Quotes of All Topics . Occasions . Authors
The collection is a labor of love and devotion, and whenever I found free time from my journalism work, I'd work on one story or another, or at least sketch out my characters, and research various issues related to my characters' dilemmas.
The narrative of our lives is a total construct. We get to choose what that is. That is something I've realized as I've gotten older. I have a lot of choices about the story that I'm telling myself about my life. So where do I find meaning?
Our daughter's name Arwynn comes from Arwen in 'Lord of the Rings' because my wife and I met for the first time in the Eagle and Child pub in Oxford where J. R. R. Tolkien and C. S. Lewis used to go to read out their stories to one another.
I will say that when I first came out to the States to work on 'Jericho,' that was the only time that I've ever been frightened about a job, because in America they tell stories over such a long time, and I was petrified that I'd get bored.
A novel must work as a story because no one's going to get to the other themes if you don't entertain the reader. But I like to have another layer of meaning, although you can read the book on one level and not bother with that other layer.
I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.
I got a certain type of respect in the streets, that's why they call me Tha Truth. And I gotta speak the truth. I gotta stand up for what's right. Every great person and true soldier has a great story to tell and this is a part of my story.
They're naughty, all those writers - they mess around with people. I know James Gandolfini got a bit fed up on 'The Sopranos': if he said anything in front of a writer, told them a story from his life, it could make its way into the script.
And it's a human need to be told stories. The more we're governed by idiots and have no control over our destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible.
Now, what tends to happen is that the stories get hyped. And the medicines are not quite as revolutionary and as dramatic as they seem to be. But, certainly, various phases of this problem are being attacked by the pharmaceutical companies.
We affirm that the true story of capitalism is now beginning, because capitalism is not a system of oppression only, but is also a selection of values, a coordination of hierarchies, a more amply developed sense of individual responsibility.
For all the idealism that propels him through the story, if you read between the lines you may see that at a moment which he considers a defining point in his life as an activist, he's also set the stage for potential ugliness down the road.
The story goes that a public sinner was excommunicated and forbidden entry to the church. He took his woes to God. 'They won't let me in, Lord, because I am a sinner.' 'What are you complaining about?' said God. 'They won't let Me in either.
In my work at 'Entertainment Weekly,' I had written reviews and news stories about YA books and film franchises and was always moved by how smart and voracious and loyal the readers were. Everything we did got lots of attention and reaction.
Being an entrepreneur is a mindset. You have to see things as opportunities all the time. I like to do interviews. I like to push people on certain topics. I like to dig into the stories where there's not necessarily a right or wrong answer.
I love Los Angeles, and it's been very good to me, but if everyone is running around telling the stories, who's living them? You don't play characters that are celebrities - you play guys who know what to do when their septic tank's blocked.
If Mr. Vincent Price were to be co-starred with Miss Bette Davis in a story by Mr. Edgar Allan Poe directed by Mr. Roger Corman, it could not fully express the pent-up violence and depravity of a single day in the life of the average family.
I heard so many stories from Gaomi's peasants that I had an irrepressible urge to write them down. Today, Gaomi's peasants know that they have become famous around the world through my writings, but I think they are a little puzzled by this.
[I have a] way of making narrative sculpture, where first you make a text and out of that text you make objects. [...] I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate.
Every success story is a tale of constant adaption, revision and change. A company that stands still will soon be forgotten. Trying to provoke positive change is a principle we've embedded across the Virgin family for more than four decades.
To me to be a storyteller is you got to be able to speak the truth. You've got to be able to absorb life and take in life and be able to interpret it in a way that anybody in this room could say, "Man, that's my story. I can relate to that."
Translating Candide into tweets has really deepened my appreciation of his writing - it wouldn't work so well with nineteenth-century authors. Every single sentence in Voltaire seems to advance the story, and yet stand alone as a sound-bite.
It is after all so easy to shatter a story. To break a chain of thought. To ruin a fragment of a dream being carried around carefully like a piece of porcelain. To let it be, to travel with it, as Velutha did, is much the harder thing to do.
You don't necessarily need to go to film school to learn that part of it. But what I valued was that it gives you that incubation and time to figure out who you are, what kind of stories you want to tell, and how you want to forge your path.
