Quotes of All Topics . Occasions . Authors
Anytime you share life stories with other people, you know, you are acknowledging their humanity and kind of accessing some things about yourself, and other people start to expect things about themselves. It's kind of like a fellowship.
Unlike life, you've got more or less complete control over what's going on in your stories. That's not to say you can make characters do whatever you want them to - they usually have a life of their own if you've done your job properly.
I grew up hearing stories about my grandmother - my mother's mother - who used to go to villages in India in her little VW bug. My grandmother would take a bullhorn and make sure women in these villages knew how to access birth control.
Internet journalism is not a world we know very well at all. It's conducted more on the screen and less in bars, which makes it rather less useful for getting stories about people throwing up over one another, which is what one's after.
I feel very lucky and privileged to be a writer. I feel lucky in the sense that I can branch out into prose and tell different kinds of stories and stuff. But being a writer is so great because you're literally not dependent on anybody.
When I read a story or see something play out in front of me I say, how come nobody's made a movie or a television show out of this? This is something that belongs in the conversation. Certainly that's what interests me about a project.
Find the story, Granny Weatherwax always said. She believed that the world was full of story shapes. If you let them, they controlled you. But if you studied them, if you found out about them... you could use them, you could change them.
People who think about time travel stories sometimes think that going back in time would be fun because you would have all the information you needed to be much more astute than the people there, when the truth is of course you wouldn't.
Movies really have replaced what traditionally were mythologies, that every culture had their mythological beliefs and their collective 'stories.' There is now the possibility for movies to embody that arising new state of consciousness.
The reason for such an “unreasonable” attitude with me is that I am not at all sure what will happen to me after death. I have good reasons to assume that things are not finished with death. Life seems to be an interlude in a long story.
I don't write fiction but I do write narrative; I write memoirs that I treat like stories, so whenever I'm using somebody I actually know as a model, I am submitting them to the agenda of a storyteller, and I feel free to do what I want.
We all get betrayed or we all betray. Life is so complex that it's almost impossible to avoid that. Betrayal is also a critical theme in all the world's great stories. If Christ had not been betrayed, would you have had the resurrection?
I taught writing for a while and whenever somebody would tell me they were going to write about their dad, I would tell them they might as well go write about killing puppies because neither story was going to work. It just doesn't work.
Tell me, why is the media here so negative? Why are we in India so embarrassed to recognize our own strengths, our achievements? We are such a great nation. We have so many amazing success stories but we refuse to acknowledge them. Why?.
Don't seek happiness. If you seek it, you won't find it, because seeking is the antithesis of happiness. Happiness is ever elusive, but freedom from unhappiness is attainable now, by facing what is rather than making up stories about it.
It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.
The framed tale is, in my opinion, one of the most natural ways to tell a story. If you think of it, the conceit of the frame-less story is actually the odd way of doing things. Without the frame, how do you know the context for a story?
Well, we are not doing that film actually. At least I am not at the moment, but we are making an effort to get it done; I don't know whether we'll get the financing for it. The old story we had it, it fell out of place and this and that.
In keeping with his cryptic nature, all your Story Weaver said was 'The horses know where to go.' It's certainly not a military strategy I would use, but I've learned that the south uses its own strategy. And, strangely enough, it works.
We have all heard the story of the man who preached so well and lived so badly, that when he was in the pulpit everybody said he ought never to come out again, and when he was out of it they all declared he never ought to enter it again.
Being a very bad daughter, I never really took time to sit down and listen to my mother's story, and she passed away in 2003. I became very guilty and began to spend a lot of time with older people. I listened carefully to their stories.
If we think that this life is all there is to life, then there is no interpretation of our problems, our pain, not even of our privileges. But everything changes when we open up to the possibility that God's story is really our story too.
In the private system and the private schools, the principal is pretty much a dictator. He or she can hire whoever s/he wants. Of course, in the movie, in the story, she makes a mistake by hiring him. But, if she doesn't, I have no story.
I just think Josephine Baker life story needs to be done. I think she was an extraordinary woman. To see someone who was basically a showgirl have the kind of lifestyle she had was extraordinary. I really think she made her own lifestyle.
