Quotes of All Topics . Occasions . Authors
People thought the storyline and characters for 'X-Files' made it a 'dark' show, but I never saw it that way. I always thought Mulder and Scully were the light in dark places.
I give preference to scripts and of course, the importance of my role in the storyline. Still I am not after hero roles. I take such roles only when I find the scripts exciting.
The games after 'Five Nights at Freddy's 3' will not exist in the movie universe. Like it or hate it, I felt that this was the best portion of the storyline to really focus in on.
Since so many romantic comedies vary little in their storyline, the success or failure of such movies depends largely on whether we believe in the relationship of the protagonists.
Normally, when I write a tour show, it's got a title that means something - a beginning, a middle and an end - and some kind of storyline and ideas going through it over two hours.
The first time I saw 'Private Practice,' I was hooked. The camera work is captivating, the acting is the-best-of-the-best amazing, and each storyline is so interesting and different.
Though the concept of the show revolves around a love layer, 'Ek Duje Ke Vaaste' has a very unique storyline. It is not a typical love story, and I am glad to be a part of this show.
The fact that I'm even in a video game blows me away, but 'WWE 12' is even more special to me because they have a whole storyline around Sheamus in the game. It's really, really cool.
In all the background scores I do, I take care to see that the theme enriches the storyline and does not deviate from the mood of the scenes, context, characters and the entire movie.
Our cinema has evolved in last 60 years because we have made people happy through our films. The main purpose of our storyline is to spread happiness. Our cinema has an emotional connect.
The normal storyline of a horror film or a slasher film is the young, beautiful college folks go camping and get systematically killed by the person in a mask. So that's how it normally is.
There are always things you wish you could've done better, and there are always things that you wish would've turned out a different way in terms of storyline, which you're not in charge of.
There was a storyline this year where Taylor lied to Brooke. It was supposed to be set up in a way that I was so outraged by her that I let it stay. I thought that was human, which was great.
Opera combines pretty basic theater and poetry, but the storyline itself is actually quite poetic and, after some digital research, taking that actual content and seeing it as undeniably poetic.
It's always nice to get a storyline - I know all actors say that, but it genuinely is, as it feels like the show's team are putting their faith in you to do it justice, so it's quite a compliment.
When our characters in 'Byker Grove,' PJ and Duncan, shared a storyline, we became really close. We'd go out to the pictures, stay at each other's houses, have parties when family members were away.
I was a theater actor back in the U.K., and you knew the whole play, so you could plot your storyline and character. And then I did 'Lost' and didn't know, and it was kind of frustrating, but I enjoyed it.
My choice of script is governed by two factors - either I've to like the people associated with the project or the storyline should be interesting. I focus more on the vibe and the type of energy I get from them.
Anyone can write an academic piece directed at other academics. To write something that delivers an argument and a gripping storyline to someone's granny or eight-year-old takes the highest quality of your powers.
I was moaning and grieving as if I lost one of my own children. It was probably one of the most real feelings I ever had on the show. I was just sitting there wailing with no lines. I was beat after that storyline.
I'm not interested in being the damsel in distress; I want someone who has her own storyline and her own mission - not a woman who, to use a comedy term, is just there to provide the feed line to someone else's joke.
Some of the corporate houses are using films as a means to market their brands. They are not concerned with the storyline. When it comes to big-budget films, simple storylines told with conviction are still the safest best.
The storyline of a fantasy novel is filled with such a sense of enchantment, beauty and strangeness; it allows the writer to explore the big ontological questions of life that would sound like a sermon in a social realist novel.
The great thing about Pete and Peggy's storyline is that you barely have to do anything. There's so much there, so much history, that you can have them exchange a look and it's so loaded. So you honestly don't have to do anything.
I've always felt that it didn't feel right for me when a protagonist goes through a storyline where they're killing a lot of enemies, and at the very end of the story he ends up kissing the heroine and that's where you end the game.
I've spoken to people in Silicon Valley, and many times they have said to me, 'X storyline, or that thing that happened in your show - pretty much verbatim has happened to me.' And it's either identical or similar enough to be scary.
I like the 'Keystone Kops' storyline. It didn't actually go quite the way I wanted to, but it was another great way to show how different life was in these two different corners of the DCU, being on the ground in these different areas.
