Quotes of All Topics . Occasions . Authors
Just because I’m telling a story about a woman losing faith is not my rebellion against what I grew up in. If anything, it really affected the way I approached the story, and in fact, approach everything. I don’t judge my characters.
I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them anyway!
There's so much more (to say) about being young and being a woman, but I feel like not a lot of those stories are being told, so you have to grab onto what ever small truths you can find and present it in the most honest way you can.
Because when you go out, and you have fun, basically you're performing for these tabloid outlets and the paparazzi. And when you perform and create this story, they're chuffed - they get excited, they capture it, and they put it out.
I find my characters and stories in many varied places; sometimes they pop out of newspaper articles, obscure historical texts, lively dinner party conversations and some even crawl out of the dusty remote recesses of my imagination.
Being a mixed-blood person of Ojibway and European ancestry, I always found that I only heard one side of the story - that was the conquerers' side, the side of the French Jesuit missionaries that came to live in what is now Ontario.
The oil areas have a big problem digesting the oil. There's too much money, and the people don't know what to do with it. I'm finding all the time that we have more industries and more success stories which are not involved with oil.
For right now, I'd like to tell stories that I want to tell. I haven't wanted to use someone else's material yet, but I would with the show. It's become an integral enough part of me now, that I could definitely tell a story in this.
Really, I have to laugh because there was a whole set of stories that made me sound like the Dragon Lady, you know, 'tough this and tough that.' Then there is this business about 'gooey.' The bottom line is I am a pragmatic idealist.
The Bible is endlessly interesting because it is God's story, and God by nature is himself endlessly interesting. The Bible is an ever-flowing fountain. The more you read it, the more you find its truth and beauty to be inexhaustible.
The Iraqi Free Press, which did not exist 18 months ago because there was no such thing as the Iraqi Free Press, broke a story about the U.N. Oil-for-Food scandal, which could potentially turn out to be the largest scandal in history.
It has been my experience that most human stories are circular rather than linear. Regardless of the path we choose, we somehow end up where we commenced - in part, I suspect, because the child who lives in us goes along for the ride.
The research period of a film is the most exciting part of the process, and filming is sometimes a letdown because when you're dealing with biopic material, the real thing is always much more intricate than the story told in the film.
Actually, I met a lot of directors and most of them have that fantasy to make a silent movie because for directors it's the purest way to tell a story. It's about creating images that tell a story and you don't need dialogue for that.
The thing I love about acting is that you can bring something very personal into the open and at the same time remain hidden because you're always playing a character in a story that someone else has imagined. You're always protected.
It’s a miserable story!” said Bruno. “It begins miserably, and it ends miserablier. I think I shall cry. Sylvie, please lend me your handkerchief.” “I haven’t got it with me,” Sylvie whispered. “Then I won’t cry,” said Bruno manfully.
You take out an injunction against somebody or some organisation and immediately news of that injunction and the people involved and the story behind the injunction is in a legal-free world on Twitter and the Internet. It's pointless.
What I do know is that with a celebrity's death comes an avalanche of media, and in that media is most often another death - it takes a life that is filled with complicated talent, hope, success and drive and reduces it to the 'story.
I used to feel that if I say something's wrong, I have to say how it could be made right. But what I learned from Kurt Vonnegut was that I could write stories that say I may not have a solution, but this is wrong - that's good enough.
I've always admired the tradition of storytellers who sat in the public market and told their stories to gathered crowds. They'd start with a single premise and talk for hours - the notion of one story, ever-changing but never-ending.
That so much of our experience, or the stereotype which passes for it should be dealt with by means of the short story is perhaps a symptom not unnoticeable elsewhere in the public domain of an unlovely cynicism about human character.
In fact, I thought that Christianity was very a good and a very valuable thing for us. But after a while, I began to feel that the story that I was told about this religion wasn't perhaps completely whole, that something was left out.
I love YA, and it's been a really good fit for me. But at some point, I would like to try something else: a collection of short stories, or writing about something other than high school. A lot has happened to me since I was eighteen.
Writers are there to write, not experience things. If you want to experience things, become a pirate or a Bookhunter. If you want to write, write. If you can't find the makings of a story inside yourself, you won't find them anywhere.