I became an author because I love words. I enjoyed playing with them when I was a kid, writing stories and plays, and doing whatever I could think to do with words. I kept my love of them growing up and still love to see what they can do.
I've received a lot of positive feedback from both the secular and Christian markets. People seem to be receiving it with open arms and hearts, and are interested in the stories I want to share about my relationship with God and my faith.
As black people, we want our story to be this constant ascendance from slavery. But it's not like that. You push and it goes up. Then there's a backlash, and if folks stop pushing, it goes down. Let's face it, it's a lot more complicated.
Maybe it stems from my newspaper-reporting days, but I took notes the whole time - getting the call, how I felt. As soon as I put pen to paper, it became a story [Hunger Heart], not something happening to me but something I was recording.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
I really think there are many great organizations out there getting the word out about LGBT youth and bullying, but GLAAD has this way of making sure the stories about gay people are sent out and heard and not covered up, and I like that.
Of course that is not the whole story, but that is the way with stories; we make them what we will. It's a way of explaining the universe while leaving the universe unexplained, it's a way of keeping it all alive, not boxing it into time.
It's the way that I think about the world, and the way that I like to tell stories - I don't think you should get too heavy. There's enough out there, in the world, with violence. I think that comedy lightens the heaviness [of the world].
By telling you anything at all I'm at least believing in you, believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are. So I will go on. So I will myself to go on.
All these questions about do you want to be king? It's not a question of wanting to be, it's something I was born into and it's my duty. . . . Wanting is not the right word. But those stories about me not wanting to be king are all wrong.
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
I think I would love a shot at remaking 'The Philadelphia Story,' as daunting as it is. I still think it's fantastic. I love the '30s comedies because they're allowed to be both comic and elegant, and the women are so complicated in them.
Insecurity is a natural part of human nature, and there are times we feel our stories are not worth telling, so we turn to the people we admire for strength. If we dress like someone everyone thinks is cool, perhaps we'll be seen as cool.
Everybody has felt at one time or another that everyone else in the world had a better shot than they did, so when you engage that, you engage the reader, and I think you create a character that brings the reader more fully into the story.
The truth is, for however much my stories come out of things that have happened to me, they're not darkly or as deeply personal as someone like Marc Maron or a lot of comedians, but they are essentially my life and my interpretation of it.
He flung his arms around her neck, but only once he saw Silvertoungue's back was turned. He never knew with fathers. "I'll save him, Meggie!" he wispered in her ear. "I'll bring Dustfinger back. This story will have a happy ending.I swear!
The more we're governed by idiots and have no control over our destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible. Or, what's impossible? What's a fantasy?
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.
All those - or most of those - who went through the experience during the Second World War - they want to remember more - more and more. It's never enough because we feel that we have to tell the story. And no one can tell the story fully.
Literary modernism kind of grew out of a sense that, “Oh my god! I’m telling a story! Oh, that can’t be the case, because I’m a clever person. I’m a literary person! What am I going to do to distinguish myself? I know! I’ll write Ulysses.”
Fox News covers stories that some other news outlets won't cover. We ask some questions that other news outlets wouldn't ask. And sometimes that's perceived as bias by people who've grown up in a world where there are only liberal outlets.
A first novel of astonishing force, craft and beauty, The Headmaster's Wager conjures up a dizzyingly evocative wartime Saigon in the story of Percival Chen, a Chinese schoolmaster in Vietnam. This extraordinary book made me weep. Read it.
There are a lot of celebrities that I think can get a little bit distracted by the way that our society views celebrity. All of a sudden, the film becomes about, "Come see this celebrity!" I'm not interested in that. I want to see a story.
I could easily go through all my books and mark the ones that were original, mark the ones that were adapted or pre-published that I've found. I'm guessing though that probably 75% of them are personal events. I just love a personal story.
It's about storytelling. The story is told through images. So with the cast, I had to make sure that the emotions were readable without sound... I know some great actors, if you turn off the sound, you don't really know what they're saying
Lucy Lawless presented a couple of the awards. And, when I walked off the stage with her after one of them, she said "Oh, I want to introduce you to my friend Madeleine," and that's how I met Madeleine. I realize that's a ridiculous story.