it all because my entire family is so cooperative. I have it all because my children did not whine and cry when I was not there. So, I think it's, you know, in a way, a two-way street.

'Nobody goes to jail.' This is the mantra of the financial-crisis era, one that saw virtually every major bank and financial company on Wall Street embroiled in obscene criminal scandals that impoverished millions and collectively destroyed hundreds of billions, in fact, trillions of dollars of the world's wealth - and nobody went to jail.

In our fast-forward culture, we have lost the art of eating well. Food is often little more than fuel to pour down the hatch while doing other stuff - surfing the Web, driving, walking along the street. Dining al desko is now the norm in many workplaces. All of this speed takes a toll. Obesity, eating disorders and poor nutrition are rife.

I was a blue-eyed, chubby-cheeked five-year-old when I joined my family on the picket line for the first time. My mom made me leave my dolls in the minivan. I'd stand on a street corner in the heavy Kansas humidity, surrounded by a few dozen relatives, with my tiny fists clutching a sign that I couldn't read yet: 'Gays are worthy of death.'

If I could throw my phone away, I would probably do it. It's always on silent, and I don't like when it rings and people are calling. We could live without those things in the past when we just had a phone on the street somewhere, on the corner or at the house. I have no interest in telling all the people what I do every day and where I am.

I wanted to write about the transformative power of small acts of kindness. An old man falls in the street, you stop and make sure he's OK. Or even smaller acts than that, though - buying someone a cup of coffee, telling them their hair looks nice - sometimes you don't realise the transformative effect on people. I wanted to celebrate that.

Denial is not always a bad thing. Without it, you couldn't function. For instance, if you were hyperaware and hypervigilant regarding all the dangers in the world - from driving your car to crossing the street to eating food that might have contaminants in it to taking medications that have many side effects, etc. - you would become frozen.

I was walking down a street and after his death and saw a billboard on the side of a brick wall for Van's shoes. It was a picture of Hopper's face, and all it said was, 'Hopper Lives.' So I think he's still part of youth culture. There are lessons to be learned from Hopper about being a young person who wants to live the art life in America.

Those of us in law enforcement must redouble our efforts to resist bias and prejudice. We must better understand the people we serve and protect - by trying to know, deep in our gut, what it feels like to be a law-abiding young black man walking on the street and encountering law enforcement. We must understand how that young man may see us.

Every night, half an hour before curtain up, the bells of St. Malachy's, the Actors' Chapel on New York's 49th Street, peal the tune of 'There's No Business Like Show Business.' If you walk the streets of the theatre district before a show and see the vast, enthusiastic lines it sounds like a calling: there is certainly no place like Broadway.

Sometimes I feel people can move past what they've grown up around and their surroundings while in a place and some people need closure after they've left and then coming back. I've seen it happen with people I knew growing up that hated each other, and then years later you go home and you see them walking down the street and they have babies.

Indian street magic tends to be very gory, blood and guts. One trick is for a magician to take a knife and appear to cut his kid's head almost off. The magician then says to the crowd, 'Well I can continue to cut off my son's head or you can all give me some money.' Then he wanders around and takes 10 rupees from everyone and restores his son.

Our family business was operating batting cages. The pitching machine spit out the balls at lightning speed. Don Drysdale, Sandy Koufax. Whitey Ford. 50 cents for 12 pitches. Of course, my mother ran the place, and I was her slave: selling candy, hosing down the street, and the most dreaded of all jobs, feeding the pitching machine with balls.

From the Berlin tenement reform law of 1897 to H. P. Berlage's plan for Amsterdam South of 1917, designers and theorists in Germany and Holland moved toward the development of a perimeter residential block that would preserve the plastic continuity of the street while opening up the resultant courtyard for use as an enclosed semi-public space.

The magnificent lobby of the Chrysler Building - faced with rare marbles, aglitter with decorative metalwork, and surmounted by a ceiling painted with a totemic image of the tower itself - leads to elevator cabs inlaid with exotic woods in fanciful patterns. The entire route from street to office is invested with ceremony, dignity, and delight.

Every successful high street needs a catalyst that starts making people want to come there, and independent shops can be that catalyst. If you want a new idea on the high street, you'll probably find it in an independent. I know I shouldn't say this, but new ideas rarely happen in chains. What we do is adopt it once we spot it in an independent.

I can walk down the street, and 85 percent of the people on the block are really quite oblivious to me. They either think I'm probably an actor or else I installed their storm windows two years ago, or I work at their bank, or maybe I'm their cousin Marie's gynecologist. Then, to the other 15 percent of those people on the street, I'm a rock star.

I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.

When I was a kid, the idea of gettin' paid to paint your face... listen, I grew up in Ossining, New York, a nice little town by the Hudson, and nothin' ever interested me except being your usual high school big shot, which I was an' loved it, played all the sports and goofed around, always out on the street with the guys, everything was funny t'me.

I love 'Donnie Brasco' and 'Days of Thunder,' so after I did 'The Skulls,' I was like, 'I want to be either an undercover cop, or I want to race cars!' Universal came to me with a newspaper article about street racing in L.A., and I was like, 'Are you kidding me? I grew up doing that right off Peoria in Sun Valley.' They asked if I wanted to do it.

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