Quotes of All Topics . Occasions . Authors
I scroll through Instagram and Twitter, and whenever I see something that speaks to me, I take a screenshot to save it for red carpet inspiration. Sometimes, if I see an outfit I like on the street, I'll take a picture, too. References are so important.
I photograph artists, and some of them are very well known, but if you ask the average man on the street, 'Do you like Anselm Kiefer?' He would stare at you with a blank stare, because these are not celebrities. They are celebrated in a specific circle.
The whole thing of clothes is insane. You can spend a dollar on a jacket in a thrift store. And you can spend a thousand dollars on a jacket in a shop. And if you saw those two jackets walking down the street, you probably wouldn't know which was which.
My earliest recollections are of the teeming East Side where I was born. This Hester Street and its surrounding streets were the most densely populated of any city on Earth; and looking back at it, I realize what I owe to its unique and crowded humanity.
I tried to do a puppet show on the streets, and I wasn't a very good street performer. But I found that I could stand in one place in Central Park and bounce a soap bubble on my arm, and I didn't have to gather a crowd for the puppet show. I had a crowd.
You cut up a piece of fruit, peel it, put it on a dish, and top it with something fun, and it feels like a real snack, instead of just walking down the street while peeling an orange and eating it: you're not actually taking a minute to enjoy that snack.
People often link grime with other things, like street culture, and clashing, and MC battles and whatnot. But no one's ever talked in misogyny in grime. That's often linked to hip-hop, I know people talk about that is a problem in hip-hop. But not grime.
That was really so upsetting when you are trying to pass on some very serious knowledge and be basically, treated worse than a student coming off the street because his father pays the tuition. Come on. Give me a break. This is no school. This is a joke.
I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques.
When I walk down the street in a dress, people think I'm transgender. The issue isn't that I'm embarrassed to be thought of as transgender: the issue is that people treat transgender individuals so violently, especially if they think it's male to female.
I think Chicagoans have a great set of values. You know what I mean? Kindness. Morals. Ethics. People in Chicago do the right thing. If somebody falls on the street, someone will actually stop and help them up. That doesn't happen in certain other cities.
There are so many bad influences out there. I don't care if a kid is rich or poor, if he lives in a million-dollar house or the ghetto, he is going to find some sick things on the street. And if we don't clean it up soon, we're all going to pay the price.
I never really thought of my neighborhood in South Philly as being a neighborhood; it was more a state of mind. For people who aren't familiar with those kinds of places, it's a whole different thing. Like, 42nd Street in New York City is a state of mind.
After 'Sesame Street,' it's a hyper-familiar world to me and I have this childlike ability to ignore the fact that I'm talking to scraps of cloth. Every country I go to, I see posters promoting the film in different languages. 'Los Muppets' - I love that!
The first time I met Brando was on a street corner. I was 14. He was walking down the street, and I saw him coming, and I thought, 'It's Marlon Brando.' And he was wearing what turned out to be his outfit from 'On the Waterfront,' because he was shooting.
I served in all commissioned ranks from a second Lieutenant to a Major General. And during that time, I spent most of my time being a high-class muscle man for Big Business, for Wall Street, and for the bankers. In short, I was a racketeer for capitalism.
Some male colleagues, just as in accountancy, had doubts about whether women could perform some roles. There was a sense that women needed more protection or if men were out on the street they would be distracted by having to look after a female colleague.
I've always loved dogs and have had one since I was three. We bought her from a kid selling puppies out of a cardboard box on the street where we lived in New York City. Great dog. We named her 'Marcella' after a Raggedy Ann character. She grew up with us.
A little dark chocolate in small amounts often helps lift me out of those blue moments. When I walk into my favorite store on Union Street in San Francisco that sells high-quality chocolates from around the world, I feel like, well, a kid in a candy store.
This is the fundamental problem with the ruling class in Washington, D.C. - the party bosses, the K Street crowd, the lobbyists who control all these politicians. They will do anything to maintain their power. They will do anything. They will say anything.
People come up to me on the street and make some little joke - like they'll say, 'Excuse me, sir, what time is it?' And I'll say, you know, '5:15,' and they'll say, 'Hey! Made you talk!' And that's merely a way of saying, 'I know your work and I like you.'
Life in Newcastle has been a lot more similar to life in Seattle, which has been great. The city is relaxed but, just like Seattle, Newcastle's passion for their team is second to none. You get recognized walking down the street or when you're around town.
I'm in the Apple store on Regent Street far too much; I'm obsessed by whatever the latest Apple gadget is. For clothes, I love to shop in Liam Gallagher's shop Pretty Green on Carnaby Street, or Cult Clothing in Crouch End, for Original Penguin and G-Star.
Everyone has the right to walk from one end of the city to the other in secure and beautiful spaces. Everybody has the right to go by public transport. Everybody has the right to an unhampered view down their street, not full of railings, signs and rubbish.
Being broke and being in the street does not mean that you're keeping it real. I think that everybody that lives in a non-wealthy neighbourhood spends their time and energy trying to do everything they can to better their living standards. I'm no different.
