Quotes of All Topics . Occasions . Authors
Truth is stranger than nonfiction. And life is too interesting to be left to journalists. People have stories, but journalists have 'takes,' and it's their takes that usually win out when the stories are too complicated or, as happens, not complicated enough.
American populism is no stranger to our political life. From the earliest anti-Federalists to William Jennings Bryan, Huey Long, and George Wallace, and many in between, we've sampled the populist temptation, often in times of national distress and dislocation.
You need to begin to network with angels and VCs while you are still ideating. It is easier to ask someone you know for funding than a stranger. Build your financial network by attending as many industry functions and reaching out for advice from experts online.
I always wish I could just see the 'Stranger Things' from an audience standpoint and not from mine. 'Cause when I watch it, I remember someone was behind there and behind there. I just can't watch it like a viewer. But I love seeing something on paper come to TV.
My stylist told me Chanel wanted to dress me for the 'Stranger Things' premiere. It was such a big deal for me, knowing that Chanel wanted to work with me and that I was gonna go to one of my first big red carpets wearing Chanel. That was such a huge moment for me.
On Christmas morning, before we could open our Christmas presents, we would go to this stranger's home and bring them presents. I remember helping clean the house up and putting up a tree. My father believed that you have a responsibility to look after everyone else.
Since the 1970s, I have asked students if they would first try to save their drowning dog or a drowning stranger. And for 40 years I have received the same results: One third vote for their dog, one third for the stranger, and one third don't know what they would do.
It is only a man's own fundamental thoughts that have truth and life in them. For it is these that he really and completely understands. To read the thoughts of others is like taking the remains of someone else's meal, like putting on the discarded clothes of a stranger.
I can sit down with my sisters, and they can talk about my body in a certain way, and I will laugh about it with them. That's such a comfortable and loving relationship. But if a stranger I meet in a party makes the same comment, depending on their tone, that's not okay.
Most of the fans of Calpurnia are 'Stranger Things' fans, which is not a big deal at all. They're super loyal and incredible, and really do like the music. It's the people who aren't fans of the music and are just there because of 'Stranger Things' that really bother me.
The people who can step up my experience are those who have a common set of experiences with people I know. Think about it. How often did a total stranger come into your life to make your evening better? Not very often. But the friend of your friend? That happens all the time.
With an age difference comes a great gap in cultural references, and so on. It's not all about race and gender. It interests me that, as you get older, your younger self becomes a stranger to you. A split occurs within yourself. But maybe we're all always strangers to ourselves.
I'd like to come back to the West eventually. In the end abroad I am always a stranger, active politics in particular is not accessible to me and although people are generous, I can never be on the inside of a culture that relies a great deal on the private space and the family.
A lot of 'Stranger Things' is having to be able to, in your mind, turn a little tennis ball into a huge monster. In Season 2, there was one scene where I was screaming at the monster and I was screaming at nothing. It was just the sky. So I really have a big imagination, I guess?
I find it weird the way people get so excited about celebrity. If my friends are on the phone, their friends will say: 'Is that kid from 'Love Actually' there?' And the phone gets passed round and I have to speak to this stranger asking: 'Are you famous?' I don't know how to answer.
I don't believe in the term 'guilty pleasure,' because it implies I should feel ashamed for liking something. A real guilty pleasure would be, I don't know, taking gratification in some stranger's ghastly death or something - which I guess I do enjoy, because I read a ton of true crime.
That's the thing about inspiration, it just smacks you upside the head, you can't plan for it. It comes like a stranger in the night; you never know when it's going to come or leave, and you just have to deal with the in-between moments because there's nothing you can really do about it.
It was a proof of Welsh good nature: so long as I had a friend that knew and could introduce me, the whole Welsh people would do anything to entertain, and would even neglect their business to do so. But as a stranger in Wales, it is difficult to break through their suspicion and mistrust.
Hello, friends.' I've had fun with that expression to satisfy the cynics, but it comes from the heart, and I don't apologize for it. Like my dad - for whom I designed the expression during the 2002 PGA Championship, when he was suffering from Alzheimer's disease - I've never met a stranger.
My friend had told me about 'Stranger Things' and how I had to watch it. I was like, 'OK, I will!' I binged it in, like, a day and was like, 'Oh my gosh, Mom, you need to watch this show. Everyone needs to watch this.' A week later, I got the breakdown for Max. A month later, I got the part.
From the beginnings of literature, poets and writers have based their narratives on crossing borders, on wandering, on exile, on encounters beyond the familiar. The stranger is an archetype in epic poetry, in novels. The tension between alienation and assimilation has always been a basic theme.
When I saw the Penderecki concert in London, in '92 or '93, I thought there were speakers in the room. It was just strings. But I could hear these kind of buzzings and rumblings, and I was like, 'Where is this all coming from?' And that was just better, to my ears. Odder, stranger, more magical.
Sometimes I even now feel like a stranger in my country. But I knew there would be problems because I had seen the world as a skater. And now? A lot of people in eastern Germany have lost jobs, rents went up, food costs went up, unemployment went to 20 percent. Freedom is good, but it is not easy.
The difference between a stranger sending you a message that you might be interested in at a very low volume level, no repetition, just sending it to very few people, and that being done as spam - those things get close enough that you want to be careful never to filter out something that's legitimate.
I started 'Outer Banks,' because there's so much hype around it. I saw one episode and I didn't really continue, but I got to keep going at it. Two of the actors on there were also in 'Stranger Things,' and all my friends always ask, 'Oh my God, you know Madelyn Cline. She was in 'Stranger Things' too.'
