Quotes of All Topics . Occasions . Authors
With Spotify and all those streaming services, you don't get paid anything. You have to be, like, Madonna or something to actually make a real royalty from that.
Movie theaters still exist in spite of all of the alternatives that are available, video and video-on-demand and DVD and streaming video and all of these things.
It is clear that for many of our members two websites would make things more difficult, so we are going to keep Netflix as one place to go for streaming and DVDs.
I am really excited at being the face of Hotstar in AP and Telangana because it is a streaming service that I use very often, and the brand is very young and edgy.
The more we can personalise, the more the market can fragment, because of all the availability that streaming presents. Things become old sooner. That's terrifying.
With streaming services, the walls have come down a bit on genres. So I never really set out to make a country record or a pop record. I just wanted to make it mine.
The diversity of content is now offered from streaming and downloading, so young people are really not going to theaters because they don't see any particular benefit.
Our generation is the most cinematically saturated of all time. Videotapes, DVD's, streaming... Spielberg... all of it has thrust us into an endless loop of consumption.
For the BBC and others, a free website is an obvious and relatively cheap addendum to their main purpose of streaming news and entertainment on screen to a mass audience.
You can only give away what you have inside. Become an instrument of love, invite love to accompany you 24/7. Give away love, and it has to come streaming into your life.
When streaming came out years ago I loved it. I loved having an audience, I loved chatting away and looking at a live chat and now on Twitch you can actually get a career at it.
I think that network TV is going to either have to reinvent itself or it's going to have to be more competitive - there are just so many options now with streaming and everything.
The atom bombs are piling up in the factories, the police are prowling through the cities, the lies are streaming from the loudspeakers, but the earth is still going round the sun.
Music was everything. But what the digital revolution has done, with streaming services and downloads, is take the value out of music. When things lose value they lose their meaning.
I thought the world of live performance and busking was where I was going to thrive. I had no idea that digital streaming platforms and radio and that world would be for me, you know?
I am extremely devoted to Amazon Prime - which offers speedier free deliveries, free movie streaming and other benefits for an annual fee - but I don't think it is great for groceries.
Thinking back to boyhood days, I remember the bright sun on Harlem streets, the easy rhythms of black and brown bodies, the sounds of children streaming in and out of red brick tenements.
The idea of a streaming service, like Netflix for music, I'm not totally against it. It's just we won't put all of our music on it until there are enough subscribers for it to make sense.
I really enjoy working, you know, on streaming outlets because there's so much creative control for the creators of the shows, and, you know, you're allowed to make such great television.
'The One I Love' came out in theaters for the enthusiasts and did a chunk of business on VOD. But when it started streaming on Netflix, it exploded. Same thing with 'Safety Not Guaranteed.'
I think streaming technology is definitely coming, and it's gonna make people's access to games infinitely easier. You've seen it happen to music and movies, and I think it's a great thing.
With Caavo, you don't have to know the device name, the network name, the service name. Just which show you want to watch, regardless of whether it's live, recorded, downloaded or streaming.
Because of things like iTunes and streaming and social networking, it's destroyed music. It's destroyed the motivation to go out there and really make the best record possible. It's a shame.
When you are watching a show on a streaming channel, the effect is immediate. It affects your psyche and the relationship that you share with a character on screen is much deeper and intense.
I remember one day sitting at the pool and suddenly the tears were streaming down my cheeks. Why was I so unhappy? I had success. I had security. But it wasn't enough. I was exploding inside.
My No. 1 key with fans is, honestly, to stay connected with them. I think it's important to talk to the fans online and respond to their questions. You know, live streaming, playing video games.
I founded Netflix. I've built it steadily over 12 years now, first with DVD becoming profitable in 2002, a head-to-head ferocious battle with Blockbuster and evolving the company toward streaming.
Generally speaking, the business of music streaming is treacherous at best: Consumers don't seem to want to pay big money for access to digital music services, so companies must keep the fees low.
We have a really incredible fan base... they're... the ones that are rooting for us and buying the music and streaming it. They're just really, really amazing... and we're just so thankful for them.
My views on piracy and illegal streaming are I think it's illegal for a reason, and I feel like there's a lot of people working hard behind the scenes to get the fights going and showing things on TV.
I like to think of Everest as a great mountaineering challenge, and when you've got people just streaming up the mountain - well, many of them are just climbing it to get their name in the paper, really.
Most companies that are great at something - like AOL dialup or Borders bookstores - do not become great at new things people want (streaming for us) because they are afraid to hurt their initial business.
As the streaming wars escalate in 2020 with all these services, we have one of the largest live audiences of millennials who are watching a streaming program - so obviously, there's a lot of synergy there.
When I was releasing EPs by myself, I was generating royalties. And when I signed, I thought I'd put those royalties into other artists. And interestingly, streaming is most of the income for those artists.
So much time and attention has been spent on streaming that we've really gotten away from some of the things that we could have, energywise, put into working together with radio more closely for terrestrial.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
Streaming is a really big market for me. We've been doing great in the streaming market, so it's not something I want to alienate at all. Streaming counts now. They're treating artists the way we deserve to be treated.
We all consume Netflix and other streaming services in different ways. Sometimes, it's a movie you're really going to focus on; other times, it's background noise to something else, where you won't really pay attention.
Views are overrated; it's light that counts. I have an apartment in Miami's South Beach, and I get tired of looking at the ocean. Even that view gets old after a while. Sunlight streaming into a room - it never gets old.
With our work at Kazaa, we began seeing growing broadband connections and more powerful computers and more streaming multimedia, and we saw that the traditional way of communicating by phone no longer made a lot of sense.
Businesses which were slow to recognize the power of the Internet in the mid '90s were quickly left behind. For example, Blockbuster failed to innovate with streaming technology and filed for Chapter 11 bankruptcy in 2010.
I think that with these streaming shows, sometimes it takes a little time for everybody to - because they know they have time, you know it's up there - you'll get to it when you get to it. It sort of like, 'Oh, it's on my list.'
You have to make time for fans, and you really need to appreciate them. You have to remember that if they weren't buying, playing, or streaming your music, you wouldn't be in the charts, and people wouldn't be hearing your music.
Classic cable TV may have hit its peak, but it's still a huge force, and the streaming apps of many cable networks still require you to authenticate that you're a paying cable customer every time you want to use a new such TV app.
As a touring musician over the last 15 years, before streaming and iPods, you had to listen to terrestrial radio wherever you were. That's always been my way of connecting to a location. Turn on the radio, search through the dial.
I couldn't tell you what the standing is in radio, I'm in the streaming world. I'm in the podcasting world. Radio just sounds archaic almost. It's a never-ending battle. I'm so glad I'm retired so I don't have to see the nonsense.
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What's great is that I keep hearing from people who are discovering 'Friday Night Lights' because of streaming and Netflix and Hulu and all of these things. Somehow... things don't get old as fast as they used to. They stay vibrant.
Strong emotions such as passion and bliss are indications that you're connected to Spirit, or 'inspired,' if you will. When you're inspired, you activate dormant forces, and the abundance you seek in any form comes streaming into your life.
To me, the machinima artform has essentially evolved now into the Let's Play streaming world. That's what it is: it's people performing and creating art using video games. It's just more personality-driven rather than story-driven these days.