I am always looking for stories that will shed light on how companies define themselves - for better or for worse. When shared with others, such stories can have an enormous impact on how well we move forward in the changing world around us.
If something - if you have a good rapport then you're friends and you're offered projects together or you discover stories together. Jennifer and I discovered this story together, and it was evident to us we would only do it with each other.
I'm not searching for hard news; I'm not a journalist, but I'm interested in pushing to boundaries of where we can do the kind of stories that we want to do. I mean, it's a big world and CNN has made it a lot bigger and they haven't flinched.
As soon as you start to question your own intent while you're still in the process of discovering your story, you're in trouble because you've pulled out of that unconscious space that is so necessary in the beginning of the drafting process.
When he grew old, Aristotle, who is not generally considered a tightrope dancer, liked to lose himself in the most labyrinthine and subtle of discourses […]. ‘The more solitary and isolated I become, the more I come to like stories,’ he said.
Myself, I suffer from loneliness. And I think we all feel alone. I'm looking for stories that help people deal with loneliness and help them if they are monsters: they don't have to undertake monstrous actions. And maybe they're not monsters.
Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.
"Based on a true story" is a come-on, the aesthetic equivalent of "no loan request refused." For, at best, the creator has fashioned a film based on his understanding of, interpretation of, and reduction of the report of an actual occurrence.
It's not that I'm using my life to put on screen or in my acting, it's that, when you're living in the world, you're exposed to stories, to people, to things that feel foreign and unfamiliar. And I'm curious about those things, me personally.
When I first met Alan Parker, who directed 'Angel Heart,' he'd heard so many horror stories about me that he was literally scared to death of me. Right away, he sat me down and said, 'I'm very scared of you. I've heard you're a very bad boy.'
If Tolstoy were alive today and working at Panopticon Insurance, he'd say that all insurance companies are the same, then throw himself through an eighteenth story window and plunge to his death in a hail of glass and shattered dignity" (70).
It's too bad for us "literary" enthusiasts, but it's the truth nevertheless -- pictures tell any story more effectively than words . . . If children will read comics . . . why isn't it advisable to give them some constructive comics to read?.
When the storyteller tells the truth, she reminds us that human beings are more alike than unalike... A story is what it's like to be a human being-to be knocked down and to miraculously arise. Each one of us has arisen, awakened. We do rise.
I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story.
Every shrink knows that it's not the event itself but how you respond to it that tells the story. Take ten assorted individuals, expose them all to the same life trial, and they will each suffuse it with exquisite personal detail and meaning.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
That's the trouble with a story spinner. You never know what's real and what's made up. Even when they are telling the truth, they can't stop themselves from spinning it into something better; something prettier, with more of a pattern to it.
Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.
I had forgotten that, and so many things. How could I put everything down on paper? It seemed impossible. No matter what, the majority of life would be left out of this story, this sliver of a version of the life I'd known. But I tried anyway.
Obviously, a lot of TV shows are based on chronological episode viewing, and the stories are contingent upon watching it in order. Syndicated shows, you don't have to watch in order. You're just watching characters that don't change that much.
Nearly all monster stories depend for their success on Jack killing the Giant, Beowulf or St. George slaying the Dragon, Harry Potter triumphing over the basilisk. That is their inner grammar, and the whole shape of the story leads towards it.
One of the ways that your project, your personal healing, or your social invention can change the world is through story. But even if no one ever learns of it, even if it is invisible to every human on Earth, it will have no less of an effect.
When I complete a novel I set it aside, and begin work on short stories, and eventually another long work. When I complete that novel I return to the earlier novel and rewrite much of it. In the meantime the second novel lies in a desk drawer.
It's interesting because diversity doesn't just happen by garnishing your omelet with a little bit of parsley. Diversity happens because the people that are telling the stories - the writers, directors, storytellers - want to tell their story.
Just as our ancient ancestors drew animals on cave walls and carved animals from wood and bone, we decorate our homes with animal prints and motifs, give our children stuffed animals to clutch, cartoon animals to watch, animal stories to read.
I think it can be incredibly powerful for a teen to be able to put their story out there for others to soak in, learn from, relate to. In some ways, it validates their experience, which for teens (or for anybody, really) is a pretty huge deal.