We have to tell the stories of the everyday Americans who are adversely impacted by these policies. That's how we were able to keep the Affordable Care Act from being repealed. People told their stories; people showed up at Town Hall.
We have to make a disciplined effort to find out what our governments are doing in these various parts of the world and what is actually happening. We have to learn to listen to each other's stories. Something we are not very good at.
When I journal, I write about images that I've seen that I think might make good stories. I write about things that I hear that I think I can turn into a story. I write about the story that I'm working on and where I think it might go.
All through my life what I've loved doing is watching movies. I love the escapism of film, I love stories. So it is incredible to be able to be in them as much as I am, to see them from the first stitch in a costume to the end product.
Real life is not quite as it is in stories. In the old tales, bad things happen, and when the tale has unfolded and come to its triumphant conclusion, it is as if the bad things had never been. Life is not as simple as that, not quite.
I do believe that sci-fi or historical fiction finds an easy home in comics because there are no budget constraints in regards to the necessary world-building or visual effects necessary to bring those stories to life in other mediums.
The proper ending for any story about people it seems to me, since life is now a polymer in which the Earth is wrapped so tightly, should be the same abbreviation, which I now write large because I feel like it, which is this one: ETC.
If it's a story I'm telling, then I have control over the ending... But if it's a story, even in my head, I must be telling it to someone. You don't tell a story only to yourself. There's always someone else. Even when there is no one.
That has always seemed to me one of the stranger aspects of literary fame: you prove your competence as a writer and an inventor of stories, and then people clamour for you to make speeches and tell them what you think about the world.
The thing about this business is that you always end up finding these amazing stories and these amazing people who make amazing films. I just want to work with good people and keep challenging myself with different kinds of characters.
By interviewing at least one veteran, you can preserve memories that otherwise might be lost. My uncle was a downed fighter pilot and P.O.W. in World War II, and I am looking forward to recording his story for inclusion in the project.
A skillful playwright might have a good time with the story of the assassination of President William McKinley, and especially with the three most flamboyant political figures involved: Mark Hanna, Theodore Roosevelt, and Emma Goldman.
I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.
I feel very lucky and privileged to be a writer. I feel lucky in the sense that I can branch out into prose and tell different kinds of stories and stuff. But being a writer is so great because youre literally not dependent on anybody.
I'm the only Mauritanian filmmaker so it wouldn't make sense to make a film in France. I could shoot outside of my own country if the story was something that called for it. Africa really has to be the reason for me to make a new film.
In a story, you have to have a theme and an angle, you have to have a beginning, middle and an end. You have to have a defining moment and kick it to death. You gotta be able to recognize that, by the way. It probably takes experience.
You will always have partial points of view, and you'll always have the story behind the story that hasn't come out yet. And any form of journalism you're involved with is going to be up against a biased viewpoint and partial knowledge.
When was the last time someone read aloud to you? Probably when you were a child, and if you think back, you'll remember how safe you felt, tucked under the covers, or curled in someone's arms, as a story was spun around you like a web.
In the average newspaper there is not a complete suppression of stories that the sacred cows don't want printed. But rather what happens is that the stories get printed with stresses, colorations and emphasis that favor the sacred cows.
Awkwardness is where tension is, and tension is where the story is. It's also where the comedy is, which I'm interested in; when it resolves it tends to resolve toward melancholy, a certain resignation, which I find interesting as well.
Tell me, why is the media here so negative? Why are we in India so embarrassed to recognise our own strengths, our achievements? We are such a great nation. We have so many amazing success stories but we refuse to acknowledge them. Why?
My favorite films are the ones that I walk away from and I know I saw a story. I saw the core part of the plot. But if I ever take another look at it then I can see that there was some more stuff going on in there that I didn't realize.
I would definitely like to direct at some point. I've been very fortunate to work with some amazing talent and study them. But when the right time and the right story arrives, and I feel like I'm compelled to tell it, then I'll do that.
For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person and things happen to them and then something big happens and they realize something new.
This is my favorite story of the week. The Republican National Committee is in trouble after spending nearly $2,000 at a bondage club in Hollywood. You know what I call a Republican who spends a lot of money in a strip club? A Democrat.
There is pressure when you have a very big book like 'Shadow Divers' to follow up with something big. But you can't let that pressure determine what you do. You just look for the best stories, and when you find a great one, you tell it.