In my opinion, it would be a lot better for the culture - meaning the culture of America - if there was more diversity in terms of storyline. In terms of the kind of content that you see about Americans of African descent on the screen.
I started 'Storyline' after I'd accomplished all my goals and still wasn't happy. I'd become a 'New York Times' bestselling author, which was my goal from high school, and yet I was less happy after accomplishing my goals than I was before.
2014 was a really big year for me because I was able to go into a storyline with Stephanie McMahon, and the WWE Divas championship wasn't part of that, but for me, it was the biggest story I've ever been a part of in my whole entire career.
Offers come all the time, but I'm pretty particular. I really have to be wowed by a character I encounter in a script, or a storyline. I really do need to feel inspiration, otherwise I'm just happy planting perennials and making goat cheese.
One of my favourites on Instagram is @dublin_zoetrope. He does these musical theatre/Meryl Streep/Glenn Close memes that are truly hysterical. He'll take a regular photo of them and create an entire storyline, and it makes me cackle out loud.
The worst storyline I've ever been involved in I wasn't involved in, because I was clever enough to get pregnant with my second child and they wrote me out and they replaced me with Christine Jones. And thank God - that was the worst storyline.
If you tried to make a 'Game of Thrones' movie, you'd have to eliminate two-thirds of the characters, and there'd have to be one storyline, but on TV, you can really get to know the characters in a way that there just isn't time to do in a movie.
My experience with the National Theatre in Kracow often involved many changes of storyline and character. This was particularly useful when working with a director such as Pawel Pawlikowski who is quite intuitive and demands flexibility in an actor.
When I came out in '95, even though it was part of the storyline, I was known as the next evolution of Andre, the next giant. I was that young, athletic, trash-talking monster. That was my introduction to the industry, and I was able to build on that.
Piggie James was the storyline that brought LayCool to fruition and really started and helped develop our characters. It was a main storyline that, at the time, started giving Divas more screen time and longer matches - we even had a huge celebration.
I knew everything about her backstory. I skimmed through all the books and read through everything that happened between Sam (Chaske Spencer), Emily and Leah (Julia Jones), so by the time we started filming, I knew everything that had to do with my storyline.
I just love the storyline, I thought it was hilarious - I loved that part when we opened the door, we all look ahead and we have to look down and see that we're actually dealing with this little boy who did this horrible thing of ordering a wife through e-mail.
Being on a television show and having so many fans is something that I've never experienced before, and it's really neat when they come up to you and are like, 'That storyline is amazing and really spoke to me in my life,' and it's really cool. I really enjoy it.
'Luther' is raw and brutal like 'Game Of Thrones,' but it's coincidence. If I'm drawn to anything, it would be the writing. Choosing a project is an organic process where I'm taken in by the character and storyline, not the genre, whether fantasy or gritty and raw.
I think 'We the People' is an example of why pro wrestling is so cool because it was a storyline that started out very political and very controversial and very nasty. It really evolved into a movement of the people, not just American people, but people everywhere.
'Death Sentence' really is a throwback to the '70s style revenge drama with moments of action. It's like a contemporary 'Death Wish' with a much more thriller style storyline, but the action scenes I shot very much in the style of '70s films like 'The French Connection.'
It was sad leaving 'All Saints' because I was leaving a family that had nurtured me and looked after me for a couple of years, and at the same time that particular storyline wasn't a surprise to me. I knew I was going. It had been worked out very carefully over many months.
Composers and lyricists are not responsible for storyline and casting. One can imagine actors shouldering this responsibility, since they charge for half the film. But producers never ask actors to share the losses. Instead, they train their guns on composers and lyricists.
I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me, do something for me. If I don't get it, it's not going to move people, and if it's not going to move people, it's not going to happen.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
A character like mine, there is only so much you can do from a storyline perspective. You can be that heel authority figure, which I was for a few years in WWE and WCW, and it's interesting, and it's fun, but after a while, you've kind of done everything you can do creatively.
In the U.S. - and elsewhere - successful parties need a storyline that voters can relate to, an intelligible plot of some sort, especially now that so many older, formal ideologies have lost force. For proof of this, one has only to look at Margaret Thatcher's career and ideas.
Deaf people are struggling to find their favorite show or something that represents them. It's hard. There are some examples of shows that have a deaf storyline in one episode, like Cold Case, or another show where they are focusing on the cochlear implant or the medical aspect.