Quotes of All Topics . Occasions . Authors
I've been all over the world on my own because, as a scientist, you travel a great deal if your work is reasonably successful or published. I get invitations to go to all sorts of strange countries where I would mostly be by myself and just meet other people there, instead of having travelling companions.
In some ways I'm oddly traditional, I've been a serial monogamist since I was 12. I've always tried to work hard and get good grades and be a good person, but I feel like I've also always had a strange defiance of authority or the status quo, I've never understood why things always have to be just one way.
In a strange room you must empty yourself for sleep. And before you are emptied for sleep, what are you. And when you are emptied for sleep, what are you. And when you are emptied for sleep you are not. And when you are filled with sleep, you never were. I don't know what I am. I don't know if I am or not.
To have "It", the fortunate possessor must have that strange magnetism which attracts both sexes. He or she must be entirely unselfconscious and full of self-confidence, indifferent to the effect he or she is producing, and uninfluenced by others. There must be physical attraction, but beauty is unnecessary.
We're [writers] all afraid of writing badly, and there are psychological reasons, like the bad interior of ourselves is somehow being revealed, but we all fear that, and you can't write well if you're not willing to write badly. That's why you have to make writing a habit, so it feels normal and not strange.
Youngsters are coming up with so many new ideas and doing small budget films, which is good. Even my daughter thinks of some subjects that are strange and different. But when I discussed it with some writers, they said it's fantastic. So I think young people are able to think something different. It's great!
I remember, once I was going through Nice airport with Roger Moore, and these kids came up and asked for our autographs. Afterwards, Roger said, 'It must be very strange for you. I'm an actor, and signing autographs is part of what I do. But you're a public figure who people don't really know.' He was right.
When a herd of cattle see a strange object, they are not satisfied till each one has sniffed it; and the horse is cured of his fright at the robe, or the meal-bag, or other object, as soon as he can be induced to smell it. There is a great deal of speculation in the eye of an animal, but very little science.
I don't know about the hair. I've had it since I was a kid, and when I look at myself in the mirror, it looks quite normal. But then when I look at myself in a photo, I realise that my hair is basically bigger than my head! There's quite a lot of interest in my hair, which is strange, as for me, it's normal!
Humor has the tendency to be funny once. If I tell you a joke, we're going to have a big laugh. But the second time I tell the joke, it's going to be a bit strange, and the third time you're going to ask if there's something wrong with me. So I am very cautious with jokes, but there is a lightness in my work.
We're obviously in a strange environment where practically anyone can set themselves up as a pundit of sorts. It's all about sorting the wheat from the chaff, and I'm very interested in reading different points of view, and certainly different generations than my own that have such a very different world view.
One strange quality of writing about political campaigns is that it's a little like writing about a baseball game inning by inning. We presume we can say something about the final result from the state of play a third of the way through. You can when a game is a colossal blowout, but you can't when it's close.
I am aware that I've generally been more attracted to introspective roles, but it's sort of bizarre, because it's the opposite of who I am in many ways. I think I'm quite an extroverted, loud person. So it interests me that that's sort of the place that I go all quiet, is when I'm onscreen. It's a bit strange.
Nationalism has two fatal charms for its devotees: It presupposes local self-sufficiency, which is a pleasant and desirable condition, and it suggests, very subtly, a certain personal superiority by reason of one's belonging to a place which is definable and familiar, as against a place that is strange, remote.
Fame is really strange. One day you're not famous, and then the next day you are, and the odd thing is that you know intellectually that nothing in the world is different. What mattered to you yesterday are the same things that matter today, and the rules all still apply - yet everyone looks at you differently.
There is this strange fog of being a young man that I would refer to as soft time. Time does not go forward there. It's a series of doors that kind of wind back into one another, like a series of doors in the upper floor of a house. You revisit the same lessons over and over again, or you choose to ignore them.
Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.