In classic noir fiction and film, it is always hot. Fans whirr in sweltering hotel rooms, sweat forms on a stranger's brow, the muggy air stifles - one can hardly breathe. Come nightfall, there is no relief, only the darkness that allows illicit lovers to meet, the trusted to betray, and murderers to act.
How do you convince somebody to host a stranger for the weekend? That's not a trivial thing. It's not something I think you can throw technology at, marketing at, or sales at. We threw design at it because that's all we knew, and in doing so, I feel like we brought a human touch to it, which is so needed.
And in this curious state I had the realization, at the moment of seeing that stranger there, that I was a person like everybody else. That I was known by my actions and words, that my internal universe was unavailable for inspection by others. They didn't know. They didn't know, because I never told them.
My father is a Marine. My brother is a Marine. I almost became a Marine. I'm no stranger to fight training. I used to do jujitsu and boxing as a kid. I was a running back in football for my high school and my college. I played ice hockey as well as did theater. So, there's always been a physical nature to me.
Ignoring fame was my rebellion, in a funny way. I was insistent on being normal and doing normal things. It probably wasn't advisable to go to college in America and room with a complete stranger. And it probably wasn't wise to share a bathroom with eight other people in a coed dorm. Looking back, that was crazy.
The safest person, sometimes, is a stranger on the Internet who lives in a different place. If they're a daily source of support and advice, no one really wants to lose that once they have it. If they know deep down that the person they're talking to isn't exactly who they say they are, it's not worth finding out.
I feel like I've spent the last five years of my life on the road. It hasn't affected my songs but it's probably affected everything else about me. Obviously, the more you travel, the wilder the things that keep happening to you, the more likely it is you'll get complete strangers knocking on your hotel room door.
It's Will Ferrell, he does Will Ferrell movies. But if you really look at it, he tries to do something different with each one, whether it's an action cop movie like 'The Other Guys' or doing 'Talladega Nights' going into red state America or 'Casa de Mi Padre' or 'Stranger Than Fiction,' which is more of a drama.
'Under the Skin' is handsome, in a dour way, but inert - a cunning experiment that died in the shooting or on the editing table. You'll want to get the DVD, though, and not just for its study of Scarlett. Odds are that the Making-Of documentary will be far stranger and more fascinating than the movie that was made.
I think sometimes in the focus on deep friendships and on romantic relationships, we can lose sight of how important the small connections we make are with strangers and with people that we may encounter for just a few seconds or a few minutes, whether it's the barista at our coffee shop or the stranger next to us on the subway.
Just filming Season 1 was different because I had to fly back and forth, in and out. I remember the show was just so relaxed because no one knew what the show was; we used the words 'Stranger Things' on all the sides, and all the cast names. Then in Season 2, you used code names for everything, and they just had to up the security.
When you were growing up, your mom and dad told you to look both ways before crossing the street or not to get into a car with a stranger. It's the same with the internet. We have a big responsibility and a huge role in bringing all the stakeholders to the table - users, parents, educators, law enforcement, government organisations.
They told me that I got the role while I was at camp. Honestly, when my parents called me, they were like, 'We have someone on the phone for you.' And I was like, 'Who is it?' And they were like, 'It's the Duffer Brothers, those people from 'Stranger Things!'' I thought they were lying. They told me I got the role, and it was crazy.
I don't want to sound corny; everyone tells you what it's going to be like to have kids and you're like, 'Yeah, yeah, yeah, sure.' And then you have kids, and in an instant nothing in the world matters except for this stranger, because this person comes into the world and in an instant all your focus and priorities becomes these kids.
I read somewhere once that in the 1960s, fiction writers were troubled by the notion that life was becoming stranger and more sensational than made-up stories could ever hope to be. Our new problem - more profound, I think - is that life no longer resembles a story. Events intersect but don't progress. People interact but don't make contact.
It'd been about four months since shooting 'Power Rangers,' and 'Stranger Things' was the first thing I saw that made me think, 'I need this.' I had one day to get my act together, so I made a short film rather than a self-tape. It had an opening score, opening titles, and I may or may not have put on a g-string and danced to 'Hungry Like a Wolf.'
Without our familiar props, we are faced with just ourselves, a person we do not know, an unnerving stranger with whom we have been living all the time but we never really wanted to meet. Isn't that why we have tried to fill every moment of time with noise and activity, however boring or trivial, to ensure that we are never left in silence with this stranger on our own?
I am learning to see. I don't know why it is, but everything enters me more deeply and doesn't stop where it once used to. I have an interior that I never knew of... What's the use of telling someone that I am changing? If I'm changing, I am no longer who I was; and if I am something else, it's obvious that I have no acquaintances. And I can't possibly write to strangers.
It is a dangerous and fateful presumption, besides the absurd temerity that it implies, to disdain what we do not comprehend. For after you have established, according to your fine undertstanding, the limits of truth and falsehood, and it turns out that you must necessarily believe things even stranger than those you deny, you are obliged from then on to abandon these limits.
I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.
In deference to such spectacular carnage it is perhaps perverse to dwell upon one person's death, but we are creatures so constituted that the passing of one friend or one acquaintance has a profounder effect that that of 100,000 strangers. If there is any metaphorical truth in the Jewish proverb that he who saves one life saves the whole world, then there is equal metaphorical truth in the proposition that when one person dies, the whole world dies with them.
The only way to resonate at a level that persuades is to know who you are addressing. If it's true that the Audience is the hero, you need to spend time thinking about them. Really getting to know them to the point it feels like they are a friend. May times we picture our audience as a large clump of strangers. Instead, you need to picture them as individuals standing in line to have a personal conversation with you. It's easy to persuade a friend, you need to think about your audience until you know them as a friend.