One time I had an awkward moment on purpose, you know, just to see what it feels like. I slipped getting out of my car at a big event. I got out of the car and fell face first into the street. A lot of cameras were on me. I was pretty embarrassed. I did it on purpose, though.

I don't follow other fashion blogs, but I do follow other fashionistas on Instagram. Many of them are my friends; it's really cool: they can inspire me, and they're also my friends. I also look for inspiration in the street; there are so many fashionable women walking around.

I used to go to Sheen High Street with my dad on a Saturday, and there was a butcher next door to the fishmonger. I hated the smell of the fishmonger, but I found the smell of the butcher's much more appealing. And I liked the big knives. I thought it looked like a decent job.

My goal is just to be respected as a man when I walk down the street with my family. I don't care what your job is, you're not gonna talk down to me, you're not gonna try to get a rise out of me. I'm a man first. And in establishing that, some interesting things have happened.

Every time the good giants try to cut back on salt, sugar, fat calories, inevitably Wall Street raises its hand and is looking at the sales figures and the revenue and saying, 'Thou shalt not result in any loss of profit.' There's huge continuing pressure on the food companies.

What Wall Street is, they're market makers. Wall Street's business model is making money on velocity of money. They're a click industry. That's what Wall Street is. They make a lot of money when there's a lot of turnover. And they make a lot of money when that velocity is fast.

I live in Paris, a city where you have a lot of stylish women, so I learned a lot by observing the women in the street. But my mother was always a big influence as well; she is always very feminine in high heels and perfectly cut dresses, with perfect makeup but never too much.

I'd play music on the street, especially in developing nations where a lot of kids couldn't wear shoes. In order to relate with kids that would be following me barefoot, I would take off my shoes, and they would all laugh at me because I couldn't go three steps without wincing.

When New Labour came to power, we got a Right-wing Conservative government. I came to realise that voting Labour wasn't in Scotland's interests any more. Any doubt I had about that was cast aside for ever when I saw Gordon Brown cosying up to Margaret Thatcher in Downing Street.

My view is that good community management is like having good municipal government: You should be able to have dissenting opinions and so on, freedom of speech, but your grandmother should also be able to walk down the street at night without having to worry about getting mugged.

I moved to New York on October 21, 2004, and it was the day that the Chelsea Grill, a restaurant in Hell's Kitchen on 9th Avenue between 46th and 47th Street, opened. I had never waited a table in my life, but I walked in and lied to the manager in a very J. Pierrepont Finch way.

If I'm president, there are going to be government vans that drive around and pick up people who shouldn't be wearing certain clothing. Talk about lack of civil rights - I'm sorry, I'm pulling you right off the street, and we're giving you clothes that you're going to be O.K. in.

A baby's existence for the first three months is a one-way street. One person is doing all the work and the other is crying, sleeping and pooping. So the first moment when you're actually able to do something and they acknowledge your presence, that's a big deal. A very big deal.

Unless you're living on the street and surviving on a diet of discarded turkey drumsticks, there's no point in being gloomy. We've spent too long trying to cheer ourselves up by spending money on brightly coloured things we don't really need. We've stopped using our imaginations.

I believe in the city as a natural human environment, but we must humanize it. It's art that will re-define public space in the 21st Century. We can make our cities diverse, inspirational places by putting art, dance and performance in all its forms into the matrix of street life.

You will notice that the Occupy Wall Street crowds - and the progressives who support them - focus on bringing the wealthy down to earth rather than lifting the 99 percent. They have a nearly religious belief that too much wealth is fundamentally immoral and unhealthy for society.

If you're a new artist, practice your art and share it. Set up shop somewhere, whether it's a street corner or a coffee shop. I got my start in a coffee shop that didn't even have live music. I wanted to play in coffee shops that did have live music, but I didn't have an audience.

I teach students that what people say about failure in politics is mostly wrong. People always told me, 'They'll praise you on your way up and kick you on your way down.' That wasn't my experience. I can't walk down the street in Toronto without someone coming up and saying hello.

Why the fairy tale of Willie Mays making a brilliant World Series catch, and then dashing off to play stickball in the street with his teenage pals. That's baseball. So is the husky voice of a doomed Lou Gehrig saying, 'I consider myself the luckiest man on the face of this earth.'

The Inhumans are almost a mythological creation unto themselves. They're royalty, and are always involved in Marvel's cosmic events. But with the explosion of the Terrigen bomb and these new Inhumans coming to light, it brings a new street level aspect to add to the royalty aspect.

We see parts of each other, and we put them together. But if I want to see you in totality, you need to move away; we need space between us. Across the street, I can see all of you at once, but then I also see this huge vista of space surrounding you, coming in and compressing you.

It sounds stupid, but there's nothing like walking down the street and seeing a building that's older than 100 years old. I think London - not to sound pretentious - like New York, it's a big melting pot for all things and it's just got this energy that you can't find anywhere else.

I've always written. There's a journal which I kept from about 9 years old. The man who gave it to me lived across the street from the store and kept it when my grandmother's papers were destroyed. I'd written some essays. I loved poetry, still do. But I really, really loved it then.

Had I not done Shakespeare, Pinter, Moliere and things such as 'Godspell' - I played Judas in a hugely successful production before I did 'Elm Street' - I'd probably be on a psychiatrist's couch saying: 'Freddy ruined me.' But I'd already done 13 movies and years of non-stop theatre.

The jobs crisis has reached a boiling point, which is why we see Occupy Wall Street protestors crying out for an America that lets all of us reach for the American Dream again - a dream that says if you work hard and play by the rules, you can have a good life and retire with dignity.