Watching the evening news in 2011 is a strange time-travel experience. 'The CBS Evening News,' 'ABC World News' and 'NBC Nightly News' haven't changed their style over the decades, still going for that old-fashioned mix of voice-of-authority pomp and feel-good fluff. The difference is that people aren't watching.
For someone like you who's a British citizen this might seem strange. How can you ban a language? It turns out that you can. During the dictatorship it was illegal to speak Catalan. This is an experience that we Catalans have all had to varying extents. Some more tense than others, but it's something we all share.
There's something strange about theater. My characters consistently demonize elitism, but of course it's taking place in a theater where only so many people can see it. I've been in silly popcorn movies - the kind of thing that as an actor you might feel embarrassed about - but those movies reach many more people.
At the age of nine, I simultaneously fell in love with two Dutch sisters because they seemed so beautifully strange, and their clothes were mysterious and alluring - added to which, they could not speak a word of English. More than anything, I wanted to connect with them and embark on a vast journey of exploration.
There's a strange sense of accomplishment in making an independent film. Everything's against you; there's no time, and even less money - you bring a bottle of glue, chip in twenty bucks, and hope you all make it through the day. If you manage to finish it and it actually turns out to be pretty good, it's thrilling.
I was not popular in school, and I was definitely not a ladies' man. And I had a very painful adolescence, because it was all very strange to me. It wasn't like I got beat up, but the humiliation and isolation, and the existential 'God, I exist, and nobody cares' of being a teenager were extremely pronounced for me.
Here's something weird, though: I loved Jimi's music so much that I would never perform it for people. Throughout my teens and playing in various bands, I refused to play Hendrix songs. I know that sounds strange, but Jimi's music was so special to me that it was like works of art that shouldn't be touched or altered.
I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.
I actually love Twitter and Instagram. I do think it's so strange to think that 20 years ago, people would never have known personal stuff about musicians and actors, but I like it. As long as I don't obsessively overshare, it's OK. And when I do overshare, it's just, like, me saying, 'I've got $7 in my bank account!'
Money can make people look at you in strange ways. You get phone calls from people you haven't spoken with in a long time, and they'll leave a message saying, 'Do me a favor, call me back. I have something I want to ask you.' I'm not going to answer those calls, because there's always something behind it, like a loan.
Ideologists of all kinds find a strange sort of comfort in the madness of the crowd; it confirms them in their suspicion that history, far from being made by the great mass of individuals - as Marx averred - is rather unmade by a single massive individual, a collective Other, who stands in stark contrast to you and he.
My being a writer and playing Scrabble are connected. If I have a good writing day, I'll take a break and play online Scrabble. My favorite word as a child was 'carrion,' before I knew what it meant. I later created crossword puzzles, which was a lot about puns, and how words would create these strange, strange things.
I've never done an album like this. With Biophilia, I was being like Kofi Annan - I had to be the pacifist to try to unite the impossible. Maybe that was a strange, personal job between me and myself, to show how overreaching I was being as a woman. The only way I could express that was by comparing it to the universe.
Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older.
Sometimes if I'm not playing well on stage, I'll purposely play even worse; I'll tear it apart, because I'm so disgusted with what I'm playing that I'll go the wrong route: instead of trying to make it better, I'll go the other way and really make myself sound bad. Which is a kind of a strange outlook I suppose, really.
In a strange way, Louise Erdrich is perhaps our least famous great American writer; she is not reclusive, but she is reticent, and her public appearances give the impression of a carefully controlled performance. But Erdrich has also shared many of her most intimate emotions and experiences, in some form, in her novels.
The car is absolutely central to our approach. Everything we do begins with the automobile, whether it's old, new, bizarre, weird, strange, or cool. We're not going out to make a comedy show, and that's great, certainly from my point of view because obviously I'm totally obsessed with cars and I don't really like people.
All the dignity of man consists in thought. Thought is therefore by its nature a wonderful and incomparable thing. It must have strange defects to be contemptible. But it has such, so that nothing is more ridiculous. How great it is in its nature! How vile it is in its defects! But what is this thought? How foolish it is!
