Quotes of All Topics . Occasions . Authors
I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
The idea for 'Conversations with Friends' - two college students who befriend a married couple - struck me at first as a concept for a short story. I started to write it under the title 'Melissa,' and eventually, it got too long.
I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.
I really like the story of Bardock, Goku's father. It's quite dramatic and the kind of story I absolutely wouldn't draw if it were me. It was like watching a different kind of 'Dragon Ball' in a good way, so I thought it was nice.
I think the novel is not so much a literary genre, but a literary space, like a sea that is filled by many rivers. The novel receives streams of science, philosophy, poetry and contains all of these; it's not simply telling a story.
I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes.
In any story, the villain is the catalyst. The hero's not a person who will bend the rules or show the cracks in his armor. He's one-dimensional intentionally, but the villain is the person who owns up to what he is and stands by it.
What kind of people would be able to rationalize better than other people? Better storytellers, right? Creative people, right? Because if you're creative, you find more ways to cheat and still yourself a story about why this is okay.
When I was minister of sport in Brazil, I tried to bring in a law that would make the chairmen of clubs reveal their accounts like other businesses. It was turned down, but I think it is an important story that will make a good film.
I've never written poetry. I'm not a poet, but I think the nearest you get is either the short story or the novella, in that you can't waste a word. There is no hiding place: everything's got to be seen to relate, and the prose counts.
Life on earth is such a good story you cannot afford to miss the beginning... Beneath our superficial differences we are all of us walking communities of bacteria. The world shimmers, a pointillist landscape made of tiny living beings.
Most of us live in a fog. It's like life is a movie we arrived to 20 minutes late. You know something important seems to be going on. But we can't figure out the story. We don't know what part we're supposed to play or what the plot is.
Armenian folklore has it that three apples fell from Heaven: one for the teller of a story, one for the listener, and the third for the one who 'took it to heart.' What a pity Heaven awarded no apple to the one who wrote the story down.
'Oh, Daddy,' was a remake of the Ritchie Valens' song 'Oh Donna,' and I really like that one because it's a story of a pregnant woman who was dumped by her baby daddy, but she was always waiting for him. It's a sweet-and-sour situation.
'Moonlight' is a story that hasn't been told. Whether placed as queer black cinema or urban male cinema, the lack of coming-of-age films featuring people like Chiron and set in places like inner-city Miami is pronounced and unfortunate.
I never feel lonely if I've got a book - they're like old friends. Even if you're not reading them over and over again, you know they are there. And they're part of your history. They sort of tell a story about your journey through life.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
If we think that this life is all there is to life, then there is no interpretation of our problems, our pain, not even of our privileges. But everything changes when we open up to the possibility that God's story is really our story too.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
My work as a screenwriter has influenced my fiction. Writing screenplays forces you to consider many elements regarding story structure and other narrative devices that can be used to enhance the infinitely more complex demands of a novel.
I'm going to tell you the story about the geese which fly 5,000 miles from Canada to France. They fly in V-formation but the second ones don't fly. They're the subs for the first ones. And then the second ones take over - so it's teamwork.
All the writing elements are the same. You need to tell a good story... You've got good characters... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't.
The most powerful words in English are 'Tell me a story,' words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.
'Harjeeta' is a film based on the inspiring story of a sportsman, grappling with life's struggles, and surviving against all odds and managing to end the nation's 15-year-old drought in the Junior Championship by lifting the coveted trophy.
There's a reason poets often say, 'Poetry saved my life,' for often the blank page is the only one listening to the soul's suffering, the only one registering the story completely, the only one receiving all softly and without condemnation.
When I read 'Rocky V,' it was a terrific story, a great script. Rocky died at the end. He has this devastating fight with Tommy Gunn, ends up in an ambulance with his head in Adrian's lap, and by the time they get to the hospital, he's dead.
One of the things I've realised is that I am very simple. My wife asked me once if I loved her. I said: 'Look love, I'm a simple man. I love you. End of story.' But I guess you gotta keep saying it with women. I guess she needed reassurance.
In Hollywood if you're good looking, tall, have okay teeth and nice skin, the odds of being successful are great. If you're short and fat, it's a different story. But as long as you look like a leading man type, half your job is done already.
My friend, I am going to tell you the story of my life, as you wish; and if it were only the story of my life I think I would not tell it; for what is one man that he should make much of his winters, even when they bend him like a heavy snow?
Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.
It is human nature to be shortsighted and to lose momentum to make changes once the story is out of the headlines and there aren't financial incentives or political rewards. We owe to ourselves to learn from the past so we can try to do better.
I've been bullied my whole life, whether it was about my peers or comments on Instagram or Twitter, whatever. And I never talked about my story, really. I feel like I've kind of accepted it because I realized that just comes with the territory.
It seems like every year Hollywood makes an attempt to retell the Manson story, and I just couldn't be less interested in it. It's not really our crowning achievement as a civilisation. I'm not saying it shouldn't be done, but it just bores me.
When the history books are written in a thousand years, when space travel would have become routine, the moment that humans first left Earth will be of huge importance. Star City is a central part of this story and it deserves more recognition.
When you hear the words 'magic' and 'story', they will probably evoke thoughts of your favourite fairy tales from childhood. Storybook pages abound with all manner of magic: fantastical fairies, wish-granting genies, or even a certain boy wizard.
On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.
A true epilogue is removed from the story in time or space. That's the reason it is called an 'Epilogue'; the label serves to alert the reader that the story itself is over, but we are going to now see a distant result or consequence of that story.
'The Lion' all began with a picture of a faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself, 'Let's try to make a story about it.'
'I Met You When I Was 18' is a collection of songs, a story about moving to New York City when I was 18 and falling in love for the first time. A story about trying to figure out your own identity whilst being deeply intertwined with someone else's.
I could hardly sit through 'Frozen.' There was an attempt to craft a moral message and to build the story around that, instead of building the story and letting the moral message emerge. It was the subjugation of art to propaganda, in my estimation.
The real story of the Ground Zero mosque is that the project only became feasible because of the appalling and astonishing fecklessness of the officials who were charged with the reconstruction of the site and the neighborhood all the way back in 2001.
I see I'm changing the game and opening doors for others, from my beginning from the east end of London. It's not a sob story; it made me the person I am today. It's seeing kids from any area or background you're from. There's a chance; you can make it.
All of the narration in 'Smile' is first-person. Most of the books that I grew up reading had first-person narrators for some reason. My diaries were written in this voice, and since this story is autobiographical, it just felt like a natural extension.
We like things to manifest right away, and they may not. Many times, we're just planting a seed and we don't know exactly how it is going to come to fruition. It's hard for us to realize that what we see in front of us might not be the end of the story.
I'm a big believer in the emotion of design, and the message that's sent before somebody begins to read, before they get the rest of the information; what is the emotional response they get to the product, to the story, to the painting - whatever it is.
When faced with a challenge, happy families, like happy people, just add a new chapter to their life story that shows them overcoming the hardship. This skill is particularly important for children, whose identity tends to get locked in during adolescence.
We believe that every single child has boundless promise, no matter who they are, where they come from, or how much money their parents have. We've got to remember that. We believe that each of these young people is a vital part of the great American story.
They say a picture is worth a thousand words. In the nonprofit world, the right picture is worth tens of thousands of dollars. I use PhotoPad to sync our Samasource Flickr account to my iPad and slip it out of my purse at cocktail parties to tell our story.
The thing for me is that 'Thor' was an indie film that just had a few more zeros on the budget. At heart, it is just a simple story about a guy trying to get home to deal with someone who has broken into his house. It's just 'After Hours,' but set in space.
Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.