Even on health care what you've seen is a lot of stories surfacing lately about people who said, "Well, I voted for [Donald] Trump but I don't think he's really gonna take away my health care."

There's a personal story of my own that I will write at some point, and it's a film that I will happily make. It could very well be the next thing I do, unless someone shows me something great.

I guess you can stay sort of true to the story; you don't have to artificially bring the character back from whatever doom you've designed for them, you can tell the story, I suppose, honestly.

Television is competitive now, and the great stories live on television right now. I'm finding that I'm enjoying television more than film, these days. That was my motivation to take a TV show.

As a kid, I did want to be an old-timer, since they were the ones with the big stories and the cool clothes. I wanted to go there. Now, I guess I want to bring that with me and go back in time.

When I finally write the first sentence, I want to know everything that happens, so that I am not inventing the story as I write it - rather, I am remembering a story that has already happened.

But there was more to it than that. As the Amazing Maurice said, it was just a story about people and rats. And the difficult part of it was deciding who the people were, and who were the rats.

Alright, all right," I said. "What if I tell you a story, instead?" Highlanders loved stories, and Jamie was no exception. "Oh, aye, " he said, sounding much happier. "What sort of story is it?

Here in Florida, we know plenty about the Castro brothers, and we hear stories of their ruthless and violent rule far too often. It is shameful that we would grant them any shred of legitimacy.

Women's books are kind of discriminated against. If a man writes a book about his family stories, people think of it as literature. If it's a woman, she's 'spilling her guts,' and it's not art.

The inside jokes weren't jokes anymore. They had become stories. Nobody brought up the bad names or the bad times. And nobody felt sad as long as we could postpone tomorrow with more nostalgia.

I grew up in a family where the love of stories is very strong. And there's also a love of performance. I think one reason stories were so important in my family was that we moved around a lot.

Histories never conclude; they just pause their prose. Their stories are, if they are truthful, untidy affairs, resistant to windings-up and sortings-out. They beat raggedly on into the future.

I looked back at some of my earlier published stories with genuine horror and remorse. I got thinking, How many extant copies might there be, who owns them, and do they keep their doors locked?

The urge to create a fictional narrative is a mysterious one, and when an idea comes, the writer's sense of what a story wants to be is only vaguely visible through the penumbra of inspiration.

My parents moved from ranch to ranch, valley to valley, town to town, but our roots in Fowler never really faded. For me, it's a place of history, stories and songs, not just facts and figures.

Oh, this absolute loneliness and the game - loving to play the game, loving to go and tell stories to men that certainly weren't true, just for the sport of it, just to see how they would react.

Every person you see has stories, and every person you see has a few that would break your heart. We deserve each other's respect simply because we've survived all we have and kept going anyway.

Stories are really important to people and can really change the way they understand, and even live, their lives. As such, I don't agree much with people who say, 'Calm down, it's just a story.'

Readers re-create any story to suit their own needs. They re-clothe the story in their own shirts. Put simply: just as we write the story we need to write, they read the story they need to read.

Whatever may be the success of my stories, I shall be resolute in preserving my incognito, having observed that a nom de plume secures all the advantages without the disagreeables of reputation.

A story can take you through a whole process of searching, seeking, confronting, through conflicts, and then to a resolution. As the storyteller and the listener, we go through a story together.

I actually have a life I said I wanted to have. I wanted to tell stories I want and be with my family. I'm whispering it, because I'm a quarter Jewish and afraid it's all going to be taken away.

But you speak of Master Gandalf, as if he was in a story that had come to an end.' 'Yes, we do,' said Pippin sadly. 'The story seems to be going on, but I am afraid Gandalf has fallen out of it.

I let my game do the talking. I've had incidents like that but when I compare my own story to the stories that have happened forty or fifty years ago particularly to Jackie Robinson for example.

I think that all stories - if you make movies about zombies and aliens - it has always to do with your personal story. If not directly, it is about your fears, your obsessions, things like that.

And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story.

Being an author is fun. It's a great job, because I can stay up as late as I want, and if I feel like taking the day off, I do it. Plus, I get to make up silly stories and draw pictures all day.

I'd like to be taken in charge of as an actor, not to be abandoned with asinine dialogue and meaningless actions or stereotyped characters. I'd like to feel like I'm in a character driven story.

Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them.

I'm not going to name some of my colleagues who are very well-known for their television presentation, but they wouldn't know new information or how to report a story if it came up and bit them.

'Shotgun Stories' and 'Take Shelter'... I was willing to make those with no money and no time. With 'Mud,' I just wanted to protect it until I could have the resources. It's a real tricky movie.

No one can tell you what your life is goin to be, can they? No. It's never like what you expected. Quijada nodded. If people knew the story of their lives how many would then elect to live them?

There are tons of talented people out there, and we just don't get a chance to get into this system. I want to be a part of that. I want to help these young, diverse, unique voices tell stories.

The mysteriousness and mystique of space is such, that science fiction attempts to tantalize you by telling you a story that could possibly be out there and that's the appeal of science fiction.

I hate even the idea of a synopsis. When stories are really working, when you're providing subtextual exploration and things that are deeply layered, you're obligated to not say things out loud.

I grew up a poor kid to a single mom, so as an African-American actor I have a responsibility to hold the mirror up and reflect our stories. I'm living the dream and also escaped the inevitable.

The story does what no theorem can quite do. It may not be "like real life" in the superficial sense: but it sets before us an image of what reality may well be like at some more central region.

All human beings have an innate need to hear and tell stories and to have a story to live by. religion, whatever else it has done, has provided one of the main ways of meeting this abiding need.

I love a good cliffhanger. I love when big events happen in shows. I love shows that aren't afraid to take risks and to really do what's best for the story line and realistic for the story line.

The deep places in our lives - places of resistance and embrace - are reached only by stories, by images, metaphors and phrases that line out the world differently, apart from our fear and hurt.

I was amazed and upset by the looks I got just walking around the studio... It illuminates the ugliness and the beauty that exists within each of us, and that's what this story represents to me.

Character driven stories engage me and when an audience gets to know a character in an unforced way and finds themselves rooting for him or her, those are the kind of movies that get me excited.

That's a frustration sometimes, that certain directors that I'd like to work with, they just aren't doing stories that I'm sort of castable in. Not always, but sometimes I have that frustration.

If I inherited a billion dollars and didn't have to work ever again, what would I do to fill my day? I'd paint, I'd write jokes and stories, and I'd hang out and chat to very interesting people.

They're classic themes, which is why I think it's such a great story to look at again. The concept of being loyal to your friends, to the point where you'd even die for them, is a great subject.

I'm always drawn to stories about characters who are somewhat isolated inside themselves by their inability to communicate in some way. That's what interested me about 'Children of a Lesser God.'

Research is always the best part. As we dug deeper into the history and mythology behind each of the hallows, we discovered more and more stories - some of them deserving of novels in themselves.

I found that while it was interesting to travel around and take the photographs, I would find that I was more interested in the stories behind the photographs. I was more interested in narrative.

There are autobiographical elements to the albums, and when I write, I always reference my own life as well as other things, so I'm just like any novelist or any fiction writer who tells stories.

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