Prophets of doom have always taken risks in terms of ridicule and humiliation. If you stand on a street corner holding up a sign that reads 'The End Is Near,' passersby will laugh and heckle. People will say you're like Chicken Little, running around telling people the sky is falling.

I was never particularly a part of the following of tango; I just liked it... most of all, I recognized that the urban content and the approach seemed very familiar and very connected to the songs that I was doing, the kind of songs that I wanted to write - the songs about the street.

I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, 'I love this. This is what I want to do forever.' There was never another question.

There is nothing terribly difficult in the Bible - at least in a technical way. The Bible is written in street language, common language. Most of it was oral and spoken to illiterate people. They were the first ones to receive it. So when we make everything academic, we lose something.

I find my dress sense tends to be a bit of a mixture between high fashion and unique vintage pieces with a little bit of street trends. For example, I might find a really nice, suede dinner jacket that I'd wear with a basic plain white shirt and some chinos and a pair of Nike trainers.

When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting to four? That's where we're going with this?' Then they sent me appearances by other people like James Blunt doing 'You're Beautiful' as 'My Triangle.'

I'm about 75 pages into a book on poetry. I don't know if anybody wants to read it. It's on any broad variety of subjects. I walk down the street and think of a topic and jot it down and say, 'Okay, that's another one.' They go from the humorous to the serious to every topic imaginable.

I say this about everything: when I was on 'Neighbours,' I said, 'These are the best years of my life!' When I was filming 'The Wolf Of Wall Street,' I said, 'These are the best months of my life!' I always think I'm having the best time ever, and that I'll never have so much fun again.

For a child, it's not so much scary, it's surreal; there was a lot of fighting in my great-grandmother's house; you'd go there and then someone would meet up and there'd be a fight; I've seen my uncles fight in the street, I've seen my grandmother fight in the street, it becomes normal.

Freud was the son of a Jewish merchant who had to move his whole family to Vienna because he couldn't get work. He, as a boy, had to watch his father be mocked and abused on the street for being Jewish... You develop a thick skin and you develop a certain kind of wit to defend yourself.

We are watching industries crumble, Wall Street firms disappear, unemployment spike, and unprecedented government intervention. And our designated opinion leaders want to know: Is Obama up this week? Is he down? And is his leadership style more like Bill Clinton's, or Abraham Lincoln's?

I did the 'right' thing and got a corporate job on Wall Street. That did not last long. I felt like I was throwing all my years of hard work and relationship-building down the toilet. I eventually quit, went and bought a camera, and built a website. That was the birth of KarenCivil.com.

I looked into corruption in Afghanistan through a work called 'Payback' and impersonated a police officer, set up a fake checkpoint on the street in Kabul and stopped cars, but instead of asking them for a bribe, offered them money and apologized on behalf of the Kabul Police Department.

In the seventies when I was struggling, I ate the same thing every day at Big Nick's Burger Joint on Broadway and 77th Street. A cottage-cheese omelette with tomatoes, French fries, rye toast, orange juice, and coffee. It was consistently the most satisfying meal I could possibly imagine.

On one level, of course, the notion of judging films or books or music against each other is completely ridiculous. Who's to say '12 Years A Slave' is a better film than 'The Wolf of Wall Street'? Or that one album in a certain genre is better than another in a completely different genre?

Sometimes people are like, 'Hey, you played Dean Thomas!' and I'm like, 'Wow, you actually know!' It kind of shocks me because when I think about movies I love, and if I saw someone who essentially did what I did in Harry Potter, I probably wouldn't recognize them walking down the street.

I was always the kid down the street who got the other kids to put on a show. But it was only when I was 19, and discovered ballet and contemporary dance, that I got interested in the fact that you could have a whole evening of dance - rather than just waiting for the dancers in a musical.

Hip-hop is the streets. Hip-hop is a couple of elements that it comes from back in the days... that feel of music with urgency that speaks to you. It speaks to your livelihood and it's not compromised. It's blunt. It's raw, straight off the street - from the beat to the voice to the words.

Just as the humble, unassuming, assenting 'O.K.' has deposed the more affirmative 'Yes,' so the little cringe and hesitation and approximation of 'like' are a help to young people who are struggling to negotiate the shoals and rapids of ethnic identity, the street, and general correctness.

Political correctness is a poison to our security and defenses. It imposes a willful blindness, both at the macro level when unwilling to engage with radical Islamism or whatever you want to call it - if you're not willing to call it what it is - and at the micro level, at the street level.

Stick to the classics, and you can't ever go wrong. I see old ladies on the street who have fabulous style and realize it's because they are probably wearing really classic items that they've had for years and years. I think if you find something that suits you, you should just stick to it.

One of many strengths that I often see in successful women on Wall Street is a responsible balance between risk taking and risk mitigation - the ability to assess situations smartly and make the right medium-to-long-term decisions without being lured into reckless, short-term profit-taking.

This is the great thing about Northern Ireland. I walk down the street and people stop me and say things like, 'I know you. You're that wee golfer, aren't you?' I say, 'Yeah, that's me.' They say, 'Keep it up, wee man.' It's very funny and that's why I want to stay here as long as possible.

I will say that walking down the street, getting on the subway, taking the elevator, if there's one or two people and they say, 'Great job, Mayor,' that is a real turn-on. I mean, anybody that wouldn't find that satisfying, rewarding, exciting, thrilling - I think they should see the doctor.

I've been giving back since I was a teen, handing out turkeys at Thanksgiving and handing out toys at toys drives for Christmas. It's very important to give back as a youth. It's as simple as helping an old lady across the street or giving up your seat on the bus for someone who is pregnant.

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