The music of ABBA is not that happy. It might sound happy, in some strange way, but deep within, it's not happy music. It has that Nordic melancholic feeling to it. What fools you is the girls' voices. You know, I do think that is one of the secrets about ABBA. Even when we were really quite sad, we always sounded jubilant.
I have a strange fascination with the Midwest. I'm waiting to find out that my parents are actually from the Midwest. I grew up in Beverly Hills, up the street, and I just feel comfortable there. I've shot in Minneapolis, in Detroit, in St. Louis, in Omaha - they would say they're the Plains, not the Midwest - and I love it.
The weekend after 'Kimmy' started streaming on Netflix, I did notice a definite difference in people on the street recognizing you. I think that's such a strange thing to happen. It's like, you asked for it, you went and put yourself in the public eye, so don't be surprised people recognize you, but that part can be strange.
I spend several days at a time without enough sleep. At first, normal activities become annoying. When you are too tired to eat, you really need some sleep. A few days later, things become strange. Loud noises become louder and more startling, familiar sounds become unfamiliar, and life reinvents itself as a surrealist dream.
I went to squat with a bunch of friends - creative, intelligent, political people. We got involved in a community project funded by the Arts Council and we made this video. I sang a poem and somebody, I think it was Richard Coles, who was later my partner in the Communards, said I had a very strange sound and I should use it.
Music became less understandable in the wake of the new MTV era. You weren't supposed to be anything other than a pop star, to not go deeper than that. It was really strange. It was suffocating, image-wise. What you could talk about in a song changed; if you were misunderstood, you were really misunderstood - taken literally.
The comics I read as a kid were all about guys in tights. But here was a guy who wore a fedora. He fought crime like they did in Marvel and DC, but he did it in the real world. I had just turned 12 when I met the Spirit and it was a strange coincidence. At the same time I discovered girls I fell out of love with guys in tights.
It's funny, I played a social gig once - we were playing music that was rhythm based, but it was going in some strange places. Some people came up to me afterward and said, "Can you play a tune that we'll all recognize?" I've carried that with me forever - why would you want a tune you could recognize? What's the point of that?
The oddest things happen to me. It goes in seasons. Nothing will happen for a long time, and I miss it, and I remember how these strange coincidences used to happen to me and how amazing it was, how it made me want to believe in something. A year will go by, and then a slew of them will come along, like buses, one after another.
It seems strange that bears, so fond of all sorts of flesh, running the risks of guns and fires and poison, should never attack men except in defense of their young. How easily and safely a bear could pick us up as we lie asleep! Only wolves and tigers seem to have learned to hunt man for food, and perhaps sharks and crocodiles.
It's strange. At some point in your career, the situation between yourself and the camera reverses. For a certain number of years, you court it and you need it, but ultimately, it needs you more, and it's a bit like a relationship. The minute that happens, it turns you off... and it does feel like it is taking something from you.
Strange, is it not, my brothers, how often in America those great watchwords of human energy - 'Be strong!' 'Know thyself!' 'Hitch your wagon to a star!' - how often these die away into dim whispers when we face these seething millions of black men? And yet do they not belong to them? Are they not their heritage as well as yours?
My father never got films to our dinner table. It was never the case with us as well that our father works in films, and we know so many actors. It was like him going to work like any other father. In fact, my school friends would ask me if I have met a certain actor, and I would tell them that I haven't, which they found strange.
I was asked by an NPR reporter once why don't I talk about race that often. I said, 'It's because I'm a neurosurgeon.' And she thought that was a strange response... I said, 'You see, when I take someone to the operating room, I'm actually operating on the thing that makes them who they are. The skin doesn't make them who they are.'
I was aware, in those early days of motherhood, that my behaviour was strange to the people who knew me well. It was as though I had been brainwashed, taken over by a cult religion. And yet this cult, motherhood, was not a place where I could actually live. Like any cult, it demanded a complete surrender of identity to belong to it.