I want to reveal in a simple way the usual - and unusual - life of the city; the corporation workman, the busmen, policemen, the civil servants, the theatres, Moore Street and also, what occupies so large a place in Dublin's life, the literary and artistic.
When you reach a certain age, and people see you on television, they look at you and think, 'Wow! Everything must be great!' Well, everything isn't always great. You can be hailed on the street corner, but you still have to go home and take out the garbage.
'Wall Street' was the big movie of 1987, the year in which Harveys opened. It was a film about greed and self-indulgence, about hunger for success, and Michael Douglas's line, 'breakfast is for wimps,' became a mantra for anyone who wanted to get to the top.
Before I was an actor I was a break dancer, one of those street performers you see. I guess my introduction into the professional world of performing was a stint as back up dancer for Lionel Richie and I performed at the closing ceremony at the '84 Olympics.
I don't like gimmicky pictures; I've always hated them. I like pictures that are very clear and clean, whether you're a great street photographer - somebody like Friedlander or Winogrand or Cartier-Bresson - or whether you're a portraitist, like Irving Penn.
When people call something a 'fail,' it's because you tried to accomplish something but didn't make it. If you're just walking down the street and something bad just happens to you, that's not really a fail on your part. You might call that situation a fail.
Vegas is a testing ground for the human soul. What are our values, especially in a time of crisis? Work with Cirque du Soleil, and you learn that quickly. The former socialist street performers who now throw parties by the pool with Brazilian models, oh yes!
The world of Manhattan is small and tightly knit, and the man on top retains a certain humility. He knows how far and fast he can fall by looking at the guy across the street. The view from the $250,000 apartment covers a lot of ground, most of it condemned.
Some governments choose to cooperate with the United States in intelligence, law enforcement, or military matters. The co-operation is a two-way street. We share intelligence that has helped protect European countries from attack, helping save European lives.
I did go to public school, but that's only because my parents were abroad. As a matter of fact, I think that's helped my work. I can go from Victoria Wood's 'Dinnerladies' to playing Barbara Cartland, from 'Coronation Street' to playing Celia in Last 'Tango'.
I'm going to be a fashion icon in a minute. I'm not going to do it in a corny manner. I have a voice that speaks for a whole other market - not just black people, but high fashion urban people. I mix street wear with high fashion. It's never been seen before.
I find that the most special thing to me is if you've connected to people in some way: If someone comes up to you on the street and says something to you, and you know it's meant something to them, and it's connected to some project. That, I find, is amazing.
We are now welcoming a world where fashion is not bogged down by binary gender norms. The trend is moving beyond symbolizing its wearers' identity or gender. It's now being accepted by the mainstream as more of a look, both on the catwalk and the high street.
I remember a time when you were protesting on the street together with your professors, with your union, with your school organizations. Everybody was in the streets. Now, everybody is kept alone in his box, in this fragile condition, afraid of losing tenure.
In New York, the street adventures are incredible. There are a thousand stories in a single block. You see the stories in the people's faces. You hear the songs immediately. Here in Los Angeles, there are less characters because they're all inside automobiles.
Wearable technology will tell us how well we are sleeping and whether we need to exercise. Sensors in the street will help us avoid traffic jams and find parking. Telemedicine applications will allow physicians to treat patients who are hundreds of miles away.
He was a manager, one of the singers, I guess talent coordinator for the local talent in Harlem. His name was Lover Patterson. He was living right across the street from where my dad had his restaurant. I guess he saw a lot of kids come in, a lot of my buddies.
In real life, the most important decision you ever make is, where does reality leave off and make-believe begin? If you make a mistake about that, you're dead. You know, you're out on the street corner. You think there's no bus coming. You step out, you're dead.
I'm from Kansas, so there were a lot of vacant lots and open fields to tackle each other in so we could avoid tackling each other on the street. But running on the street and trying not to get taken down on the concrete, that will make you fast, that's for sure.
The parts of life that drive me are getting that homeless person off the street and helping people receive the education they deserve. I want to be able to help the ones that want the help, but also guide the ones who don't so they are also in a better position.
Now, can some cops be overbearing, rude? Yeah. But we have a process for that. Do what the officer tells you to do, and file a complaint. That's the process. You don't attack a police officer on the street or resist arrest because you think you're being hassled.
You can't get around certain stuff, whether it's in Darfur or on your block at home. What makes us political is your home turf, your family, your life space. You walk down the street, and automatically a human being is territorial, and political happens in that.
It's so irritating, because male rappers don't have to have a look. A guy can look like a bum on the street, but as a male, people will accept him because he's a rapper. But females, they expect you to have a big booty. They expect you to walk in six-inch heels.
I'm from New Orleans, which is all about direct engagement out in the street with all the parades and Mardi Gras Indians and jazz funerals. I'm trying to take that and put it into my generation, a group that doesn't have enough joy and celebration in their lives.
Why do you think the fans like us - why they prefer our street raps over all that phony stuff out there? Because we're telling the real story of what it's like living in places like Compton. We're giving them reality. We're like reporters. We give them the truth.