But the smoking is very frustrating. Who knows where it will go; where the story will go; where the character will go? There's still lots of options.

It's an indication of how cynical our society has become that any kind of love story with a sad theme is automatically ridiculed as sentimental junk.

When I see a story, I ask: is this something I'd like to be in? Is this something I'd like to see? And if I'd like to see it, would I like to tell it?

I'm still interested in perfecting whatever talents I have and continuing to grow as an actor and continuing to be useful to the telling of the story.

Holidays have been commercialized. It has become about material things. But the holidays are about sharing stories and being in each other's presence.

The theoretical casting part of movies is the funnest part. You really can imagine so many different versions of a story, based on who's embodying it.

While we do have 50 years of terrific Avengers stories, many of which our writing staff has written, along the way, this has to live in its own world.

I really believe that fiction functions best when stories are allowed to develop in an organic way, so I didn't set out to deliver a specific message.

I just think it's a great world to tell stories in, to tell cool stories: money, sex, fame, and scandal. Those are great subject matters to work with.

Our stories are what we have,” Our Good Mother says. “Our stories preserve us. we give them to one another. Our stories have value. Do you understand?

We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it.

I think my love is storytelling. No matter what it is, it's storytelling. And so whatever the medium is, what's right for the story, I enjoy doing it.

The best filmmakers, I think, have always had very narrow frameworks for their stories, and then they can go deeply, rather than skimming the surface.

Memories are just stories we tell ourselves about our past; and that's often why they don't match when we've shared the same experiences with someone.

As an actor, you tell part of a story. As a writer, you get more of telling that story. But as a director, they're seeing the world through your eyes.

I don't have a great eye for detail. I leave blanks in all of my stories. I leave out all detail, which leaves the reader to fill in something better.

To starve a child of the spell of the story, of the canter of the poem, oral or written, is a kind of living burial. It is to immure him in emptiness.

I'm an actor, and my main purpose is to bring out interesting stories to life. If it involves a cause that I can be a part of, I most definitely will.

Short stories do not say this happened and this happened and this happened. They are a microcosm and a magnification rather than a linear progression.

Tell me a story, Pew. What kind of story, child? A story with a happy ending. There’s no such thing in all the world. As a happy ending? As an ending.

When the remedy you have offered only increases the disease, then leave him who will not be cured, and tell your story to someone who seeks the truth.

The art is in preparing the content for optimal human consumption. The data doesn't just talk back to you. You collect, you analyze, you tell stories.

But when you get to a song, not only do you have to do a vocal melody, you have to write words and not be redundant and make some semblance of a story

I just wanted to be in show biz. I wanted to make music and sing and dance, tell jokes and stories, make ya smile, make ya cry - and charge you $ 8.50

A short story relies on those values that make poetry and jazz what they are: tension, rhythms, inner beat, into unforeseen within foreseen parameters

If your stories are all about your products and services, that's not storytelling. It's a brochure. Give yourself permission to make the story bigger.

Were there stories I wrote along the way that were terrible clinkers? God, yes. But they were all a product of their time, and I did the best I could.

So she listened hard. And she began to evolve, because stories work their magic that way. They build conviction and erode conviction in equal measure.

Writers need restrictions. If somebody just says, "Hey, do you want to write a novel, or an article, or a movie, or a short story, you get shut down."

One of the biggest stories in all of politics worldwide, in all of politics in this country, for decades is what's happened with the Republican Party.

You have to be driven by the stories that you want to tell. You can't simply be responding, or there won't be any real heart to those stories anymore.

Telling stories, making them come alive is what makes me come alive. So I try to live a life where sharing this vital search of inspiration is a must.

Bridesmaids proved there was an audience there that we knew was there. It proved that women go to the movies. They want to see story about themselves.

When you're drawing comics, you get very involved in how the story is going to develop and you spend more time daydreaming on that particular subject.

I came up with new leads for game stories by being observant and clever, by using the many gifts of the English language to intrigue and hook a reader.

The world is not a courtroom There is no judge no jury no plaintiff. This is a caravan filled with eccentric beings telling wondrous stories about God.

There's something about the authenticity rather than the autobiography that makes my story and my pain move across and become your story and your pain.

If the stories don't come from the inside out, then Bridget [Jones] is not being true to herself and it's very important to me that she stays that way.

I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.

I've been surprised that 'Elizabeth is Missing' has been so well received as a crime book. I love mystery stories, and that is what I decided to write.

I like to write about stories and life experiences of me, the people around us, and just the things I see on the telly without overcomplicating things.

I kick off every monthly team meeting with 'core value stories' - team members stand up and recognize how another team member exemplified a core value.

In a story, you can turn to the front and begin again and everyone lives once more. That doesn't work in real life. And I love my real people the most.

I think the world should be represented on television and for the longest its been limited. Ethnic stories specifically need variety in content period.

I'd just love to see the next Star Wars films when they come out because I'm very into the whole universe and the stories. So they're always rewarding.

My life is making movies. I like storytelling, and I've got a lot of stories that are stored up in my head that I hope to get out before my time is up.

That Ms. Farahani found Mr. Mohassess and persuaded him to share his story is a terrific coup, even if a great deal of his life's work remains elusive.

I enjoyed showing a bit more leg in the last few stories. It was good fun, but it can be quite sexist. But it doesnt worry me personally all that much.

I always wanted to do a Hollywood story. The thing about actors, though, is that they go through a streak of roles. The question is, what's in between?

Fortunately, John Houseman is a marvelous writer and he sat in on so many story conferences. He worked with Welles, you know, and he's a marvelous man.

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